Siccin 8

I can't describe in words how bad this movie was! I just can't. Everything was terrible. The sound couldn't be worse. How do people even watch these kind of movie ? How is it even in theaters? I just don't get it. First of all let's talk about the sound of the movie, it was so disturbing and boring. The movie didn't have a story at all it was just a bunch of characters and some old women hanging around without a purpose. Everything seemed so fake. The movie gave no meaning at all. It had no purpose and no meaningful story to tell. If you want to waste your money and you want your ears to be torn, I strongly recommend you to watch this movie.

Siccin 8" relies heavily on loud jump scares (only 3) grotesque visuals, and repetitive horror tropes that feel overused by now. While it tries to shock the audience, the lack of a strong plot or character development makes it feel more tiring than terrifying. It ends up being more chaotic than creepy.

Siccin 8 is not just an additional sequel, but rather an attempt to connect new events with the overall spirit of the series. If you are a fan of Turkish horror and especially the Siccin franchise, you will definitely enjoy the eighth installment, as it maintains the traditional terrifying atmosphere while adding new touches in terms of visuals and directing.

Rating: 10/10 - Perfect for true horror fans, though it may be too intense for those who cannot handle graphic and disturbing scenes.

Special thanks to everyone who contributed to this film in Iraqi cinemas, and hopefully it will also be shown in Arab cinemas.

Siccîn 8 is a chilling continuation of the Turkish horror series, diving once again into the dark world of curses, possession, and Islamic folklore. The film blends real-life fears with supernatural terror, using disturbing visuals, eerie sound design, and a grim atmosphere to unsettle viewers. The story, though complex and at times confusing, maintains suspense through shocking moments and intense emotions. It explores themes like guilt, family secrets, and vengeance. Horror fans who enjoy deep-rooted cultural elements and psychological tension will find Siccîn 8 both terrifying and memorable.

The eighth installment of the Siccin series, Siccin 8, turned out to be one of the entries I criticized the most. I felt the urge to write about it right after leaving the cinema. Compared to the previous films, this one takes a different direction. If you've watched the earlier entries, you can clearly notice this shift. Aside from the theme of black magic and the presence of the character Orhan, the film doesn't feel repetitive-which I realized within the first 10 minutes.

The film unfolds quite differently than the previous ones, and there are many aspects worth breaking down. Let's start with the atmosphere. It was incredibly bleak and tense, creating a fitting ambiance for the story. It made me feel genuinely uneasy-this part was well done.

Secondly, Orhan's increased screen time stood out. As you may know, Orhan didn't play a major role in Siccin 7, and fans expressed their desire to see more of him. It seems the filmmakers listened to those requests, at least partially-and I'm glad they did. Orhan is a fantastic character, and in this film, he almost feels like the flagship of the story.

The first half of the film unfolds mysteriously. You get lost between the scenes, trying to figure out what's happening. And here's where the problem starts. I'm speaking directly to director Alper Mestçi here: Please stop using the same possession scenes over and over again. The suspense itself isn't the issue, but the lack of proper dialogue and story development is. The pacing escalates in every scene and never calms down. Viewers don't want to see a scary face every few seconds-we need actual dialogue and a story to grasp.

Only two characters have real conversations; everyone else is constantly reacting to paranormal events. Once you deliver the first scare, that's enough. Why repeat it endlessly? There's this pattern: first the aunt, then the mother, then the daughter-all get haunted one by one. And finally, when we get a "quiet" scene, it's completely empty. Why not give that scene some substance? These things overwhelm the audience.

Yes, your cinematography might be great, the editing might be clean, the music might be fantastic-but what's the point of repeating the same horror gimmicks? Let's remember the earlier films in the series. First, we got a story. Then the plot moved forward piece by piece. We understood what was going on, and only then did the horror kick in. It was short, effective, and well-balanced. Where are those carefully crafted narratives like in Siccin 1, 2, and 3? At least back then, we didn't see a demon every two minutes.

When the film ended, one of my first questions was: why did they use the track "Peri" in the elderly ladies' scenes if it had no real connection to the events? If they had tied it to the story somehow, it would've been much more impactful. Also, the scene transitions need more attention. Scenes just abruptly fade to black. It's okay once or twice-but it happens repeatedly. This overuse of black screens stems from the unnecessary frequency of jump scares. That really stood out to me. Please avoid pointless transitions, or at least don't shoot scenes that require them.

Despite all these flaws, the film's story progressed quite well. Especially during the middle part, when the pace picked up again, the events surrounding the character Aylin were compelling. That section felt psychologically strong and believable-as in, "yeah, this could happen in real life." I'd say Aylin and Mert's scenes were among the best in the entire movie.

The visual effects were impressive. The timing of the jump scares was on point and definitely made the audience jump in their seats. The music, as always, was great. Acting performances were solid. While the film had its weak points, there were also many strengths. The use of parallel editing was effective. The practical makeup effects were very well done. What impressed me the most was the atmosphere-it truly immersed you in the experience. I still felt under its influence even after I left the cinema. For example, during Fatih's breakdown scenes, there was a constant disturbing sound that amplified the psychological tension. We, the audience, genuinely felt his pain.

In contrast to previous films, there were no big twist endings here. Alper Mestçi seems to be someone who takes criticism seriously and tries not to repeat himself. I hope he continues to address these flaws in future installments. Some improvements are already noticeable, which is encouraging. After all, eight films is a lot-it's natural for things to get repetitive, even unintentionally.

When we look at the horror movie scene in Turkey, Siccin 8, despite its flaws, still manages to stand out. There's visible effort in this film. Attention was paid to detail-it wasn't just made carelessly. At least we're seeing professionally crafted work in terms of cinematography. My full respect and appreciation to the entire crew. Well done to everyone involved.