Episode #1.22
- El episodio se transmitió el 27 may 2025
CALIFICACIÓN DE IMDb
9.7/10
4.4 k
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Opiniones destacadas
10yun-96
I never say such kind of drama before. Each character has own sparking pot. Zang Hai is such a powerful man who can endore a lot just for revenge.
Every moment is wonderful that show everyone the beauty from the west.
This drama also promotes China's intangible cultural heritage such as shadow puppetry, geomancy ....
Actor Xiaozhan is so handsome , when he cry in TV I feel sooooo sad. I can feel his helplessness and despair in the play.
Now this drama is still being broadcast, and there are still many confusions in my mind. I hope that subsequence can solve my doubts.
I love this drama a lot.
Every moment is wonderful that show everyone the beauty from the west.
This drama also promotes China's intangible cultural heritage such as shadow puppetry, geomancy ....
Actor Xiaozhan is so handsome , when he cry in TV I feel sooooo sad. I can feel his helplessness and despair in the play.
Now this drama is still being broadcast, and there are still many confusions in my mind. I hope that subsequence can solve my doubts.
I love this drama a lot.
10GiengH-5
I started watching the first episode about a week after the show was released, just out of curiosity. But to my surprise, I ended up watching eight episodes in one night-I was completely hooked. What really drew me in was the main character, Zang Hai. He's unlike any protagonist I've seen in the revenge genre. He has no martial arts skills, no superpowers, and no unfair advantage. He's not some genius who always outsmarts his enemies. Instead, he's just a determined man with a strong will to avenge his family. Zang Hai feels incredibly real, making bold and dangerous moves to earn the trust of his enemies. He puts himself in life-threatening situations, relying only on his mind and courage. I'm tired of seeing main characters who always seem to know everything ahead of time. This drama felt grounded and intense, and Zang Hai's humanity made it even more powerful. It's one of the best, most realistic revenge stories I've seen in a long time.
The Legend of Zanghai is a well - produced ancient costume suspense drama with endless suspense. The plot is compact and full of reversals, and the wisdom duels between the protagonists are amazing. The actors deliver excellent performances, the costumes, makeup and props are exquisite, and the picture quality is comparable to that of a movie. It skillfully integrates court power struggles with Jianghu grievances, being both profound and entertaining. In particular, its exploration of human nature and destiny is thought - provoking, making it a sincere work in the ancient costume genre in recent years and worthy of a full - score recommendation!
10cc-065
This drama leaves a lot of blank space for the audience to discuss, but it doesn't let the lack of information affect the plot. The rhythm is also a combination of climax points and soothing transitions. It's not tiring or boring to watch, it's really great.
I think it's a wonderful thing. Although the opening line revolves around the revenge of the Tibetan Sea, after watching the six episodes, I found that the Tibetan Sea not only faces enemies, but also the upper echelons cultivated in the entire feudal society. They are high and mighty, killing countless people and not treating the common people as human beings. In the six episodes alone, hundreds of people were killed in the dialogue, including those who took the blame, those who died, those who did not do their job well, and those who resisted, leaving no survivors. Later on, I not only hated those people because of the hatred of the Tibetan Sea's extermination, but also because of the extreme inhumane killing. These became the reasons why I most hoped those people would end up. Through the eyes of the Tibetan Sea, I personally experienced the sadness of feudal society.
I think it's a wonderful thing. Although the opening line revolves around the revenge of the Tibetan Sea, after watching the six episodes, I found that the Tibetan Sea not only faces enemies, but also the upper echelons cultivated in the entire feudal society. They are high and mighty, killing countless people and not treating the common people as human beings. In the six episodes alone, hundreds of people were killed in the dialogue, including those who took the blame, those who died, those who did not do their job well, and those who resisted, leaving no survivors. Later on, I not only hated those people because of the hatred of the Tibetan Sea's extermination, but also because of the extreme inhumane killing. These became the reasons why I most hoped those people would end up. Through the eyes of the Tibetan Sea, I personally experienced the sadness of feudal society.
The production of 'The Legend of the Sea of Tibet' focuses on the authenticity and texture of details. Although it is a fictional historical background, it takes into account the authenticity and texture of details in politics, economy, humanities, small theaters, costumes, props, etc., maintaining the high level of aesthetic and artistic pursuit that television dramas have always had. The drama also incorporates traditional Chinese culture such as shadow puppetry, Kunqu opera, and astronomy, presenting unique and exquisite Eastern aesthetics axis by axis through formal and freehand image processing. In addition, the drama also involves feudal era mysticism such as feng shui, geomancy, and construction techniques, transforming destiny into a tool to manipulate human nature and unfolding the story in a unique way.
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