If There's a Hell Below

THE most boring , stupid film i have ever had the misfortune to watch !What moron made this utter tripe? the conversations were stupid , most of the film was spent in silence and when there was dialogue it was pointless , there was no story , when the producers watched the movie after making it , did they not realise it was a load of rubbish , i should be paid damages for wasting a hour and half of my life , there is no saving grace to this movie , i'm warning you , don't watch !

While watching Nathan Williams's "If There's a Hell Below", I got the feeling that it was a criticism of the so called War on Terrorism. At least that's what I assumed. A lot of the movie comes across as nearly aimless wondering across the barren landscape of eastern Washington state, with a journalist from Chicago meeting a woman who claims to have inside information about a nefarious plot. Minimalist but intense, the movie does address issues of cover-ups, but seems to do so without connecting the topic to anything major (except for a quick line about Snowden, Manning and Assange).

It's an OK movie, but could've been a more coherent one.

"This film will leave you pretty ticked off so don't watch it if you do not like your time to be wasted"

OK first off let me say from the beginning of the first scene in this movie which is a side ways shot of a wheat field and a windmill I was excited about watching this movie. The cinematography was beautiful at the least and the acting and dialogue was very intriguing. The Director and Writer of this film Nathan Williams along with Matthew Williams who I assume is his brother had a big opportunity for this film to strike a nerve but in a good way. But with such a slow moving story the suspense builds creating a urgency to find out what is the big secret, But when you risk being so mysterious and then don't deliver on the expectation of enlightenment then you can really anger someone who does not like there time to be wasted and sorry to say this movie is the poster child of that type of film. It's almost like they came up with a great scenario but didn't actually know how to make it practical in reality for us to see why this could be happening so they decided to not even try to give it a cause or a reason. Like shouting out it's a conspiracy theory with no actual conspiracy to point at.When some films end and you may be a little upset as to what really happened in the last scene is one thing, But when you don't know why or even how something happened is totally another. And I can't help but feel sorry for the donators who helped raise crowd funding money for this indie film to feel like ripping there hair out because they were only paying for a good idea great cinematography and acting.I think the Williams are very talented and can do better in the future.I also support indie films as much as the next movie junky but take caution and do not watch this film in theaters it will not be a fun ride home. So a 3 is what I give this film which had potential to be an eight if Matthew and Nathan had only put more work into finishing out this mystery and creating an actual developing story. Also If anyone can even figure out why the movie is even titled "If There Is A Hell Below" Please leave a review or comment on the holes in the film at the end or even how that could of happened.

Yes, this movie is highly underrated. You expect a block buster? Don't do that. The perfection lies in it's simplicity, that's why it feels very life-like. I watched it without any previous information, or idea about the plot. The story runs on a smaller scale in terms of action or location, but as again, the facial expressions, the smaller gestures, simple but tense twists on the story add up to a great, dark play. The movie brilliantly drives your expectations towards the outcome. I am please with the experience and I genuinely hope that we live in a better world than this and no one has to go though on things like this in real life ...

"You know why people like Snowden f*cked up? Because they became the story."

I really like to watch non-traditional, artistic and mysterious films where there's room for a little bit of interpretation. Such a movie with different layers you ponder about afterwards. The problem with "If there's a hell below" (and no, it's not horror) is the fact that little is offered to ponder about. As uninformed as you start the movie, as uninformed you'll be at the end of the film. Truly an explanation of what's exactly going on, you shouldn't be expecting. To be honest, you end up with more unanswerable questions. And my biggest frustration is that I really wanted to know what Debra (Carol Roscoe) wanted to bring out into the open.

Debra is a whistle blower working for the US government (I'm assuming) who planned a secret interview with the young journalist Abe (Connor Marx) for months already . As a "senior information processing engineer" it would have been better if she had searched a bit better through Abe's background, because In my opinion this guy wasn't fit for the job. She knew his name, social security number and who he called that day. You can say she has her reliable sources. But finding out that he's a pedantic smart ass who can't or doesn't want to estimate the seriousness of this case, probably was too much to ask. Debra wants to reveal something that concerns the national security. What implications this information will bring after revealing it and why Debra wants to do this initially, isn't explained thoroughly. Something about a list of names and a hysterical plea about leaders who manipulate poor people to make sure people like Abe can have their necessary gadgets. Yes, it's rather vague.

Debra sees herself as a better version of Snowden, Manning and Assange because according to her their own personality came first instead of focusing on the essence of what was being revealed. The information she's about to reveal obviously is very sensitive information. Before they know it, they are being chased by an unknown SUV. The biggest annoyance for me (beside the complete lack of information) was mainly Abe's behavior. When you're preparing for a secret meeting with someone from the intelligence service for several months already and you know she's going to reveal some highly sensitive information with far-reaching consequences, you should also assume this isn't without risk. Well, apparently Abe doesn't see it that way and looks at it as a typical fait d'hiver. Why else would he briefly take a look at the suspicious SUV? And he refuses to continue driving during a pursuit, because Debra can't or won't give him a detailed explanation. Plain stupid and quite annoying.

"If there's a hell below" certainly won't be appreciated by everyone. It is fairly minimalistic and mainly displays stylistic images of a bone dry, flat desert landscape with Debra and Abe having some superficial conversations while driving through this landscape with an occasional stop. That's another thing I was wondering about. Why the hell did they meet in this region? It's impossible to hide for anyone. The only deviating elements were the two stories told by Abe and one of the pursuers. Although the film is painfully slow, there are some moments of intense tension.

But I can tell you one thing. After the credits you will look in amazement at the screen, totally confused and full of questions that'll never be answered. I have no idea why it had to end like this. Were there hidden clues in the two stories about the caterpillars and turtles? Was it intentional of Abe to put false facts in his story? Couldn't he foresee that Debra knew the composition of his family? And how could Schafer know certain elements of that story? Was the story of the turtles a kind of parable? A hint about Debra? About her destiny? And what was the device Debra used in the beginning? Too many questions and no answers. Just guesses. For some, this will be the strength of the film. Room for interpretation. Well, it was a stylistic work of art. In terms of story however, it was a bit too enigmatic to me.

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