Tunnel

Vietnamese cinema has long explored the theme of war, but few films have approached it with the scale, precision, and emotional resonance of The Tunnels: Sun in the Shadows. Directed by Bui Thac Chuyen, this film not only reconstructs a brutal chapter of Vietnamese history but also boldly asserts that Vietnam is capable of producing war films with both artistic integrity and cinematic ambition.

When the setting becomes the protagonist

Inspired by the Cu Chi tunnel system during the Vietnam War, the film takes place in 1967-one of the war's most intense years. However, the true protagonist here is not a person, but the tunnels themselves: a claustrophobic, living ecosystem beneath the ground. Through tight, shadow-filled cinematography and minimal lighting, the audience does not simply observe life underground-they inhabit it, feeling the heat, the tension, and the ever-present fear.

There are no long expositions or forced monologues. Instead, the film tells its story through images and silence: sweaty faces, rushed meals, and hushed conversations drowned out by planes overhead. The director trusts the audience to understand fear and resilience through breath, glances, and stillness.

Deliberate pacing with emotional weight

The first half of the film unfolds slowly, immersing viewers in the daily rhythms of tunnel life. Some may find the pacing subdued, but it is a deliberate choice-to portray the quiet persistence and fragile humanity of soldiers living beneath the soil. When the enemy's incursion begins, the tempo shifts, yet the film avoids turning into an action spectacle. Even the combat scenes are crafted with clarity and restraint, maintaining emotional resonance over spectacle.

Complex characters with moral ambiguity

Beyond the tunnels, three central characters anchor the narrative: Commander Bay Theo (played by Thai Hoa), engineer Tu Dap (Quang Tuan), and fighter Ba Huong (Thu Anh). Each represents a different facet of wartime survival: Bay Theo is gruff yet introspective, Tu Dap is intelligent but emotionally volatile, and Ba Huong is both courageous and vulnerable.

Crucially, the film does not idealize its characters. They make mistakes, carry flaws, and experience moments of fear. But it is precisely their imperfections that make their courage meaningful. Their humanity emerges not from their heroism but from their internal conflict.

Minor flaws, major impact

Despite its strengths, the film has a few shortcomings. The tunnel structure may be disorienting for some viewers unfamiliar with the setting. Some secondary characters feel underdeveloped, and the second act occasionally loses focus due to uneven pacing and editing. Nevertheless, the emotional payoff of the final act is strong enough to outweigh these limitations.

Conclusion

The Tunnels: Sun in the Shadows is a bold and thoughtful entry in the landscape of Vietnamese war cinema. It avoids patriotic excess and sentimentality, choosing instead to portray war through an intimate, human lens. With restrained dialogue, immersive visuals, and emotional subtlety, the film demonstrates that Vietnam does not need to imitate Hollywood to create powerful cinema.

If Vietnamese cinema is to reach the global stage on its own terms, The Tunnels is strong evidence that it already has the tools, stories, and vision to do so.

Tunnel 2025 is an emotional and realistic portrayal of the struggles and sacrifices made during a pivotal time in Vietnam's history. The film does a great job capturing the raw emotions and the human side of war, making it more than just a historical retelling-it's a story that touches the heart.

While some scenes were a bit difficult to follow, especially for viewers unfamiliar with certain historical contexts, the overall message remains powerful. The film serves as a reminder of the determination and unity that helped shape our nation.

Vietnamese youngsters should definitely watch Tunnel 2025. It's not just a film-it's an opportunity to better understand the sacrifices our ancestors made and the lengths they went to in order to reunite our country.

I held my breath watching the film. To me, it was deeply moving. I trembled at times as I watched it. Anyone who has been to Cu Chi has likely heard stories about the terror of both the guerrilla fighters and the sweeping raids. But seeing it all brought to life in the film filled me with both fear and admiration. The story and the way it was told were very different from typical state-produced films - deeply human, incredibly raw, and full of real life. The characters and details were developed with consultation from real heroes of the past war. Although I was on the verge of tears many times while watching the film, Dia Dao is certainly not a tearjerker. Instead, it lets us experience the restrained emotions of the soldiers, who had to suppress their feelings because danger was always present - there was no room for soft emotions to take over. At the same time, the personal stories, the bonds, and the genuine affection among humble people truly help us believe in and better understand the many reasons behind the victories of Cu Chi in particular, and Vietnam as a whole.

As an American viewer, I walked into Tunnels: Sun in the Dark expecting a compelling war film. I walked out transformed. This is not just a war movie. It is poetry carved into the darkness of history, a cinematic requiem for those who fought battles unseen, underground, and in the shadows of superpowers. The director delivers a harrowing, intimate, and profoundly human story set during one of the most divisive conflicts in modern history: the Vietnam War. Set in 1967, Tunnels follows a Vietnamese revolutionary guerrilla team entrusted with protecting a hidden group of intelligence agents-the heartbeat of their resistance. What unfolds is not only a tense and thrilling survival narrative but an exploration of loyalty, sacrifice, and the slow-burning light of hope that flickers even in the blackest tunnels. The film's cinematography is nothing short of stunning. The contrast between the oppressive, suffocating underground passages and the rare, golden moments of daylight evokes both fear and longing. You can feel the earth pressing in. You can hear the silence between each heartbeat. And in those moments, you understand what it meant to live like a shadow. The performances-raw, restrained, and utterly magnetic-do not seek applause. They seek truth. Particularly standout is the lead guerrilla commander, whose eyes alone speak volumes of sorrow, determination, and unyielding resolve. The writing never panders. It respects the intelligence of its audience while remaining unflinchingly honest about the toll of war on both body and soul. As an American, I was humbled. Tunnels: Sun in the Dark does not preach, vilify, or romanticize. It illuminates. It reminds us that history is not owned by the victors alone. It belongs to the buried voices, the hidden fighters, the forgotten dreams that once burned bright in the dark. This film is a gift-a mirror held to the past, but also a light for our collective future. Watch it. Feel it. Remember it. 10/10 - A masterpiece that should echo through every corridor of film history.

A short and succinct summary of one of many battles conducted during the VN war. Dark and realistic, director Chuyen takes artistic liberties yet still fully immerse audience in VN in the 1900s. The cast was a fresh and enthusiastic ensemble which brought a much needed breath of fresh air to the acting quality. The story, although rough around the edges, paints a lovely picture of the patriotism and humanity of the characters (more like children) involved in the preservation of indepence. The ending was artisticly beautiful, albeit I believe it leaves audience with more emotions than actual answers, conclusive endings to the stories told.