23 (Iravai Moodu)

"23" is a gripping psychological thriller that intricately weaves themes of obsession, paranoia, and the quest for identity. Centered around the true story of the infamous German hacker Karl Koch, the film captivates as it delves into Koch's life and his fixation on the number 23, believed to hold deep significance. The cinematography skillfully mirrors his descent into madness, using dark, moody palettes to evoke unease.

The lead performance is standout, portraying Koch's unraveling with haunting authenticity. The film effectively blends real historical elements with fictional creativity, making viewers question the line between truth and illusion. The narrative is structured non-linearly, adding layers of complexity that require attentive viewing. As the plot twists and turns, it keeps audiences on edge, reflecting Koch's spiraling obsession.

While some may find the pacing slow at times, the buildup is worth it for the explosive finale, which forces viewers to confront the consequences of unchecked obsession. The film's score enhances the tension, layering sound with stunning visuals to create an immersive experience.

"23" ultimately serves as a cautionary tale about the dangers of obsession, the impact of technology, and the search for meaning in a chaotic world. This thought-provoking film invites viewers to reflect on the numeric patterns that dominate our lives, leaving a lasting impression long after the credits roll.

The film brilliantly brings to the forefront various flaws and shortcomings that exist within our judicial system while also emphasizing the important responsibilities we all share as members of society. The climax of the story was so powerful and emotionally charged that it brought me to tears, leaving a lasting impression on my heart. If you are someone who appreciates narratives that have deep roots and are grounded in real-life issues, I strongly encourage you to watch this movie. Initially, it took me a little while to truly connect with the new artists featured in the film and to embark on this journey alongside them. Additionally, the background score and musical pieces incorporated throughout the film are quite impressive and enhance the overall experience. This is undoubtedly a thought-provoking film, and I wholeheartedly recommend it to anyone looking for a meaningful cinematic experience.

One of the best bus scene... And jail scene is awe. 2nd half little bit slow but overall ok.

Director is talented from 1st movie national award. Songs are average and there is no comedy in this movie.

One of the best bus scene... And jail scene is awe. 2nd half little bit slow but overall ok.

Director is talented from 1st movie national award. Songs are average and there is no comedy in this movie.

One of the best bus scene... And jail scene is awe. 2nd half little bit slow but overall ok.

Director is talented from 1st movie national award. Songs are average and there is no comedy in this movie.

This movie will show the real faces of people and world.

It's shows power and money rules the world It's shows how can people change the world It's show love and pain life which triggers your mind and thinks for a while like how to change our society.

Only negative of this movie is some actors acting is not good and some actors are very good suresh charector did guy acting is very nice and hero friend charector is also good police guy was also good , thagubothu ramesh anna charector makes you cry he's always a good actor And one thing I will say to director he has fire inside to change the society.

Watching 23 will make you realise why many a talented director resort to Indie kind of film making.

Raj Rachakonda breaks all the conventions, formulas and formats in making this film convey his vision sincerely and authentically. No production house would have allowed it. There are no fixed plot points at fixed timelines, no interval bangs, only pure storytelling. He selects new actors Teja and Tanmay for the roles of protagonists and they more than do justice to their roles. Some reviewers, totally missing the vision of the director, have been suggesting that more mature or experienced starcast would have carried the film on their shoulders. The director never wanted or projected the main character Sagar to be a regular hero. He just drew a fine line where he wanted us to empathise with Sagar character but never think that he is right. Not many films, certainly no indian film as far as I could remember succeeded in portraying a protagonist who is guilty of killing 23 persons, without ever justifying the heinous crime, but still successfully connect to the audience and earn their empathy.

Teja should get lot more credit for carrying off such a character so naturally in his first film.