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Tang tan 1900

  • 2025
  • 2h 18min
CALIFICACIÓN DE IMDb
6.0/10
1.4 k
TU CALIFICACIÓN
POPULARIDAD
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7,116
Baoqiang Wang and Haoran Liu in Tang tan 1900 (2025)
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15 fotos
ComediaDramaDrama de ÉpocaMisterioWhodunnit

En 1900, una mujer blanca fue asesinada en Chinatown, en San Francisco, y el sospechoso era un hombre chino. El asesinato causó conmoción social y la gente exigió el cierre de Chinatown.En 1900, una mujer blanca fue asesinada en Chinatown, en San Francisco, y el sospechoso era un hombre chino. El asesinato causó conmoción social y la gente exigió el cierre de Chinatown.En 1900, una mujer blanca fue asesinada en Chinatown, en San Francisco, y el sospechoso era un hombre chino. El asesinato causó conmoción social y la gente exigió el cierre de Chinatown.

  • Dirección
    • Sicheng Chen
    • Mo Dai
  • Guionista
    • Sicheng Chen
  • Elenco
    • Baoqiang Wang
    • Haoran Liu
    • Chow Yun-Fat
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.0/10
    1.4 k
    TU CALIFICACIÓN
    POPULARIDAD
    4,155
    7,116
    • Dirección
      • Sicheng Chen
      • Mo Dai
    • Guionista
      • Sicheng Chen
    • Elenco
      • Baoqiang Wang
      • Haoran Liu
      • Chow Yun-Fat
    • 21Opiniones de los usuarios
    • 8Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Premios
      • 3 premios ganados y 2 nominaciones en total

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    Trailer 1:11
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    Elenco principal34

    Editar
    Baoqiang Wang
    Baoqiang Wang
    • Gui
    Haoran Liu
    Haoran Liu
    • Qin Fu
    Chow Yun-Fat
    Chow Yun-Fat
    • Bai Xuanling
    White-K
    White-K
    • Zheng Shiliang
    Steven Zhang
    • Bai Zhenbang
    Yunpeng Yue
    Yunpeng Yue
    • Yanggu
    Anastasia Shestakova
    Anastasia Shestakova
    • Alice
    Tai-Bo
    Tai-Bo
    Yutian Wang
    • Ren Wu
    Aoyue Zhang
    Aoyue Zhang
    • Ren Liu
    Scotty Bob Cox
    • Weyman
    Sam Hayden-Smith
    Sam Hayden-Smith
    • Lance
    Sean Kohnke
    Sean Kohnke
    • Marston
    AJ Donnelly
    AJ Donnelly
    • Thomas Lawrence
    Dmitry Antonov
    • Irish Bandit
    Rovaif Babar
    • Reporter
    Pierre Bourdaud
    • Irish Goon
    Chuang Chen
    • Dirección
      • Sicheng Chen
      • Mo Dai
    • Guionista
      • Sicheng Chen
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios21

    6.01.3K
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    Opiniones destacadas

    7dorMancyx

    Take This America

    Though I had high expectations for this movie for being much spoiled of how great it is, I was still pleasantly surprised by Detective Chinatown 1900. As a Chinese immigrant, I'm proud that it's a mainland Chinese director who decided to touch upon topics of immigrant laborers, the Yellow Peril, and the Chinese Exclusionary Act, and further at how well this part of history is adopted, recreated, and incorporated with the overall storyline of the movie --- as it goes, Chen Sicheng is a true merchant in terms of selecting film subjects. Chow Yun-Fat gives hell of a performance for a multilayered Chinese-American hero: a loving father, an approachable elder, a cunning diplomat, and an authoritative (mob) leader. Bai's speech at the court is a rare scene of cultural outcry that struck me personally and inspired new reflections.

    Notice how I never mentioned the "detective" bit of the movie? The crime/investigation storyline is decent but not amazing compared to the rest of the franchise, complexity and portrayal wise. Some parts of the murder even took me out in terms of the absurdity and logistics, which leads me to question if the director has a thing with pregnant women (cue his last film Lost in the Stars).

    Overall, enjoyable comedy, ambitious multi-storylines, and great performances across the board. Keep in mind, however, that this film is targeted toward the Chinese market/audiences and it's meant to educate, provoke, and moralize, perhaps in a way you might not agree with.
    6CinemaSerf

    Detective Chinatown 1900

    At times this is actually quite a fun spoof along the lines of "Sherlock Holmes" meets "Charlie Chan" by way of "High Noon" but for the most part it's a mess of a film that goes on for far too long. With the Manchu court facing the great powers we saw in "55 Days at Peking" (1963) the Empress Dowager dispatches her finest officer to San Francisco to track down a traitor. As it happens, the Holmesian "Fu" (Haoran Liu) is also in that very city on a quest for the killer of the daughter of senator "Grant" (John Cusack). Quite swiftly his investigation and the imperial mission start to overlap as the enthusiastic "Fu" and his newfound spiritual Indian guide "Gui" (Baoqiang Wang) discover that the prime suspect in the killing (Steven Zhang) is the son of local entrepreneur "Bai" (Chow Yun-Fat) and that the senator is using this to stir anti-Chinese sentiment to the point where he can force them out and seize their property. What now ensues delivers a series of rather randomly assembled escapades that mix murder mystery with western with romance and add a good dose of skullduggery to boot as they try to prove the young "Bai" was framed. Fu and Wang make for a decent enough double act at times, but the story loses it's way way too often and after a while the characterisations - especially "Bai" and "Grant" become light-weight and strained parodies. Fortunately, after about two hours, auteur Sicheng Chen must have felt he was running out of file space and so decided he'd better wrap things up - and for that last quarter of an hour the story knits together things we knew with things we didn't and presents us with a rather feeble denouement that did sort of suggest that there could be more adventures to come for the likeable "Gui" and "Fu". What is potent is the closing statement from the elder "Bai" about remembering the importance of immigrant labour in establishing a country that was all too quick to shun that working community later when it suited it, but it's made in a cack-handed and over-the-top fashion and drowned out by an overpowering score and thus loses much of an impact that might actually resonate in an USA that's still unsure how to recognise those who do/did the work but perhaps didn't all have the same/right skin colour or paperwork. It has it's moments, just nowhere near enough of them.
    8ivan_dmitriev

    Enjoyable and light enough not to take itself too seriously

    Despite a broad brush of very serious subjects the movie is trying to deal with. The Magical Native American man/ a certain idea of Native Americans is resurrected from the Hollywood golden age of cowboy movies, in order to immediately be subverted, a multilayer plot gives even the tiniest characters some closure by the end, and the intrigue remains whole until the very end of the movie, even though it leans more on the side of a gory comedy rather than an investigative drama, or maybe a mix of the two, but, I guess such is life itself as well.

    This all ends with an instructive exchange, a sort of a meta-dialogue, between two secondary characters, tycoons, talking about taking ascendance in the world through "power wields everything and, money, wields power" , and indeed , this movie is in of itsellf, showing that the Chinese movie studios can indeed take ascendance as a new, welcome tool of diversifying the sources of power in this world, through their ability of making fun movies which can get the money needed for that.
    7kluseba

    An Entertaining Investigative Comedy Misused as a Radical Piece of Propaganda

    Detective Chinatown 1900, originally known as Tang Ren Jie Tan an 1900, is the fourth entry in the commercially successful comedic investigative franchise. The story takes place in San Francisco's Chinatown where a young Caucasian woman and an elderly First Nations man are found dead in a back alley. The main suspect is the son of a Chinese businessman who cannot provide an alibi for the time of the crime. The father thus hires a quirky, naive and inexperienced Chinese medicine physician as well as the son of the murdered elderly man who happens to be an orphaned Chinese man who had been adopted by a First Nations tribe and who has developed particularly sharp senses.

    This movie initially does many things very well. The colourful, detailed and diversified settings look astonishing throughout even though they obviously represent a much more beautiful version of the actual San Francisco's Chinatown. The costumes and make-up also deserve much praise and bring viewers back to a time set between traditional manners and modern perspectives. The quirky characters are introduced step by step which helps the audience to warm up with them when additional information is delivered in a prologue as well as in several flashbacks. The story itself is quite compelling as well since the body count quickly rises and economical, political and social aspects come into play.

    However, the film loses its entertaining structure halfway through the rising action. Comedic moments are awkwardly intertwined with investigative passages. Critical comments about the treatment of Chinese immigrants to the United States of America are intertwined with a vapid love story pulled out of thin air. The most important First Nations member in this whole film is played by a Chinese actor who essentially plays a shameful caricature of a truly fascinating culture and even the supporting actors are portrayed as people who constantly misunderstand situations on an almost shockingly stupid level. Criticizing the way Americans have treated Chinese immigrants is indeed important but this film loses itself in racist stereotypes that can be summarized as all important American characters being rotten to the core and all important Chinese characters being inherently heroic. The film goes even further by justifying a violent revolution against monarchy that will ultimately establish a socialist country. As if that weren't enough, the movie even concludes with the megalomaniac statement that one day China will become the most powerful country in the whole wide world. What started as a very good movie develops a very bitter aftertaste due to its aggressive, brainwashing and omnipresent political propaganda. The director, scriptwriters and political influencers behind this film really seem to be taking its audience for complete idiots who can easily be manipulated. To me, this propagandistic movie feels like a desperate cry for help, nationalism and pride in a desperate time when China suffers its most dreadful economic crisis following a long-winded deadly pandemic and numerous particularly outspoken protests against the state system itself.

    Now, don't get me wrong at all, I'm positively amazed by Chinese culture, history and society and even share many of the country's economical, political and social values but this movie's radical propaganda show will even drive off people who actually sympathize with the People's Republic of China. This is what must be called a disastrous political own goal.

    At the end of the day, let's try to be perfectly fair with our final verdict. This movie is a very entertaining crime comedy that entertains throughout. Its disturbing, extremist and unnecessary propagandistic elements however slow the enjoyment of this film down significantly. Recent reviews by Chinese members of the audience who have found a way to express themselves freely seem to confirm this analysis time and time again.
    6n-19024-42530

    Okay to watch during Spring Festival

    This is a film released on the first day of Chinese New Year 2025. I have watch none of the Chinatown Detective series, nor other films in the same time period. I find it an okay one.

    This movie is characterized as comedy. In fact, I do not find such scenes particularly cleverly developed, and am not amused by these. However, it does entertain the majority of the audience.

    What makes it okay is the plot. It is, of course, not a very surprising story, and some people may say it is boring. But the movie tells the story to the audience completely and well. Forgetting about the technologies nowadays, telling a story is a film does, and this one does it fine.

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    Argumento

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    ¿Sabías que…?

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    • Trivia
      Chow Yun-Fat and John Cusack starred also together in Shanghai (2010)

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 29 de enero de 2025 (China)
    • País de origen
      • China
    • Idiomas
      • Mandarín
      • Inglés
      • Navajo
    • También se conoce como
      • Detective Chinatown 1900
    • Productoras
      • As One Productions
      • Beijing Happy Film Industry
      • Beijing Yitong Chuanqi Film Culture
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total en EE. UU. y Canadá
      • USD 2,229,946
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 749,920
      • 2 feb 2025
    • Total a nivel mundial
      • USD 4,999,561
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      2 horas 18 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Surround 5.1
      • DTS:X
      • Dolby Atmos
      • D-Cinema 48kHz 5.1
      • IMAX 6-Track
    • Relación de aspecto
      • 2.39 : 1

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