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Beatles '64

  • 2024
  • 1h 46min
CALIFICACIÓN DE IMDb
7.2/10
2.7 k
TU CALIFICACIÓN
The Beatles in Beatles '64 (2024)
Captures the band's electrifying 1964 US debut amid fan frenzy. With rare behind-the-scenes footage, it chronicles their unprecedented rise to global superstardom after performing on The Ed Sullivan Show to over 73 million viewers.
Reproducir trailer2:23
6 videos
67 fotos
DocumentalMúsica

Retrata el electrizante debut de la banda en EE.UU. en 1964 entre la locura de los fans. Con imágenes exclusivas, narra su ascenso meteórico a la fama mundial tras actuar en el programa de E... Leer todoRetrata el electrizante debut de la banda en EE.UU. en 1964 entre la locura de los fans. Con imágenes exclusivas, narra su ascenso meteórico a la fama mundial tras actuar en el programa de Ed Sullivan ante 73 millones de espectadores.Retrata el electrizante debut de la banda en EE.UU. en 1964 entre la locura de los fans. Con imágenes exclusivas, narra su ascenso meteórico a la fama mundial tras actuar en el programa de Ed Sullivan ante 73 millones de espectadores.

  • Dirección
    • David Tedeschi
  • Elenco
    • The Beatles
    • John Lennon
    • Paul McCartney
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.2/10
    2.7 k
    TU CALIFICACIÓN
    • Dirección
      • David Tedeschi
    • Elenco
      • The Beatles
      • John Lennon
      • Paul McCartney
    • 22Opiniones de los usuarios
    • 33Opiniones de los críticos
    • 78Metascore
  • Ver la información de producción en IMDbPro
    • Nominado a 2 premios Primetime Emmy
      • 1 premio ganado y 5 nominaciones en total

    Videos6

    Official Trailer
    Trailer 2:23
    Official Trailer
    Beatles '64: What Should We Do?
    Clip 1:02
    Beatles '64: What Should We Do?
    Beatles '64: What Should We Do?
    Clip 1:02
    Beatles '64: What Should We Do?
    Beatles '64: Take 251
    Clip 0:31
    Beatles '64: Take 251
    Beatles '64: New York
    Clip 0:38
    Beatles '64: New York
    Beatles '64: You Really Got A Hold On Me
    Clip 0:58
    Beatles '64: You Really Got A Hold On Me
    Beatles '64: She Loves You
    Clip 0:33
    Beatles '64: She Loves You

    Fotos66

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    Elenco principal43

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    The Beatles
    The Beatles
    • Themselves
    • (material de archivo)
    John Lennon
    John Lennon
    • Self
    • (material de archivo)
    Paul McCartney
    Paul McCartney
    • Self
    George Harrison
    George Harrison
    • Self
    • (material de archivo)
    Ringo Starr
    Ringo Starr
    • Self
    Joe Queenan
    Joe Queenan
    • Self - Writer
    Vickie Brenna-Costa
    Vickie Brenna-Costa
    • Self - Fan from the Plaza Hotel
    Danny Bennett
    Danny Bennett
    • Self - Music Producer
    Martin Scorsese
    Martin Scorsese
    • Self - Producer
    Jamie Bernstein
    Jamie Bernstein
    • Self - Writer
    Ronnie Spector
    Ronnie Spector
    • Self - The Ronettes
    • (material de archivo)
    Jack Douglas
    Jack Douglas
    • Self - Music Producer
    Terence Trent D'Arby
    Terence Trent D'Arby
    • Self - Artist
    • (as Sananda Maitreya)
    • …
    Jane Tompkins
    Jane Tompkins
    • Self - Writer
    Smokey Robinson
    Smokey Robinson
    • Self - The Miracles
    Harry Benson
    Harry Benson
    • Self - Photographer
    David Lynch
    David Lynch
    • Self - Artist…
    Ronald Isley
    Ronald Isley
    • Self - The Isley Brothers
    • Dirección
      • David Tedeschi
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios22

    7.22.7K
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    Opiniones destacadas

    7HabibieHakim123

    A Nice Tribute To History And A Nostalgic Trip, But Not A Game-Changer

    Beatles '64 might not be the most groundbreaking Beatles documentary, it's not Get Back, where newly unearthed Beatles footage is revealed in all its glory, instead, it serves more as a nostalgic throwback, revisiting an iconic and historic moment in the band's journey, while much of the footage has likely been seen by longtime fans, the upgraded quality offers a fresh perspective, the story that they told about the surrounding vibe and reaction was enough to keep the film going, i wish we could've got more of Paul and Ringo with Scorsese, that said, as a retrospective, it's still a fascinating look at a pivotal moment in Beatles history, as a fan, i thoroughly enjoyed it, though as a documentary, it's not the one that i would revisit nor the the one that i think was the most engaging, i would still much prefer the Eight Days A Week documentary by Ron Howard, but it's still nice to watch.
    7Lejink

    When In '64

    A better title for this latest Beatles-featured movie would really have been "Beatles in America '64" when you consider that in that same year they elsewhere recorded two albums, an EP, and three singles, one of which which contained a non-album A and B-side. Then of course they made the "A Hard Day's Night" movie, toured the UK, Australia and Europe and made various promotional television appearances besides. Most acts today would struggle to do all that in five years I dare say.

    The movie makes extensive use of the vérité footage shot by the Maysles Brothers at the time, interspersed with news bulletins and interview inserts with all four Beatles, naturally of the archive variety with John and George accompanying present-day pieces by Paul and Ringo.

    Being the dyed-in-the-wool fan that I am I naturally enjoyed every minute of it, but I wouldn't say I saw anything here which really surprised me or didn't seem familiar in some way. The Beatles all come over strongly as individuals but what is clear is the tight collective unit they had already become, an inner circle if you will, which only a precious few got to really invade, people I suppose like Brian Epstein, Mal Evans, Neil Aspinall and George Martin of course, as well as the wives and girlfriends, although apart from a few fleeting glimpses of Cynthia Lennon, none of these people make much of an appearance, if at all.

    There are also a predictable number of "talking head" interviews with contemporary artists, reminiscing and philosophising as is their wont, most strangely including the current incarnation of the artist once known as Terence Trent D'arby plus Leonard Bernstein's daughter and future Lennon producer Jack Douglas who at least has an interesting Beatles-related story of his own to tell.

    The music is of course vintage moptop magic as you see and hear them perform their superb early repertoire on TV and live in concert, their playing and singing sharp and on point, before the screamers and jellybean throwers spoiled it for them.

    It was nice to see now and then interviews with their predominantly young female fanbase which are contrasted at one point with some input from a bunch of cool, young on-the-street black dudes into Miles and Coltrane who respectfully resist any temptation to diss the new white kids on the block.

    There were lots of nice moments but like I said not much fresh insight into the whole Beatlemania phenomenon which I guess may have been the point of the movie. The usual readacross is plied that timing was everything, given the band's arrival Stateside in the immediate aftermath of the Kennedy assassination. The comment that most caught my ear however was from the young McCartney who, when asked by a prescient interviewer if he thought that there was a wider cultural impact the Beatles were having on society, simply smiles and mocks the question, disarmingly stating that all they were doing was just having a laugh.

    How wrong he was.
    7sambase-38773

    The Beatles - Yeah Yeah Yeah

    Since this documentary was produced for the Disney streaming channel you should probably assume that it's not for the super hardcore fans who are always grumpy and impossible to please. It's much more for the casual fan. And for young people (under 40 let's say) who know very little about The Beatles.

    There are lots of "talking heads" interviews which are okay, but not really all that exciting to watch. Some are more interesting than others.

    The old footage of The Beatles performing and not performing is the most enjoyable to watch. I saw quite a bit of footage that I had never seen before and there are some wonderful moments.

    There are also some ugly moments, too. There's one moment when a New York City cop threatens to throw two teenage girls down a flight of stairs just because they aren't staying at the hotel. Yikes! Talk about police brutality! The girls were very peaceful and didn't deserve that.

    There's also an ugly moment when some random male adult is telling young teenage girls that their love of The Beatles is "psycho-sexual" and that they are "sick". That guy seemed totally perverted! He was the one who was "sick". What a weirdo.

    The musical performances sounded really good, especially listening with headphones.

    Anyway, overall I enjoyed it quite a bit and would recommend watching it.
    7wildcatian

    Women's Fantasies, Man Crying Over She Loves You, WHAT IS THIS?

    It wasn't a bad documentary, but I didn't walk away feeling like I learned all that much. I was really looking for something that dove deep into the concert by concert of the 1964 tour. I was hoping to see a little bit of footage from each show and behind the scenes in each location. However, a lot of the focus was on New York and Washington with little to no focus on any other places that the Beatles traveled to. I would've loved to see their time in Seattle, San Francisco, Las Vegas, LA, Canada, the list goes on! It would've been interesting to learn more about the issues with segregation in Jacksonville, Florida, meeting Bob Dylan, and the 1.5 million dollars offered to them to perform an extra show in Kansas City. Instead the documentary is mostly about New York and Washington, featuring full length clips of a woman's fantasies with the Beatles, a man crying about the emotional connection to She Loves You, and a full length clip of Smokey Robinson's band performing a sssslllllooooowwww version of Yesterday. Why do I need to see this? I came here to watch something about the Beatles, and while it's OK to have guest speakers talk, they need to be short and RELEVANT. Martin Scorsese is a weird guy, which is probably why he made this weird documentary with some actually boring clips of the Beatles. There was far too much focus on Beatlemania (including the gory details of people's love affair of the boys), which is something that has been covered, like a million times. I don't think this whole thing is bad, I just wanted a focused and interesting watch, but there's not a ton here that I haven't already heard or seen. What is new is actually a little boring.

    And that's coming from someone who loved: Get Back (10/10), Rooftop Concert (10/10), A Hard Days Night, and Help.
    9riezexeero

    A good documentary for fan of the Beatles or for new listeners of the band.

    It provided a fantastic insight into what was going on during the US visit. The film showcased how the Beatles acted on and off stage, as well as providing information about what happened when they arrived in America and the impact their music had on the people. The quality of the archive footage was excellent. The soundtrack of the movie was outstanding and the interviews were interesting.

    What it lacks is narration, but I believe they were trying for a "stock footage" approach and enabling you, the audience, to put it together. There was some storytelling in text form, but it wasn't enough for me, and it felt slightly "missing something".

    Overall, the film is an 8 but I gave it a 9 cause I am a fan of the band.

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    • Trivia
      In a 2024 interview with Variety, David Tedeschi spoke about some of the previously unseen footage and one interview in particular that surprised him: "That Harlem footage had never been seen before. So you have various reactions from young, black teenage girls and boys, and a few older people, and of course you have these young men in the record store. The one guy says, 'It's just disgusting the way they play that music over and over again. I like Miles Davis. I like John Coltrane.' But it was sort of interesting the way the teenage girls in Harlem just loved The Beatles, loved their hair, loved their music. That to me was a surprising thing, because of course the civil rights movement was going on. Of course I knew that later on when they actually toured the States, they refused to play before segregated audiences. But when we decided to interview Smokey Robinson, I didn't expect him to say everything that he said. One of the things was that the Beatles were the first white artist of their magnitude that said they loved and learned from black music and sang black music. We have several people, from David Lynch to Smokey, talking about the power of music, I thought in a very beautiful way. And when Smokey says in regards to the audiences being desegregated, that it gave kids a common love and that it was the power of music that literally overcame the barrier that was set up between the white audience and the black audience, I thought that was really a wonderful thing for him to say, and unexpected."
    • Citas

      Self - Writer: It was so visceral, the reaction to The Beatles' music. You know, something we couldn't explain in words. That's why we screamed, because it was just coming out of some non-verbal place.

    • Conexiones
      Features Toast of the Town: Meet The Beatles (1964)
    • Bandas sonoras
      She Loves You
      Performed By The Beatles

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 29 de noviembre de 2024 (México)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • ビートルズ '64
    • Productoras
      • Park Road Post Production
      • Sikelia Productions
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

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    • Tiempo de ejecución
      1 hora 46 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 16:9 HD

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