Breakdown

I was not expecting much from this as it came out of the blue but was pleasantly surprised at the outcome. All the actors were more than accomplished in there roles, especially the female leads. Mr Fairbrass does his usual impression of 'wasp chewing bulldog' but also managed to at least attempt some tenderness. Some nice turns and a twist keeps the pace up without relying too much on ultra violence, of which there is plenty.

The only infuriating let-down was the damn sound balance. Whisper quiet dialogue (especially Connor) that ramps to 200db at the flick of a switch. Sitting with hand poised over volume control for the whole film got tedious!

Apart from that, good work.

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

Alfie Jennings (Craig Fairbrass) is a cold, ruthless contract killer, who has suddenly developed a crisis with his conscience, haunted by nightmarish visions of those he has killed over the years. It all comes to a head one night when he is unable to a finish a job, and embarrasses headman Chapman (James Cosmo), his employer and family friend. With his fifteen year old daughter to look after, and loving wife in tow, Alfie realises it's time to quit the life...but Chapman has other ideas.

Breakdown enjoyed the most limited of cinema releases, before rapidly arriving on DVD. If this kind of British film were in the mainstream, it would paint a very grim picture of the current state of our green and pleasant land. While many may think it has a point, the brutal, unflinching violence and cold, dispassionate onslaughts this film delivers at times, really make your skin crawl and test your endurance limit, making you question when as a decent person you should turn away.

This is fairly standard looking in presentation, and appears to want to burst right out of it's direct to DVD confines, offering that little bit more meat on the bones than the usual such film, cramming in subplots involving family dramas and soforth, and even an element of horror at the beginning that might have stretched the budget a bit. Fairbrass has an undeniably hard, no nonsense presence and delivery, and is very effective in the lead role, whilst Cosmo, by turns, is a quietly understated and menacing villain.

Ultimately, though, it isn't pieced together well enough to work as a whole, and the sheer gratuity and nastiness of it really weighs it down. **

This film was better than I thought it was going to be it had a gripping stoeyline,different to what you normally see in these films ,Craig Fairbras played the role well as a man with a past catching up with him.

Nice to see some of the familier faces from these gangster films again.

I watch the new British films emerging from a generation of filmmakers trained in the language of Hollywood realism and soaps and TV detectives/villains and wonder if anyone who gets involves in making cinema like this realises what a waste it all is..same terrible copies of every other kind of cliché/stereotype/scene structure/shot style/music soundtrack that has been a massive bore time and again. Dreadful script, appalling characterisation,violence,lots of blood,gore,and for what ? For no one to see it in a cinema,or anywhere else with luck, all for the sake of making "a film".Those who made this should be ashamed .....when there are so many ordinary people's lives in Britain totally ignored by mainstream media, hidden behind crap like this so called film.

It takes a long time to go where it wants to go. Craig Fairbrass plays his normal characterisation, normal dialogue 'Hardman'. The only thing that saves this is the presence of James Cosmo. Apart from that, it is a violent over timed movie that could be cut down by at least 30 minutes just by speeding it up and making it a little more exciting.