Subham

This Telugu film truly stands out with its refreshingly unique storyline, a welcome departure from typical industry narratives. It leans heavily into comedy, driven by an inventive plot that consistently delivers unexpected twists and genuinely funny moments.

However, it's crucial to manage your expectations: while elements might touch upon the uncanny, this isn't a film designed to be a chilling horror experience. If you're hoping for genuine scares, you might be looking in the wrong place. Instead, its charm lies in its lighthearted approach, making it an excellent choice for family viewing. You can comfortably watch it with children, sharing laughs and enjoying the inventive scenarios together.

In fact, the movie shines brightest when approached without any pre-conceived notions or high expectations. Liberated from genre constraints or specific demands, its creative spirit truly comes alive. The comedic sequences are particularly strong, showcasing clever writing and effective performances that are sure to elicit plenty of genuine laughter. It's a film that promises a unique, entertaining ride, perfect for those seeking a different kind of cinematic experience.

Actors- 5/5 Acting- 4/5 Script- 4/5 Situation/ cinematography- 3/5

Nice movie. Highly recommended for your free time.

3 friends get married and then go through hilarious experiences at 9pm each night due to grandmom tv serial addiction. I am sure many audience can relate.

The acting is all lead actors is good and so is the direction. The location and balance between day/ night shoots is excellent. Most movies lose out because they are always shot in the dark for prolonged periods for such horror movies.

I would sincerely request writers, directors, producers to invest into such light fun movies. Please keep them coming. Super.

Do watch.

I am an avid horror fan but never liked comedy movies even though I watch them. This is one of the cleanest comedy movies I watched in the recent times. And I Loved it not for its horror element but for its high Comedic Value (no cheap derogatory elements). And the underlying social rhetoric was blended beautifully in the narrative that I became a huge fan of this movie's screenplay. I loved everything about it and I can't find fault with anything. It awakened the movie loving kid in me who laughed who clapped who cherished every minute nuances. Never thought I would write my first review with a comedy movie!

Subham had a good idea, but it wasn't done well. The first half was okay, but the second half was too long and the ending didn't feel right. The movie looked good, but Samantha's part was forgettable.

Overall, it was average.

Story plot :: The film shows how the dead ancestor's attachment to an Indian Telugu Serial causes them to possess the wives of the entire town to watch the serial and how the 3 friends, who run the only cable TV in town, solve it by taking the creative approach of making their own ending of the serial.

The film shows how the dead ancestor's attachment to an Indian Telugu Serial causes them to possess the wives of the entire town to watch the serial and how the 3 friends, who run the only cable TV in town, solve it by taking the creative approach of making their own ending of the serial.

This domestic comedy presents a familiar yet endearing premise that resonates with contemporary household dynamics. Director Praveen Kandregula crafts a lighthearted exploration of modern marriage through the lens of television obsession, delivering moments of genuine humor alongside predictable narrative beats. The film's greatest strength lies in its authentic portrayal of middle-class domestic life, with cinematography that captures the claustrophobic intimacy of cramped living spaces and the hypnotic glow of television screens. The visual storytelling effectively contrasts the mundane reality of household routines with the melodramatic world of soap operas, creating a meta-commentary on entertainment consumption that feels both timely and universal. The ensemble cast of husbands delivers committed performances, with each actor bringing distinct personality traits to what could have been generic archetypal roles. Their chemistry feels natural and lived-in, suggesting real friendships beneath the comedic situations. The wives, while given less screen time, manage to convey the addictive pull of serialized drama without falling into caricature. Vasanth Maringanti's screenplay strikes a reasonable balance between observational humor and situational comedy, though it occasionally relies on well-worn tropes about gender dynamics and domestic responsibilities. The pacing maintains steady momentum throughout most of the runtime, with several genuinely funny sequences that emerge from character-driven situations rather than forced gags. While the film succeeds in creating an entertaining watch with relatable themes, it doesn't quite transcend its conventional framework to offer deeper insights into modern relationships or media consumption. The resolution feels somewhat predictable, and certain character arcs could have benefited from more nuanced development. Nevertheless, it serves as a competent crowd-pleaser that understands its target audience and delivers the expected entertainment value without overstaying its welcome.