The Story & the Engine
- El episodio se transmitió el 10 may 2025
- 47min
CALIFICACIÓN DE IMDb
6.6/10
3.9 k
TU CALIFICACIÓN
En Lagos, una figura misteriosa conocida como el Barbero gobierna. El Doctor descubre que las historias tienen poder real mientras se enfrenta a la Araña que teje una red vengativa.En Lagos, una figura misteriosa conocida como el Barbero gobierna. El Doctor descubre que las historias tienen poder real mientras se enfrenta a la Araña que teje una red vengativa.En Lagos, una figura misteriosa conocida como el Barbero gobierna. El Doctor descubre que las historias tienen poder real mientras se enfrenta a la Araña que teje una red vengativa.
- Dirección
- Guionista
- Elenco
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
A solid, if perhaps narratively not particularly satisfying, addition to this series that features some of the themes of the season.
The Doctor (Ncuti Gatwa) and Belinda (Varada Sethu) arrive in Nigeria in 2019 to both plan another marker to assist with getting her home, and for the Doctor to head to a barbershop he's frequented before, owned by his friend Omo (Sule Rimi). When he enters, he discovers that Omo and a few other patrons are trapped in the shop, caught in a timeloop of repeated hairgrowth and tasked with telling stories whilst a new and intimidating barber (Arlyon Bakare) cuts their hair. The stories seem to temporarily satisfy the barber - and the shop - but the Doctor is a story that can feed the shop indefinitely.
Like the previous episode, one of the themes of this is how a character copes when the Doctor is no longer in their life and the affect that has on them. In this case, it unites with another theme of the season - jilted romantic partners driven to a degree of villainies. Whilst I'm talking themes, there is another cameo for Anita Dobson, as Mrs Flood this time confirming that she had been in and around Belinda before she met the Doctor. There's also a small cameo for Jo Martin - as the Fugitive Doctor, which acknowledges that storyline at least hasn't been dropped entirely. We're also, again, talking about "gods" as drivers of the stories, rather than aliens - which is interesting. There's also no fear to the Doctor in this episode, he's almost imperious, which makes sense as he's in an environment he's comfortable with.
I liked the set up of the episode more than I liked the ending. The threat is never entirely clear to me, if the stories stop then the engine stops. . then what happens? I understand they can't escape but what will the barber do to them?
Again, feeding into the wider story is nicely done, even if perhaps the episode itself might have done a better job with its own plot.
The Doctor (Ncuti Gatwa) and Belinda (Varada Sethu) arrive in Nigeria in 2019 to both plan another marker to assist with getting her home, and for the Doctor to head to a barbershop he's frequented before, owned by his friend Omo (Sule Rimi). When he enters, he discovers that Omo and a few other patrons are trapped in the shop, caught in a timeloop of repeated hairgrowth and tasked with telling stories whilst a new and intimidating barber (Arlyon Bakare) cuts their hair. The stories seem to temporarily satisfy the barber - and the shop - but the Doctor is a story that can feed the shop indefinitely.
Like the previous episode, one of the themes of this is how a character copes when the Doctor is no longer in their life and the affect that has on them. In this case, it unites with another theme of the season - jilted romantic partners driven to a degree of villainies. Whilst I'm talking themes, there is another cameo for Anita Dobson, as Mrs Flood this time confirming that she had been in and around Belinda before she met the Doctor. There's also a small cameo for Jo Martin - as the Fugitive Doctor, which acknowledges that storyline at least hasn't been dropped entirely. We're also, again, talking about "gods" as drivers of the stories, rather than aliens - which is interesting. There's also no fear to the Doctor in this episode, he's almost imperious, which makes sense as he's in an environment he's comfortable with.
I liked the set up of the episode more than I liked the ending. The threat is never entirely clear to me, if the stories stop then the engine stops. . then what happens? I understand they can't escape but what will the barber do to them?
Again, feeding into the wider story is nicely done, even if perhaps the episode itself might have done a better job with its own plot.
After a very good season so far, with 3 really strong episodes in a row..now comes this. Lots of interesting ideas, this machine and how it works and what drives it is cool. The little stories that are told are all good. Something from other cultures, than usal in DW. The design is interesting and the theme of the episode is actually exciting. Unfortunately, everything is not well put together. The episode feels confusing and hectic. You can neither feel nor really follow the plot, plus it's all solutions out of nowhere and Belinda knows all sorts of things out of nowhere. The characters remain incomprehensible or interchangeable and I don't want to spoil anything about the gods, but for me it doesn't fit Doctor Who at all. Too bad, I hope the next episodes will be better again.
Another brilliant episode, it was entertaining because the pacing was good as it had different stories with colourful backgrounds and that's always nice to see, I wish the Spider could've been used more as the design and props team has nailed it's ascetics and it looks really cool on the big screen.
The Episode was just a fun story, the episode had shed loads of emotion as the atmosphere was expanded to a room, corridors and a spider feeding off stories to form a larger web, that's what was creepy and scary and fun. The bright colours of the missing people was cool to see, the ambience and I'm glad it added abit of supernatural. Hopefully an episode explores on that more. Hopefully it'll become a future episode.
I'd give this a solid 7 as it was Fun and engaging, the props were beutiful and the stories were wonderfully illustrated. Doctor who is back!
7/10.
The Episode was just a fun story, the episode had shed loads of emotion as the atmosphere was expanded to a room, corridors and a spider feeding off stories to form a larger web, that's what was creepy and scary and fun. The bright colours of the missing people was cool to see, the ambience and I'm glad it added abit of supernatural. Hopefully an episode explores on that more. Hopefully it'll become a future episode.
I'd give this a solid 7 as it was Fun and engaging, the props were beutiful and the stories were wonderfully illustrated. Doctor who is back!
7/10.
This episode is important, and while I do have my problems, it's great that this story can be told on Saturday night TV.
That being said, despite the good acting, brilliant cinematography, and like i say, great concept, the pacing was beyond poor. At the end of the day this was a 10-15 min idea that was stretched out across a 50 min episode. This series has had a pacing problem from the off, but usually it's that there's too much content and not enough time, but this is the inverse.
I felt like it should've been a Big Finish episode, it would've worked so much better as an audio story. I don't agree that this episode is anywhere near a 1 star, but the reviewer who gave it that score IS right when they say this episode is a load of waffle. We needed more from it, not just some tacked on fan service.
That being said, despite the good acting, brilliant cinematography, and like i say, great concept, the pacing was beyond poor. At the end of the day this was a 10-15 min idea that was stretched out across a 50 min episode. This series has had a pacing problem from the off, but usually it's that there's too much content and not enough time, but this is the inverse.
I felt like it should've been a Big Finish episode, it would've worked so much better as an audio story. I don't agree that this episode is anywhere near a 1 star, but the reviewer who gave it that score IS right when they say this episode is a load of waffle. We needed more from it, not just some tacked on fan service.
Once again, the actors do their job well, and the script for the episode could be on par with some average episodes of classic Doctor Who, but... (after the Doctor finishes crying, naturally)
It's all staged in a forced way, with dazzling and unnecessary smiles, winks, closed-eye hugs, a character who betrays the Doctor (which is said quickly) and then they go back to being best pals. Color, shine, cameras, action, and even some guys doing push-ups in front of a lady to thank her.
For me, it's once again that over-characterization of the Doctor as if he were a forest fairy singing "Don't Worry About a Thing" by Bob Marley; even when he tries to be serious, he seems like a harmless character, a harmless doctor. It really bothers me, honestly.
For me, it's once again that over-characterization of the Doctor as if he were a forest fairy singing "Don't Worry About a Thing" by Bob Marley; even when he tries to be serious, he seems like a harmless character, a harmless doctor. It really bothers me, honestly.
¿Sabías que…?
- TriviaIn "What I Did On My Holidays By Omo Esosa" (then of Class 2G, St Cathrine Missionary Primary School, Apapa, Lagos State, Nigeria and dated to 23rd August 1965), author Inua Ellams expands on the future barber's first meeting with the Doctor in short story form. It appears on the official series website.
- ErroresWhen telling his six word story the Doctor actually uses 7 words. He tells it "I'm born. I die. I am born."
- Citas
Belinda Chandra: Abena, hurt people hurt people. Your father hurt you. The difference between good and evil is what we do with that pain.
- ConexionesReferences Avengers: Endgame (2019)
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Locaciones de filmación
- Lagos, Nigeria(establishing drone shots)
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 47min
- Color
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