Mrs. Table
- El episodio se transmitió el 8 may 2025
- TV-MA
- 36min
Deborah recibe el premio al Valor en la Comedia, mientras que Late Night reserva un invitado de última hora. Mientras tanto, Ava llega a su punto de ruptura en el programa.Deborah recibe el premio al Valor en la Comedia, mientras que Late Night reserva un invitado de última hora. Mientras tanto, Ava llega a su punto de ruptura en el programa.Deborah recibe el premio al Valor en la Comedia, mientras que Late Night reserva un invitado de última hora. Mientras tanto, Ava llega a su punto de ruptura en el programa.
- Dirección
- Guionistas
- Elenco
Fotos
- Marcus
- (solo créditos)
- Josefina
- (voz)
Opiniones destacadas
The third season seemed to bring out the negatives in both characters, in ways that got increasingly annoying.
By the 4th season it was hard to like either Deborah or Ava.
Deborah has little redeeming her anymore. Ava seems to increasingly become a child and is the epitome of why late night TV is dead.
I don't think I'll bother watching if there's a 5th season.
Up until these episodes, Hacks had consistently delivered with its sharp, dark humor. The interactions between Deborah Vance (Jean Smart) and Ava (Hannah Einbinder) were a joy to watch-filled with snappy one-liners, biting commentary, and a sense of irreverence that made the show stand out from other comedies. Even when the characters were dealing with personal and emotional issues, the show managed to maintain its comedic energy, striking a perfect balance between humor and the more serious elements of their lives.
But in the fifth and sixth episodes of Season 4, there's a noticeable shift. The focus on comedy has been reduced, and in its place, the series dives deep into emotional conflict, character struggles, and heavy drama. Now, I'm not opposed to Hacks exploring more serious themes-on the contrary, I think the show has done a wonderful job of adding depth to its characters over time. But there's something off about how these episodes completely abandon the sharp humor and, in doing so, disrupt the show's rhythm.
What's most frustrating about this shift is that it feels forced. The characters of Deborah and Ava, who once sparked such hilarious back-and-forths, are now weighed down by drama that doesn't seem to organically flow from their personalities or the story at hand. The tension between them, while meaningful, feels heavy-handed at times, and their interactions-which were once the backbone of the show's comedic appeal-have become bogged down in personal issues that don't land with the same impact as earlier episodes. The comedy is noticeably absent, and in its place, we're left with dramatic scenes that often feel like they belong in a different show altogether.
It's not that the drama isn't compelling-it's just that Hacks was never meant to be primarily a drama. The show found its success in the unique way it tackled serious issues with humor and wit, often using comedy as a coping mechanism for the characters' flaws and insecurities. In these recent episodes, the humor that made the show so brilliant is almost entirely pushed aside in favor of prolonged, emotionally intense moments that seem to drag on longer than necessary. This isn't to say that emotional depth doesn't have its place, but it feels like the series is losing its identity as a comedy. Without the biting humor that made Hacks such a standout, these emotional moments feel less impactful and more like filler.
The change in tone also impacts the pacing of the series. The earlier episodes of Season 4 were fast-paced, packed with humor and sharp dialogue that made every scene feel exciting. But in Episodes 5 and 6, the pacing slows dramatically. The jokes are fewer and farther between, and the narrative seems to drag as it focuses more on resolving conflicts and emotional arcs rather than moving the plot forward in a meaningful way.
I understand that no show can remain the same forever, and I appreciate that Hacks is evolving and exploring new dimensions of its characters. But there's a risk when a series changes direction too drastically, especially when it moves away from the core of what made it great. Hacks was always a master at blending the absurd with the real, using humor as a tool to explore serious themes in a way that was both poignant and funny. In the last two episodes, however, that balance feels off, and the show risks losing what made it unique in the first place.
In conclusion, while I'm hopeful that the show will find its comedic footing again in the upcoming episodes, I can't help but feel that Hacks has strayed a little too far from its roots. The comedy that once defined it seems to have been sidelined in favor of heavy-handed drama, and as a fan, it's hard not to feel disappointed by this shift. I look forward to seeing if the series can find its way back to the biting humor and cleverness that made it such a hit in the first place, because without that, it risks losing the spark that made it so enjoyable in the first place.
¿Sabías que…?
- TriviaThe ocean scene was filmed in San Pedro, and Jean Smart does go into the cold ocean. A portion of it was also shot on stage, in a tank which was heated to 114 degrees.
- Citas
[while heading a lunch-meeting with her staff, Ava uncovers a container of food on the long table]
Ava Daniels: Whoa, branzino? Who's Mrs. Table?
Samira: Well, sometimes we just order extra food for the table. We - we call it Mrs. Table.
Ava Daniels: You ordered a whole bone-in branzino for the table?
Merrill: Well, sometimes its branzino. Sometimes it's fries. Sometimes it's lobster rolls.
Ava Daniels: [incredulous] Lobster rolls?
Merrill: Yeah.
Ava Daniels: [shouting at the top of her lungs] I have been subsidizing lobster rolls? For Mrs. Table? A not-real person. A not-real person is getting $48 branzino?
Merrill: 72.
Ava Daniels: [shouting continues] This is so disrespectful! I have been working so hard! I get here every morning at 5:30 on the dot. One time, I walked in on the janitor jerking off because he didn't think anyone else was here, and I didn't report it because he probably doesn't get paid a living wage! And by the way, branzino doesn't travel well. You should never order it to go!
Ava Daniels: [Ava throws the branzino against the window and screams] I quit!
- ConexionesReferences The Rosie O'Donnell Show (1996)
- Bandas sonorasYamar
(uncredited)
Written by Cyril Ferguson
Performed by Dry Bread
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Detalles
- Tiempo de ejecución
- 36min
- Color
- Mezcla de sonido