Durante la masacre de Nanjing en 1937, el cartero A Chang fingió ayudar a japoneses como fotógrafo mientras ocultaba refugiados chinos y después reveló las atrocidades.Durante la masacre de Nanjing en 1937, el cartero A Chang fingió ayudar a japoneses como fotógrafo mientras ocultaba refugiados chinos y después reveló las atrocidades.Durante la masacre de Nanjing en 1937, el cartero A Chang fingió ayudar a japoneses como fotógrafo mientras ocultaba refugiados chinos y después reveló las atrocidades.
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- Premios
- 3 premios ganados y 5 nominaciones en total
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- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This is not a movie to be enjoyed. Throughout my watch, I feel my intestines knotted from the blatant display of innumerable brutalities during the Rape of Nanking that were unfathomable strategically and ethically. Not a single body of water in the film isn't red, all bloodied by the 300,000 "swines" that were humans. Laudably, unlike some Sino-Japanese War movies that are purely slogan-calling and hostility-instigating, Dead to Rights has a rather impartial and documentary narrative stance, moving the audience by painstakingly replicating the massacre and letting the plot do the talking. While it's typical in this genre of films to vilify the invaders and traitors, Dead to Rights portrays two brilliant counterexamples: Ito's performative kindness and intrinsic cowardice and Guanghai's suppressed sentiments and deepest despair. With that said, performance of all seven protagonists are spot-on, making the choices, sacrifices and sufferings, though mostly fictional truly believable and resounding. Bravo specifically to Gao Ye, who perfectly captures Yuxiu's change from resiliently hopeful to defenselessly abused to reclaiming justice and avengement, as her powerless tears reflect the most inhumane violations done to countless comfort women. In all, Dead to Rights is a soul-stirring piece of work, but please be prepared for the historical pain it conveys. To intrusion and trampling, I shall retaliate with survival and remembering.
This film must be seen in theaters. The world needs to know what Japan did the past . The atrocities they committed in China were mirrored in Malaysia, where they similarly tortured and slaughtered our people. Let us cherish the prosperity and happiness of our nation today, and never forget the lessons of history. We must never forget the lessons of history.
First of all, never heard of these events before. The movie blasted that ignorance with incredible cinematography, powerful imagery and realism, and natural acting by the cast. Yes, its in Mandarin language and have to read subtitles, yet the movie draws you in, and is extremely immersive. Its also brutal to reflect the harsh realities, so be prepared. Its definitely a must watch in theatre - the color grading, lighting and sets are just beautiful. This movie exposes human harshness like Schindler's list did. The English title of this film is odd.
10BadCen
Sadly, even to this day, those who committed the massacre are still enshrined in the "Shrine", and there are countless people who are forgetting or even denying this history that truly took place.
This is the significance of this film, to remind the world not to forget this heartrending history. Some people say that such films have been made too many times. But I would say, as long as war criminals are still enshrined in Japanese shrines, there will never be many such films.
This is the significance of this film, to remind the world not to forget this heartrending history. Some people say that such films have been made too many times. But I would say, as long as war criminals are still enshrined in Japanese shrines, there will never be many such films.
The director showed great restraint in portraying the atrocities committed by the Japanese during their invasion of China. Instead of going the easier route of focusing on amplifying feelings, the director chose to stay focused on storytelling to reenact a glimpse of the Nanjing Massacre accurately as much as possible.
If one could only watch one movie in theaters this summer(maybe even this year), Dead to Rights would be my choice.
If one could only watch one movie in theaters this summer(maybe even this year), Dead to Rights would be my choice.
¿Sabías que…?
- TriviaThe film is loosely based on the discovery of a key piece of evidence from the Nanjing Massacre. In 1938, 15-year-old darkroom apprentice Luo Jin secretly compiled photos of the atrocities-taken by Japanese soldiers-into an album and hid it. The album was later discovered by Wu Xuan, another Chinese civilian, who preserved it for years before handing it over to postwar authorities.
- Créditos curiososAs the closing credits came on, a hand puts up black and white photographs of old Nanjing and superimpose it on the same spot of where it was taken in modern-day Nanjing.
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Detalles
Taquilla
- Total a nivel mundial
- USD 632,337
- Tiempo de ejecución
- 2h 17min(137 min)
- Color
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