Oh Bhama Ayyo Rama

Rod Rod Rod Pro Max is a chaotic mess that fails on nearly every level. The plot is incomprehensible, bouncing between bizarre action scenes and cringe-worthy dialogue that feels written by an AI gone rogue. The acting is wooden, with characters showing less emotion than cardboard cutouts. The CGI looks like it was rendered on a calculator, and the sound design is equally atrocious-random explosions, distorted voices, and an overused stock soundtrack. The movie tries to be funny but lands no jokes, making the two-hour runtime feel like a punishment. Even the title is ridiculous. It's hard to believe this ever got greenlit. Avoid this film at all costs unless you're looking for a masterclass in how not to make a movie.

Calling this movie "fun' should be considered false advertising. It's like they took every outdated joke, stitched it ogether with a thin, predictable plot, and hoped no one would notice. The pacing is painfully slow, yet somehow it still feels rushed in parts where it should breathe. Suhas, it's frustrating to see you waste your talent on something with this little thought or care behind it. The supporting cast tries, but even they can't save this sinking ship. Songs appear out of nowhere, and the comedy tracks feel like leftovers from e decade-old TV show. By the halfway point, I was mentally counting how many scenes were left. The climax tries to be heartfelt but ends up being unintentionally funny. If this is what filmmakers think families want, then they're badly out of touch. It's not just a bad movie it's a two-hour reminder that time is precious.

This is one of those movies where you realize something is wrong within the first ten minutes. The dialogues feel as if they're straight out of a soap opera your grandmother might watch, and the screenplay comes across as both dull and rushed. The heroine's character is particularly irritating-her constant storytelling throughout the film makes you question what the writers were thinking.

Despite boasting a number of talented senior actors, none are able to salvage the movie. The hero appears clueless and adds nothing to elevate the scenes, making his presence almost redundant. The director, who previously worked as an assistant on "Prathi Roju Pandage" (a film that succeeded with its quirky comedy, coherent plot, and sharp dialogues), seems to have missed the mark completely here. It's clear that neither the director nor the makers have learned anything from their earlier experiences.

The film features several directors in cameo roles, presumably to help drive the story forward, but their efforts fall flat due to lackluster and uninspired dialogues. I can only give this movie one star, and that's purely because of the dance sequences. Suhas genuinely tries to reinvent himself, and the choreography is impressive, serving as the only true highlight in an otherwise disappointing film.