The Presentation
- El episodio se transmitió el 21 may 2025
- TV-MA
- 23min
CALIFICACIÓN DE IMDb
8.5/10
2.8 k
TU CALIFICACIÓN
Si el equipo de Matt no logra una presentación increíble en CinemaCon, venderán el estudio a una empresa tecnológica.Si el equipo de Matt no logra una presentación increíble en CinemaCon, venderán el estudio a una empresa tecnológica.Si el equipo de Matt no logra una presentación increíble en CinemaCon, venderán el estudio a una empresa tecnológica.
- Dirección
- Guionistas
- Elenco
Jeremy Angel
- Casino worker
- (sin créditos)
- …
Opiniones destacadas
This seasons final two episodes are a testament to the amazing talents of writers Rogen, Goldberg and Huyck. This is the closest you can get to the near-perfection of a Lubitsch comedy, with its witty dialogue, over-the-top slapstick, and clever twists .
The camera dances and acting is amazing throughout.
O'Hara could not have been casted more on spot. Zoë Kravitz most fearlessly performs her character's (alter-) ego death. Just when you think Rogen's Matt Remick will resort to lying on stage to keep up appearances he finds a wonderful moment of emotional and dramatic truth.
In only 23 minutes this episode delivers the absolut maximum of surprises from Dave Franco's to Bryan Cranston's appearance.
A wonderful finale!
I wonder how many Emmys this one episode will gather and I hope a lot.
The camera dances and acting is amazing throughout.
O'Hara could not have been casted more on spot. Zoë Kravitz most fearlessly performs her character's (alter-) ego death. Just when you think Rogen's Matt Remick will resort to lying on stage to keep up appearances he finds a wonderful moment of emotional and dramatic truth.
In only 23 minutes this episode delivers the absolut maximum of surprises from Dave Franco's to Bryan Cranston's appearance.
A wonderful finale!
I wonder how many Emmys this one episode will gather and I hope a lot.
Usually, I'm miles behind with my actual TV watching, particularly on Apple TV but "The Studio" happened to drop at the perfect time for me, with a gap in my weekly schedule and I ended up keeping up to date with it's whole run. I can see some limitations, but generally I really enjoyed it.
Matt Remick (Seth Rogan) is handed control of Continental Studios when his mentor, Patty Leigh (Catherine O'Hara) is dismissed. Matt has plans to use the studio to produce prestige pieces but the owner, Griffin Mill (Bryan Cranston) gives him a clear instruction - to produce commercial successful movies, and to that end, he's handed the rights to the Kool-Aid Man and told to turn the logo into a feature. Matt soon learns that compromises need to be made, to try and keep as many people happy as he can.
I'd say that one of the reasons that I'm so positive about the show was that I watched just one episode per week, rather than binging it. This is because the episodes usually take either the form of a full farce, or at the very least a comedy of manners when Matt just has to not say the thing that he's repeatedly advised not to say, but can't let it go. Watching them all in one go might make that structure a little more wearing than it felt to me, with time between the episodes.
The performances from the main cast are excellent, as you'd expect from the sort of comedy talent on display. I didn't mention Kathryn Hahn in the above blurb, nor Ike Barinholtz. There are a number of actors who appear as themselves across the run, but Zoe Kravitz is probably the pick of those, more than a cameo, she appears in several episodes finishing off one with with Continental and trying to get another greenlit.
It really helps that shows about the workings of the film industry is a genre that I really love, but I thought it's was genuinely good and I'm looking forward to season two.
Matt Remick (Seth Rogan) is handed control of Continental Studios when his mentor, Patty Leigh (Catherine O'Hara) is dismissed. Matt has plans to use the studio to produce prestige pieces but the owner, Griffin Mill (Bryan Cranston) gives him a clear instruction - to produce commercial successful movies, and to that end, he's handed the rights to the Kool-Aid Man and told to turn the logo into a feature. Matt soon learns that compromises need to be made, to try and keep as many people happy as he can.
I'd say that one of the reasons that I'm so positive about the show was that I watched just one episode per week, rather than binging it. This is because the episodes usually take either the form of a full farce, or at the very least a comedy of manners when Matt just has to not say the thing that he's repeatedly advised not to say, but can't let it go. Watching them all in one go might make that structure a little more wearing than it felt to me, with time between the episodes.
The performances from the main cast are excellent, as you'd expect from the sort of comedy talent on display. I didn't mention Kathryn Hahn in the above blurb, nor Ike Barinholtz. There are a number of actors who appear as themselves across the run, but Zoe Kravitz is probably the pick of those, more than a cameo, she appears in several episodes finishing off one with with Continental and trying to get another greenlit.
It really helps that shows about the workings of the film industry is a genre that I really love, but I thought it's was genuinely good and I'm looking forward to season two.
As someone with a deep understanding of the inner workings of Hollywood, following "The Studio" week by week has been a thoroughly enjoyable experience. The series not only delivers sharp humor but also offers a biting satire of Hollywood's decision-making processes and the mechanics behind film production. In last week's episode, the characters find themselves in Las Vegas, and due to poor management by Matt, Griffin Mill's senses suffer, which becomes problematic as they have only a few hours before they are scheduled to appear at CinemaCon. This sets the stage for a finale that is both humorous and unexpectedly poignant, providing a fitting conclusion to the season.
It was only a matter of time before Seth Rogen incorporated drugs as a central element of an episode, and following the chaotic parties of the previous installment, this episode explores the aftermath. Although the plot is relatively sparse-primarily structured around the various presentations at CinemaCon-the stakes are undeniably high, and the importance of delivering a successful presentation is keenly felt. Do things go as planned? Not at all. However, through sharp writing and the strong performances of a dedicated cast, the episode manages to reach a satisfying conclusion, providing a rewarding payoff for a season's worth of missteps. The direction remains a standout, with Rogen and Evan Goldberg's skillful use of long, uninterrupted takes enhancing the engagement of the audience. This technique, particularly during the presentations, creates an immersive experience, as the actors seem to improvise, rather than adhere to a rigid script or staging, further amplifying the sense of chaos that is so fitting for the narrative. Additionally, Seth Rogen's consistent commitment to the show is commendable, as he refrains from making unnecessary jabs at the industry, instead approaching it with a playful spirit, embracing the absurdity of big studio filmmaking in a world that certainly seems primed for further exploration in future seasons. Here's hoping for its continued success.
"The Presentation" serves as a satisfying conclusion to a series defined by its chaotic nature, leaving everything on the stage in a final, powerful expression. While the show offers abundant satire and incisive commentary on the current state of Hollywood, it never loses sight of its central theme: a profound love for cinema.
It was only a matter of time before Seth Rogen incorporated drugs as a central element of an episode, and following the chaotic parties of the previous installment, this episode explores the aftermath. Although the plot is relatively sparse-primarily structured around the various presentations at CinemaCon-the stakes are undeniably high, and the importance of delivering a successful presentation is keenly felt. Do things go as planned? Not at all. However, through sharp writing and the strong performances of a dedicated cast, the episode manages to reach a satisfying conclusion, providing a rewarding payoff for a season's worth of missteps. The direction remains a standout, with Rogen and Evan Goldberg's skillful use of long, uninterrupted takes enhancing the engagement of the audience. This technique, particularly during the presentations, creates an immersive experience, as the actors seem to improvise, rather than adhere to a rigid script or staging, further amplifying the sense of chaos that is so fitting for the narrative. Additionally, Seth Rogen's consistent commitment to the show is commendable, as he refrains from making unnecessary jabs at the industry, instead approaching it with a playful spirit, embracing the absurdity of big studio filmmaking in a world that certainly seems primed for further exploration in future seasons. Here's hoping for its continued success.
"The Presentation" serves as a satisfying conclusion to a series defined by its chaotic nature, leaving everything on the stage in a final, powerful expression. While the show offers abundant satire and incisive commentary on the current state of Hollywood, it never loses sight of its central theme: a profound love for cinema.
I absolutely loved this show from the very first moments of the pilot. This is what every cinema lover has been waiting for. The story, the comedy, the acting, the cinematography and every thing in the show is at its best.
This was a really good ending for the season. I cannot decide which was better; the comedy or the acting. Besides the main cast, the recurring roles were phenomenal. Bryan Cranston, Zoey Kravitz and Dave Franco have guaranteed some awards for themselves.
The Studio is easily the best comedy of the year. I really hope they keep making this show until we are sick of it. I think this deserves at least four more seasons.
This was a really good ending for the season. I cannot decide which was better; the comedy or the acting. Besides the main cast, the recurring roles were phenomenal. Bryan Cranston, Zoey Kravitz and Dave Franco have guaranteed some awards for themselves.
The Studio is easily the best comedy of the year. I really hope they keep making this show until we are sick of it. I think this deserves at least four more seasons.
And with this episode, we bid a memorable farewell to the season 1 of....
🌟 The Studio 🌟
What a journey it has been! The first 2 episodes were great, especially 'The Oner'.
Everyone thought no one could beat it except something did! The season finale! It was so entertaining throughout and humorous too! I cannot quite say that the entire show was great, most of them were decent.
The War was an emotional episode for me but apart from that I just wish all the episodes had the same amount of humor and energy like the Ep.10!
The characters and actors throughout the show were elite!
The show mostly uses oners and it's extremely tough to execute! Lots of physical excertion and mental stress.
So a big round of applause for the entire filming team, the actors and the producers for this amazing, wonderful and entertaining show!👏 👏👏👏👏
I'll miss my Wednesday afternoons!
Congratulations to everyone involved in the project for a bright and successful show! 🎉🎊🎉🎊🎉
🌟 The Studio 🌟
What a journey it has been! The first 2 episodes were great, especially 'The Oner'.
Everyone thought no one could beat it except something did! The season finale! It was so entertaining throughout and humorous too! I cannot quite say that the entire show was great, most of them were decent.
The War was an emotional episode for me but apart from that I just wish all the episodes had the same amount of humor and energy like the Ep.10!
The characters and actors throughout the show were elite!
The show mostly uses oners and it's extremely tough to execute! Lots of physical excertion and mental stress.
So a big round of applause for the entire filming team, the actors and the producers for this amazing, wonderful and entertaining show!👏 👏👏👏👏
I'll miss my Wednesday afternoons!
Congratulations to everyone involved in the project for a bright and successful show! 🎉🎊🎉🎊🎉
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- Bandas sonorasYou Can't Always Get What You Want
Written by Mick Jagger, Keith Richards
Performed by The Rolling Stones
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