CALIFICACIÓN DE IMDb
6.3/10
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TU CALIFICACIÓN
Una asesina recibe la peligrosa misión de matar a un líder político en la China del siglo VIII.Una asesina recibe la peligrosa misión de matar a un líder político en la China del siglo VIII.Una asesina recibe la peligrosa misión de matar a un líder político en la China del siglo VIII.
- Nominada a1 premio BAFTA
- 36 premios ganados y 75 nominaciones en total
Nikki Hsieh
- Huji,Tian Ji'an's concubine
- (as Hsieh Hsin-ying)
Ethan Juan
- Xia Jing, the aide-de-camp
- (as Juan Ching-Tian)
Argumento
¿Sabías que…?
- TriviaIn the film, the actors speak classical Chinese which was mostly used for literary texts and almost never spoken. The final version henceforth includes Chinese subtitles.
- Versiones alternativasIn Japan, the film has been released with an additional footage contains the scene involving the Mirror Polisher (Satoshi Tsumabuki) and the wife of the Mirror Polisher (Shiori Kutsuna). This version is only available on Japanese Blu-Ray from Shochiku Home Video but without English subs.
- ConexionesFeatured in The EE British Academy Film Awards (2016)
Opinión destacada
Hou Hsiao-Hsien is one of those directors the mere mention of whose name sends filmsnobs into paroxysms of pleasure. 'The Assassin' is the first of his films that I myself have seen, and I've got to say I have mixed feelings.
I was attracted to the film by the set designs featured in the trailer, and these are fantastic: lush, richly-detailed, lavish reproductions of nobles' palaces and peasants' hovels. The costumes are similarly splendid. The natural scenery is spectacular also, with Hou taking full advantage of the endless steep wooded hillsides of his Far Eastern filming locations.
But oh, the pace of the film is slow. Far too often, Hou allows his camera to linger, unmoving, on a particular subject that is doing nothing - certainly not adding anything to the story. This may be because of the sparse nature of the plot - a young woman in ninth century China, raised from childhood to be an assassin, is sent back to her native Weibo to assassinate her cousin, the region's governor. Once there she gets caught up in some palace intrigue, but it's all sketched out very lightly and, to be honest, for some of the time I was having trouble staying awake.
But those sets *are* gorgeous...
I was attracted to the film by the set designs featured in the trailer, and these are fantastic: lush, richly-detailed, lavish reproductions of nobles' palaces and peasants' hovels. The costumes are similarly splendid. The natural scenery is spectacular also, with Hou taking full advantage of the endless steep wooded hillsides of his Far Eastern filming locations.
But oh, the pace of the film is slow. Far too often, Hou allows his camera to linger, unmoving, on a particular subject that is doing nothing - certainly not adding anything to the story. This may be because of the sparse nature of the plot - a young woman in ninth century China, raised from childhood to be an assassin, is sent back to her native Weibo to assassinate her cousin, the region's governor. Once there she gets caught up in some palace intrigue, but it's all sketched out very lightly and, to be honest, for some of the time I was having trouble staying awake.
But those sets *are* gorgeous...
- euroGary
- 19 oct 2015
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- The Assassin
- Locaciones de filmación
- Kioto, Japón(castle park and garden)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 15,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 632,542
- Fin de semana de estreno en EE. UU. y Canadá
- USD 47,892
- 18 oct 2015
- Total a nivel mundial
- USD 11,991,669
- Tiempo de ejecución1 hora 45 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1
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By what name was La asesina (2015) officially released in Canada in French?
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