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The Taking of Deborah Logan is a creepy, creepy movie. If you want a good midnight creepfest then this will certainly do the job. The plot revolves around this girl and her camera crew who's studying Deborah Logan for her Ph. D thesis on Alzheimer's disease. Deborah's daughter Sarah is the one who sets this whole thing up and is basically the movie's protagonist and is a necessary part of getting through to Deborah during the rough times and helping mediate with the camera crew and whatnot.

Let me say right off the bat, the acting in this movie is very good. Well above average for a horror movie, and it almost gave me a Babadook vibe because its about a woman dealing with something difficult and her slow descent into madness. Both movies feel more like character studies rather than flat out scary movies, mainly because the leading women are so convincing and terrifying in their roles. Sarah was also very believable as Deborah's daughter doing everything she can to keep her own sanity while dealing with her mom's deteriorating condition. That's the main thing when it comes down to found footage horror: Whether the found-footage feels like a gimmick or not. And in this movie it doesn't. They set this thing up like a documentary. There are even a few medical scenes that explain the effects of the disease and how it affects the brain which I thought was a nice touch.

Like I said, this is a creepy movie. It's very slow paced like most found-footage movies but the exposition is well done and interesting, and actually gets us to know the family and how they operate so we can really be affected when things start going downhill. Even before the supernatural factors start coming in, there's an ominous aura to this movie, tonally, it's just very down-to-earth which makes it feel like you're actually there, which in turn makes it that much creepier. So the movie nailed it on that front. Then when the supernatural stuff does come in, it gets even weirder and a few scenes get really intense. Some shots are extremely quiet and scary and you think a jump scare is about to happen any second but... then... nope, next scene. And I love that, because the anticipation and tension from that shot still lingers into the next, and then the next, until you feel it's going to explode at any minute. It's very well directed in that respect.

That being said, there are cheap jump scares. There are some really cheesy ones with amazing build ups that have really LOUD sound effects to try to make you jump but just leave you like "eh, that could've been a lot better". But some scares actually pay off mainly near the end of the film and those are worth waiting for. There's also a lot of creepy imagery. Like, borderline disturbing imagery, because you believe this woman is doing these things and it's hard to watch, but in a good horror movie edge-of-your-seat kind of way. I really liked the tone of this movie, and I loved how they tied the disease with the supernatural stuff seamlessly. And there aren't that many dull spots in the movie - there's always something creepy going on whether in the foreground or background that keeps you on your toes.

In short, The Taking is an effective found-footage movie. The atmosphere is unnerving as hell, the acting is great, and it definitely creeped me out which is all I can ask for in a horror movie. Definitely worth a watch if you're a fan of the genre.

Wow. I'll start by saying I'm not usually a fan of found footage films. I typically think they're boring and hard to follow. But I actually liked this one. It was actually creepy; as a fan of horror movies, I can 100% say that this one had genuinely spooky moments that creeped me out. There were things I've never seen in other horror movies. It also had a decent amount of comedy, which I always appreciate.

Is it the best horror movie ever? Definitely not. But is it an entertaining time? Yes. Does it have genuine scares? Yes. Will horror fans appreciate? Most likely, yes. Again, I'm not a fan of found footage films, but I liked this one. I'd recommend it to anyone who likes a good old horror.

Let me get one thing out first: this was not a great movie. It could be a good movie, but right now I'm such in shock that I don't know how I feel. I don't understand the reviews saying this movie is boring or slow. I felt like it had a very nice pace that kept the story rolling and my interest high.

What I will say is that the biggest detriment to this movie is that it was willing to have its characters make stupid choices in order for the creepy, intense scenes to happen. People often don't turn on lights when they are readily available (or should be, maybe there were unspoken reasons why the lights weren't working?). When Deborah becomes violent and injures people, she is not kept under lock and key until they can figure out how to treat her, rather she is allowed to go home time and again so she can do the same things. And of course, people go into places alone when they shouldn't, and don't call for back up when they should.

That being said, I have to hand it to the filmmakers for creating some of the most intense and effective scaring that I've seen in years. Not even just the finale (I'll get to that later) but intermittently. Not everything works, and not every scare is fresh or original, but quite a few of them hit the mark and had me at the edge of my seat.

And finally the ending. I had read in other reviews that this was quite the doozy, and I have to admit I was in no way, shape, or form prepared. I don't want to over-hype it (although I can't imagine how), but that was something I could not have seen coming, and for the first time in my horror-loving life, I actually had to look away from the screen. The image is still burned in my mind.

I can say that the ending almost made the whole thing worth it, but just for setting up the scary bits I can't rationalize all the stupidity the characters show. As a whole, I don't regret watching "Taking" but it definitely had its flaws.

That ending though...

You know when you watch a movie and you constantly yell at the characters because they do everything wrong? Yeah, this movie is one of those.

Here's the premise: A group of people get to film an old lady in the struggle of an early diagnosed Alzheimer's disease. Her behavior is getting worse really fast, but it seems something else is going on with her, something evil...

Jill Larson is the best actress in the movie. She really nails her character. Anne Ramsay follows, then the rest of the acting is okay I guess.

Now, the problem with this movie is mainly about rational behavior of the characters. You know, when you are looking for someone confused in the house, it works better with the lights on. But here noooo, that wouldn't be scary enough. The group could also make sure to tell her they are coming and are looking for her, but it feels like they are almost hiding from her. Then when we find the lost lady or something scary, we also get a bonus unrelated scary sound, to make sure the jump scares are effective.

Some scenes can get pretty exciting sometimes, but don't hope to find anything extraordinary with this movie, you'd be disappointed. If you're looking for a barely decent found footage/mockumentary flick, you can give this one a chance. Just don't think too much about logic in this movie, because it is pretty much inexistent.

THE TAKING OF DEBORAH LOGAN is a "found footage" film. As in most such movies, there are plenty of scenes of people running around in dark places, screaming. Yes, we might wonder why someone is always carrying a camera around, and has the presence of mind to use it, no matter what sort of crazy $h!t is happening around them!

And yet...

This particular movie is very effective. The main reason is Deborah Logan (Jill Larson) herself. She's an woman who is apparently suffering through Alzheimer's disease. College student, Mia Medina (Michelle Ang), is inspired to document Deborah's every move, bringing in the expected film crew.

Mia and company record far more than they ever expected.

Again, the power of this movie resides solely in Ms. Larson's performance. She takes her character into depths of self-degradation that few actors, of any age, would dare to go. The nearest reference point would be Ellen Burstyn's tour de force of humiliation in REQUIEM FOR A DREAM.

In addition to Ms. Larson, this movie also has that rarest of commodities known as an original story. The possibility of a supernatural aspect is both intriguing and, ultimately terrifying. Ms. Larson pulls this off without a hint of irony or absurdity.

For those looking for quality in an otherwise tired sub-genre...