Run
- El episodio se transmitió el 10 ago 2025
CALIFICACIÓN DE IMDb
7.6/10
372
TU CALIFICACIÓN
Agrega una trama en tu idiomaAs Tim's investigation pays off in ways he never imagined and Sigsby scrambles to avert disaster, Luke must finally decide who he can trust.As Tim's investigation pays off in ways he never imagined and Sigsby scrambles to avert disaster, Luke must finally decide who he can trust.As Tim's investigation pays off in ways he never imagined and Sigsby scrambles to avert disaster, Luke must finally decide who he can trust.
- Dirección
- Guionistas
- Elenco
Fotos
Max Emerson Taylor
- Gate Guard #2
- (as Max E. Taylor)
Opiniones destacadas
This show got everything wrong. It's like someone read a short synopsis of the book and took it from there. They changed so much and for no reason. It doesn't move things along better. It just makes a great story, typical nonsense. Bad casting and acting by most characters. I loved the book. And like most adaptations of King, the writers and film makers dropped the ball. Big time. Just read the book.
Ep 6 serves as a major turning point in and is a pivotal entry that raises the stakes and intensifies the central conflicts, moving the series from setup into its thrilling final act.
The two central plotlines - Luke's rebellion inside The Institute and Tim Jamieson's investigation in the outside world -beginning to converge more rapidly.
The pacing noticeably quickens as both protagonists face their most significant challenges yet. The episode effectively ratchets up the tension, creating a sense of foreboding and unease that permeates both The Institute and the outside world. This heightened atmosphere is a high point for the season.
The high point is a strong performance of young Joe Freeman as Luke, who conveys the desperation and pain of his character's situation. This episode is also effective in building Tim into a protector figure, a role that some fans of the book have been waiting for.
Overall, "The Box" successfully elevates the stakes for both Luke and Tim. It moves the main narrative forward in a compelling way and sets the stage for the final two episodes of the season.
This episode has left me on the edge of the seat, building immense anticipation for the final arc as the two converging stories are poised to collide in an explosive climax.
The two central plotlines - Luke's rebellion inside The Institute and Tim Jamieson's investigation in the outside world -beginning to converge more rapidly.
The pacing noticeably quickens as both protagonists face their most significant challenges yet. The episode effectively ratchets up the tension, creating a sense of foreboding and unease that permeates both The Institute and the outside world. This heightened atmosphere is a high point for the season.
The high point is a strong performance of young Joe Freeman as Luke, who conveys the desperation and pain of his character's situation. This episode is also effective in building Tim into a protector figure, a role that some fans of the book have been waiting for.
Overall, "The Box" successfully elevates the stakes for both Luke and Tim. It moves the main narrative forward in a compelling way and sets the stage for the final two episodes of the season.
This episode has left me on the edge of the seat, building immense anticipation for the final arc as the two converging stories are poised to collide in an explosive climax.
I generally don't trust King or King adaptations. I don't trust this one.
But so far it's been kinda gripping.
If they'd just no do the 2000s thing and pad pad pad pad.
To their credit, the padding has just been endless repetition of actions and questions, *not* people talking about their excruciatingly boring 'feelings'. The conversations have stayed plot relevant.
But now you can see it's only got 3 eps to go and the brakes have been applied.
Come on. Don't cop out and just money money money to a Season 2.
Get to the fireworks factory. Get there faster.
But so far it's been kinda gripping.
If they'd just no do the 2000s thing and pad pad pad pad.
To their credit, the padding has just been endless repetition of actions and questions, *not* people talking about their excruciatingly boring 'feelings'. The conversations have stayed plot relevant.
But now you can see it's only got 3 eps to go and the brakes have been applied.
Come on. Don't cop out and just money money money to a Season 2.
Get to the fireworks factory. Get there faster.
I generally don't trust King or King adaptations. I don't trust this one.
But so far it's been kinda gripping.
If they'd just not do the 2000s thing and pad pad pad pad.
To their credit, the padding has just been endless repetition of actions and questions, *not* people talking about their excruciatingly boring 'feelings'. The conversations have stayed plot relevant.
But now you can see it's only got 3 eps to go and the brakes have been applied.
Come on. Don't cop out and just money money money to a Season 2.
Get to the fireworks factory. Get there faster.
But so far it's been kinda gripping.
If they'd just not do the 2000s thing and pad pad pad pad.
To their credit, the padding has just been endless repetition of actions and questions, *not* people talking about their excruciatingly boring 'feelings'. The conversations have stayed plot relevant.
But now you can see it's only got 3 eps to go and the brakes have been applied.
Come on. Don't cop out and just money money money to a Season 2.
Get to the fireworks factory. Get there faster.
¿Sabías que…?
- ErroresThe grey gaffer tape Luke has on his right ear, when he digs his way under the fence, is gone in many of the shots. The metal tracker is back on his ear. When he is running through the forest, the grey gaffer tape is on the left ear. This can be an error do to flipping the image when they edit it. Later in the forest. The metal key tracker is back on his air again.
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