Amor sin barreras

I saw both the stage version live and the 1961 movie in the past, and even though I always loved the music and dance numbers, I was never really sold or engaged by the storytelling. I would go as far as saying that the story almost bored me on both the movie and stage musical.

This adaptation from Spielberg however manages to turn the characters into real people, the situations get higher stakes, the emotion is palpable. The quality of the songs and musical numbers are impressive, but they always were, you can't do West Side Story without it. But those numbers are greatly enhanced by a really dynamic direction from Spielberg. A direction, that stays masterful throughout and that is really working with the score of the movie.

The acting is so much more real that the 61 movie, Ariana DeBose is simply incredible at both singing and dancing, but her acting chops are really shining here. She carried the movie for me, even though to be fair, all the cast did a great job.

The focus on giving an emotional story and emotional performances from the actors was the way to go, and it is what makes this adaptation a great one. I cried so much (mostly thanks to DeBose and Moreno's performances) throughout the second part of the movie, while I had never shed one tear on the stage musical nor the 61 movie that never managed to move me.

Overall this new adaptation is clearly a love letter to the source material, not trying to reinvent what was already working, but enhancing what wasn't to make it a movie that can move people from our generations.

It's not a remake. This has absolutely nothing to do with the 1961 film. They are completely separate adaptations of the stage musical. This is not rocket science. New versions of West Side Story are made every year around the world. The 1961 film has literally zero ownership over this story and characters.

It's as simple as this.. anyone crying about this film being "woke" - has not seen it. The extremely short passages of Spanish dialogue are deliberately written to not need subtitles. The performances make the context of the speech obvious - and everything is repeated in English anyway. Anybodys is presented exactly the same as the 1961 film - no reference to "non-binary" is ever made. Ergo the people moaning about the casting have (again) not even seen the film. Nothing about the main plot is changed, but the backstory is developed with great success. Chino especially is a huge improvement from earlier adaptions. Tony's more genuine past is a big asset to the film as well. Rita Moreno's new role is wonderful.

It's an incredible ensemble performance. The dancing is amazing, and the singing is breath-taking. And there's no miming here - many of the songs were even recorded live on set! The work behind the camera is equally impressive. Stunning cinematography and direction. Tony & Maria didn't have perfect chemistry, but the rest of the performance more than makes up for that.

Why are people acting invested in how much money this film makes, as if that has anything to do with it's quality. For a reality check I will remind you Steven Spielberg is literally the richest film director is the history of cinema. The guy is a multi-billionaire. Some people make a success of their lives while internet trolls waste away. Make better choices. And I realise I'm shouting into the void here - this page has clearly been completely lost to those trolls. Or should just say "troll" - on the first page alone I count 6 users that are all literally the same person. That's the extent of my patience, but no doubt this bizarre person has dozens more fake accounts if I could be bothered to check. Why someone would waste their life trolling a film website 24/7 is beyond me - but whatever, it's a free country.

I absolutely loved the movie - I had a lot of high expectations. I grew up rewatching the borrowed DVD of the 1961 version from the library. I have the 2009 Broadway version memorized by heart. But this adaptation?? It did everything so, so much justice. The acting, the singing, the dancing. There was a tension that you should feel throughout. And so many Performances with a capital P - ESP Ariana, Mike and David. The shots were absolutely BEAUTIFUL. The orchestra - EXQUISITE. This version of WSS actually broke me.

I want to watch it again. I look forward to owning this version on DVD.

I was hesitant to go after hearing some negative reviews and stories of disapppointing box office after release.

But he music treatmeant of Bernstein's score, the choreography, the cast, were reallyjust excellent. Tony and Maria have more chemistry and talent than the originals (movie version), and I was blown away by the "I Want to Be in America" street scene. Not woke, not lame. See it.

Spielberg does it again! Another outstanding production under his direction. The cast was great, the singing was great but one major thing that stood out to me was the choreography. It couldn't have been any better, and I can't imagine the amount of training and dance practice that each actor had to go through. Job well done by every member of the cast and crew!