Seismic Shifts
- El episodio se transmitió el 15 may 2025
- TV-14
- 43min
CALIFICACIÓN DE IMDb
4.8/10
4.2 k
TU CALIFICACIÓN
El 118, aún recuperándose de su reciente pérdida, es enviado a un evento con víctimas masivas tras el derrumbe de un edificio de apartamentos de gran altura; Athena y Chimney tienen que trab... Leer todoEl 118, aún recuperándose de su reciente pérdida, es enviado a un evento con víctimas masivas tras el derrumbe de un edificio de apartamentos de gran altura; Athena y Chimney tienen que trabajar juntas para salvar una cara conocida.El 118, aún recuperándose de su reciente pérdida, es enviado a un evento con víctimas masivas tras el derrumbe de un edificio de apartamentos de gran altura; Athena y Chimney tienen que trabajar juntas para salvar una cara conocida.
- Dirección
- Guionistas
- Elenco
Peter Krause
- Bobby Nash
- (solo créditos)
Opiniones destacadas
The entirety of season 8 was so inconsistent in quality, from beginning to end. The show running has to be the most inept man in terms of how to write a show and his writers are doing him no favors. The entire episode struggled to pick a single tone after throwing a ton of stuff. At first it had a feeling of the earlier seasons of 9-1-1 but as the episode progressed it felt more and more like they were trying to think of a satisfying way to wrap it up. This has been one of the most sorry excuses for an episode I've seen in a WHILE. My 3 stars are generous here because it could not possibly have been worse than the slop thrown at the screen and called an episode that was Lab Rats. It feels like the show does not want or feel like it has to have a continued direction because it only sees it's viewers as money. I'm so underwhelmed they couldn't even be bothered to center one of their character's actual big moments either. How are you going to side line every character and call this an exploration of grief. The only smart decision they made was not getting rid of any more of their cast.
I really don't understand what went through the showrunner's head in the last 5 episodes. A series of bad decisions that culminated in a terrible season finale (a season that wasn't going very well), where much of the episode was a waste of possibilities. Not giving Athenana a chance to process her husband's death is a choice, Buck showing feelings for Eddie is a choice, not showing Eddie talking to Chris at any point is a choice, the last two minutes of this episode with off-screen events were a choice. I really can't give a damn about any of them here because with each second I got a little more disappointed with the events. It's hard to get excited or want to watch season 9 when the showrunner seems to show no appreciation for the opinion of the audience that watches his show. This is something to think about, and perhaps 911 is going into a pit so deep that the sky can no longer be seen.
This was one of the more lackluster 9-1-1 finales: a generally lame emergency and very few good character moments. What happens with the 20 unfinished storylines now? The resolution with Chris and Eddie's relationship? The new captain? The pacing of the second half of season 8 felt both rushed and dragging already, full of off-putting characterizations, so I suppose this finale was fitting in some ways. I thought for a moment season 8 had found its groove, but I was sadly wrong. This will probably be my last season as a dedicated watcher, as I would rather remember the show for how well-developed and interesting it used to be. Unfortunately I see 9-1-1 going the way of Dexter and Glee, lasting one or two seasons past its natural end and leaving a sour taste in past fans' mouths.
It's upsetting how clear this season was basically only outlined by the head writers and showrunners, given a greenlight and possibly a far to soon to manage deadline, and then churned out as last minute as possible.
Nearly every major arc from the beginning of the season involving a main character was not properly given time or resolve. The only exception possibly being Chimney, whom Kenneth Choi did another stellar job injecting emotion into. Every other character and their relationships were handwaved yet again.
Much of this season has felt wholly impersonal and a bit mean to both the cast and the fans. I'm leaving a season finale disheartened. For an episode titled seismic shifts, we are circled back yet again to status quo. Even the unexplained, seemingly unjust firing of a mainstay actor whom was adored on and behind the camera feels to be an afterthought. There has been and will never be closure on his death due to the circumstances that surround it. And that would be fine if the show was not pounding the pavement to move on as quickly as possible from any meaningful plot point it has had.
Overall I'm shocked at the variation in quality of season 8. How the showrunners have created a story so human and uplifting yet their goals seem to be aligned with how to remake your favorite movie of the week. And then churn out a script and cobble together footage then put it to screen, not caring how that comes across because the money was already made and spent, and the show is already renewed so we can just fix it later.
Well later won't come now, and if we as viewers do not see the work, then the issues don't feel fixed, they feel ignored and thrown away. Very bitter taste left in my mouth.
Nearly every major arc from the beginning of the season involving a main character was not properly given time or resolve. The only exception possibly being Chimney, whom Kenneth Choi did another stellar job injecting emotion into. Every other character and their relationships were handwaved yet again.
Much of this season has felt wholly impersonal and a bit mean to both the cast and the fans. I'm leaving a season finale disheartened. For an episode titled seismic shifts, we are circled back yet again to status quo. Even the unexplained, seemingly unjust firing of a mainstay actor whom was adored on and behind the camera feels to be an afterthought. There has been and will never be closure on his death due to the circumstances that surround it. And that would be fine if the show was not pounding the pavement to move on as quickly as possible from any meaningful plot point it has had.
Overall I'm shocked at the variation in quality of season 8. How the showrunners have created a story so human and uplifting yet their goals seem to be aligned with how to remake your favorite movie of the week. And then churn out a script and cobble together footage then put it to screen, not caring how that comes across because the money was already made and spent, and the show is already renewed so we can just fix it later.
Well later won't come now, and if we as viewers do not see the work, then the issues don't feel fixed, they feel ignored and thrown away. Very bitter taste left in my mouth.
It's a little sad to see a beloved show go downhill so fast in the span of a couple episodes. How do you completely misunderstand your own audience?
First off, Eddie deserved better in terms of writing.
His storyline was sidelined for a good chunk of the season. So much so that by the end it didn't feel resolved nor did it feel satisfying. Which is sad to say the least because there's so much that could be done with Eddie's character and yet the writers and the showrunner don't know how to properly utilize him.
What was the point of having Christopher go to Texas and have Eddie go after him only for them to not even have a conversation about what happened last season? Ohh that's right, it probably did happen but off screen.
Seriously, what was the point of creating a rift between the two of them? It would've made sense if it led to more development for Eddie's character, which at some point it did feel like it was moving in the right direction only for it to go nowhere.
And don't even get me started on the alleged "genius" creative decision of killing off Bobby. All for the sake of realism? The same show that had a ghost dial 9-1-1 cares about realism? Sure. And only for Bobby to not even get a good send off.
If this shows wants to keep people around even after making the horrible decision of killing off one of their main characters, there needs to be GOOD fleshed out character arcs that are PROPERLY resolved. Along with follow ups because why bring something up and then never talk about it again?
It feels as though Tim has forgotten exactly why people love and cared about this show in the first place. The emergency calls may be part of it but it's mainly the character driven stories that keep people around.
People care about these characters and their personal lives and the problems they deal with on a day to day basis. Big emergency calls may be fun but it's gotten to the point where having multiple in one season puts certain storylines in the back burner.
All people want are well written storylines instead of whatever the hell has been going on in these past few seasons. I don't think that's too much to ask for but who knows maybe it is.
I'm not sure how many people will stay tuned in after this season but at this rate there won't be much of an audience left if the writers and Tim Minear continue to go in this direction.
There's more I want to say about all of this but I'll stop here.
First off, Eddie deserved better in terms of writing.
His storyline was sidelined for a good chunk of the season. So much so that by the end it didn't feel resolved nor did it feel satisfying. Which is sad to say the least because there's so much that could be done with Eddie's character and yet the writers and the showrunner don't know how to properly utilize him.
What was the point of having Christopher go to Texas and have Eddie go after him only for them to not even have a conversation about what happened last season? Ohh that's right, it probably did happen but off screen.
Seriously, what was the point of creating a rift between the two of them? It would've made sense if it led to more development for Eddie's character, which at some point it did feel like it was moving in the right direction only for it to go nowhere.
And don't even get me started on the alleged "genius" creative decision of killing off Bobby. All for the sake of realism? The same show that had a ghost dial 9-1-1 cares about realism? Sure. And only for Bobby to not even get a good send off.
If this shows wants to keep people around even after making the horrible decision of killing off one of their main characters, there needs to be GOOD fleshed out character arcs that are PROPERLY resolved. Along with follow ups because why bring something up and then never talk about it again?
It feels as though Tim has forgotten exactly why people love and cared about this show in the first place. The emergency calls may be part of it but it's mainly the character driven stories that keep people around.
People care about these characters and their personal lives and the problems they deal with on a day to day basis. Big emergency calls may be fun but it's gotten to the point where having multiple in one season puts certain storylines in the back burner.
All people want are well written storylines instead of whatever the hell has been going on in these past few seasons. I don't think that's too much to ask for but who knows maybe it is.
I'm not sure how many people will stay tuned in after this season but at this rate there won't be much of an audience left if the writers and Tim Minear continue to go in this direction.
There's more I want to say about all of this but I'll stop here.
¿Sabías que…?
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
Detalles
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta