Set against the open plains of South Dakota, Fall is A Good Time To Die is a story about the weight of grief, the pull of revenge, and the silence between breaths. It's slow and deliberate-until it's not. There's reflection in every frame. Stillness in every scene. When it needs to get loud, writer/director Dalton Coffey sure sees that it does.
Through it all, Coffey's wonderful cinematography skills are on exhibition. He shows the rawness and starkness of land and people alike all in beautiful browns and tans and blues. On top of the gorgeous visual, Coffey lays down a killer soundtrack full of piano, slide guitar, and electric kicks. His music is just as masterful as his visuals. It's haunting. It's hopeful. It's all his.
Dalton Coffey doesn't waste a word or a frame. Similar to his guitar work, Coffey's minimalistic writing concludes with a big payoff. Cody might no longer be quiet. Jane might have a little bounce on her step. Yet South Dakota remains unchanged. Fall is a Good Time To Die doesn't reinvent the wheel. Dalton Coffey just rolls it slow and steady, right where it needs to go. This one deserves attention that's as wide as the South Dakota sky.
