GJLS: Ibuku Ibu-Ibu

This film is very suitable if you need fresh entertainment, you will also be presented with absurd comedy. The film carries GJLS's signature absurd, spontaneous, and improvisational comedy style. Viewers who are familiar with podcasts or their content will find it very relatable. Rigen, Hifdzi, and Rispo appear very relaxed and natural. Their interactions feel like hanging out with old friends - not contrived, and that's precisely their strength. Luna Maya, Bucek Depp, and Nadya Arina are also present to provide depth and balance in this film. Monty Tiwa also played an important role in ensuring that the film did not stray too far from the rules of filmmaking.

Prepare yourselves for a cinematic experience unlike anything you've ever witnessed, because "Gjls Ibuku Ibu Ibu" isn't just a movie - it's a genre-bending, reality-warping spectacle that redefines what's possible on screen. From its opening frames, it's clear this film operates on a completely different wavelength, plunging viewers into a world so absurd, so hilariously chaotic, and yet so oddly relatable that you can't help but be utterly captivated.

What makes "Gjls Ibuku Ibu Ibu" truly stand out is its audacious originality. In an industry often criticized for its reliance on reboots, sequels, and familiar tropes, this film arrives like a breath of fresh, albeit incredibly strange, air. The concept itself is a stroke of mad genius, something so fundamentally unique that it genuinely feels as if no one has ever dared to explore this territory before. It's a testament to the filmmakers' courage and vision that they committed so fully to such an unconventional premise, executing it with an unwavering dedication to its inherent absurdity.

The "seru" (exciting/thrilling) aspect of this film isn't derived from car chases or explosions, but from the sheer, unadulterated joy of watching its bizarre narrative unfold. Every scene is packed with unexpected twists and turns, each character a vibrant caricature of everyday life, amplified to hyperbolic proportions. The humor is intelligent and layered, often stemming from the juxtaposition of mundane situations with truly outlandish reactions. You'll find yourself laughing out loud at the sheer audacity of it all, constantly asking "Did that just happen?" The pacing is relentless, never allowing a dull moment, pushing the boundaries of comedic timing and narrative structure.

Critics say it's "shallow", "sexist", full of "body-shaming"? Maybe they missed the part where Rispo's outrageous behavior is not glorified, but thrown in your face so hard it demands reflection. This isn't moral decline-it's a brutal satire of how numb and ridiculous society has become. But sure, go off.

What's even funnier is watching people who clearly don't enjoy absurdist comedy voluntarily sit through 90 minutes of pure chaos... just to write a thesis-length review on how offended they are. At some point, it's not criticism-it's masochism with a keyboard.

No, it doesn't care about your structure.

No, it doesn't want to be "clever".

Yes, it's messy.

Yes, it's supposed to be.

Because chaos, when done right, is honest. And Ibuku Ibu-Ibu is hilariously honest.

**Absurdity is the core comedic theme of this movie-hence the title.** While it aims to be funny, much of the humor feels forced and falls flat.

**One unusual choice is including bloopers within the main film itself.** This might amuse the cast's close friends, crew, or fans of their stand-up group, but for first-time viewers, it simply doesn't work. Some scenes even try to *force* laughter by showing the actors cracking up during bloopers-it's almost like hiring someone to tickle the audience.

**The film attempts to channel the spirit of WARKOP DKI** with raunchy humor and adult jokes, but these moments often come off as awkward and cringeworthy rather than genuinely funny.

**In short, fans of the cast's stand-up work might enjoy this movie.** Everyone else? Probably not.

"Ibuku Ibu-Ibu" is a genius piece of absurdist comedy that proudly breaks away from the conventions of mainstream Indonesian cinema. The signature chaotic humor of the GJLS trio shines throughout-wild, unpredictable, and unapologetically offbeat.

This film isn't made for everyone, and that's okay. Those unfamiliar with GJLS's comedic DNA or who prefer structured, traditional narratives may find it jarring, even offensive. But to dismiss it as merely sexist or nonsensical is to miss the point entirely. It's satire, it's layered absurdity, and above all, it's refreshingly honest in its refusal to conform.

For fans of experimental, unfiltered humor, this film is a rare gem.

And let's be honest-what other movie casually drops bloopers into the actual film? Wkwk 😂