Casting
- El episodio se transmitió el 30 abr 2025
- TV-MA
- 24min
CALIFICACIÓN DE IMDb
8.2/10
3.2 k
TU CALIFICACIÓN
El equipo se esfuerza por elegir un reparto cinematográfico que no ofenda a nadie.El equipo se esfuerza por elegir un reparto cinematográfico que no ofenda a nadie.El equipo se esfuerza por elegir un reparto cinematográfico que no ofenda a nadie.
- Dirección
- Guionistas
- Elenco
Catherine O'Hara
- Patty Leigh
- (solo créditos)
Opiniones destacadas
The most accurate summation of all my problems with these sort of things that are obviously going on behind the scenes. The issues they talk about are really important but I've never seen any show willing to tackle them with such honesty since IASIP's 'Frank's brother' (shadynystay). A Modern masterpiece. Hat's off to the writers and actors for even completing this!
There's nothing more to really say (so disregard this frank) but I still have a hundred or so more things to write before I reach the character limit??? West Bromwich Albion are a terrible football club.
Points before pints! UTW!
There's nothing more to really say (so disregard this frank) but I still have a hundred or so more things to write before I reach the character limit??? West Bromwich Albion are a terrible football club.
Points before pints! UTW!
The Studio episode 7, "Casting," satirizes Hollywood's overcorrection of its racial insensitivities and the absurdity of the modern film industry. As the Kool-Aid movie nears production, Matt and his team struggle to finalize the cast, fearing that casting a Black actor as the Kool-Aid Man would play into racist stereotypes and not casting a Black actor as his wife would be offensive to Black couples. Eventually, they settle on an all-Black cast, which hilariously convinces Matt that the Kool-Aid movie is "important." The Studio's satire of white people's discomfort discussing race is similar to Seinfeld's "The Wizard," but it does a better job of lampooning the subject.
In the social media age, studios must be careful not to appear insensitive by casting their expensive new product in a negative light. The Studio satirizes this by looking at all sides of the complicated discussion. Matt brings the conversation to the attention of every Black person he can find on the lot, while Tyler feels uncomfortable speaking for all Black people. Ziwe, Lil Rel Howery, and Cube prove to be one of The Studio's best guest stars. However, "Casting" is a workplace sitcom that lacks a clear thesis statement and critique of the industry it satirizes. The conversation, which focuses on racial balance to "reflect America," is absurd but not rooted in character or seriality. The circular dimension of the story and short running time create little space for character development, such as Quinn's racial identity. Overall, The Studio's vignette structure limits its capacity to generate a clear critique of the industry it satirizes.
In the social media age, studios must be careful not to appear insensitive by casting their expensive new product in a negative light. The Studio satirizes this by looking at all sides of the complicated discussion. Matt brings the conversation to the attention of every Black person he can find on the lot, while Tyler feels uncomfortable speaking for all Black people. Ziwe, Lil Rel Howery, and Cube prove to be one of The Studio's best guest stars. However, "Casting" is a workplace sitcom that lacks a clear thesis statement and critique of the industry it satirizes. The conversation, which focuses on racial balance to "reflect America," is absurd but not rooted in character or seriality. The circular dimension of the story and short running time create little space for character development, such as Quinn's racial identity. Overall, The Studio's vignette structure limits its capacity to generate a clear critique of the industry it satirizes.
The studio continues to garner hit after hit each week. This episode showcases the social dilemmas that studios find themselves in when trying to cast for a film, while trying to cater to the story, the IP, the actors, and most importantly to the studio, the audience.
A hilarious ride with racial commentary from the perspective of a mostly white cast of The Studio, trying to please every demographic they can as to not upset their audience, so they can make a billion dollar movie.
Hilarious as always, Seth and the gang bring the anxiety and constantly add to their own explosive problem while trying to defuse it. I also LOVE the cameos of people they are getting for these episodes, it is the cherry on top.
Keep it up.
A hilarious ride with racial commentary from the perspective of a mostly white cast of The Studio, trying to please every demographic they can as to not upset their audience, so they can make a billion dollar movie.
Hilarious as always, Seth and the gang bring the anxiety and constantly add to their own explosive problem while trying to defuse it. I also LOVE the cameos of people they are getting for these episodes, it is the cherry on top.
Keep it up.
Another hilarious episode. The Studio is nicely consistent in avoiding true dogs. Like always, this episode zips along so that you're surprised and disappointed when it ends.
I'm happy to see a return to the demented Kool-Aid movie plotline. Even if it continues into next season, I hope they keep checking in on this movie's progress every few episodes. I'll probably want them to make the movie for real before it's over. It's kind of dementedly endearing.
This week, it's a parody of wokeness run amok. Kathryn Hahn is particularly good as an over-the-top marketing maven. The focus is on racial sensitivity and the joke at the end is that they were being over-sensitive about the wrong thing.
But this episode also made me wonder about the limits of this kind of satire. Would they ever dare do a Me-Too episode? They have gingerly made references but how about tackling it head on with a Harvey Weinstein type character? No way Apple would allow that.
Apple makes some great shows but they have something in common: an unwillingness to step over that invisible line that might bring the Apple brand into disrepute. I'm afraid this will always prevent Apple shows from being truly gutsy and great. Oh well. 8 or 9 out of 10 is still pretty darn good.
PS one final point, are they insane? Jason Momoa would be the perfect Kool-Aid man. Ice Cube is soooo passe.
I'm happy to see a return to the demented Kool-Aid movie plotline. Even if it continues into next season, I hope they keep checking in on this movie's progress every few episodes. I'll probably want them to make the movie for real before it's over. It's kind of dementedly endearing.
This week, it's a parody of wokeness run amok. Kathryn Hahn is particularly good as an over-the-top marketing maven. The focus is on racial sensitivity and the joke at the end is that they were being over-sensitive about the wrong thing.
But this episode also made me wonder about the limits of this kind of satire. Would they ever dare do a Me-Too episode? They have gingerly made references but how about tackling it head on with a Harvey Weinstein type character? No way Apple would allow that.
Apple makes some great shows but they have something in common: an unwillingness to step over that invisible line that might bring the Apple brand into disrepute. I'm afraid this will always prevent Apple shows from being truly gutsy and great. Oh well. 8 or 9 out of 10 is still pretty darn good.
PS one final point, are they insane? Jason Momoa would be the perfect Kool-Aid man. Ice Cube is soooo passe.
5 min into the episode I can't stop laughing already, did a pause just to get me some snacks and write this review. I am totally subscribing to Apple TV+ over this show! Amazing writing and acting.
5 min into the episode I can't stop laughing already, did a pause just to get me some snacks and write this review. I am totally subscribing to Apple TV+ over this show! Amazing writing and acting.
5 min into the episode I can't stop laughing already, did a pause just to get me some snacks and write this review. I am totally subscribing to Apple TV+ over this show! Amazing writing and acting. A++++
5 min into the episode I can't stop laughing already, did a pause just to get me some snacks and write this review. I am totally subscribing to Apple TV+ over this show! Amazing writing and acting.
5 min into the episode I can't stop laughing already, did a pause just to get me some snacks and write this review. I am totally subscribing to Apple TV+ over this show! Amazing writing and acting. A++++
¿Sabías que…?
- TriviaOne of the running gags is all of the studio executives mispronouncing Josh Duhamel's name, including Quinn when she tries to correct the others in the very beginning. The correct pronunciation is DUH-mel.
- ErroresWhen Matt climbs into his convertible in the studio parking lot about 2/3 of the way through the episode, the pavement is wet from a rain storm. The top to his convertible is down, and the interior is dry.
- ConexionesFeatured in The 77th Primetime Emmy Awards (2025)
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- Tiempo de ejecución
- 24min
- Color
- Mezcla de sonido
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