The Hunt: The Rajiv Gandhi Assassination Case

'The Hunt' is not just another true-crime series; it's a powerful and refreshingly grounded procedural that trusts its audience. In a world of over-dramatized historical events, this show takes the opposite approach, focusing on the painstaking, pre-internet legwork of the investigation into Rajiv Gandhi's assassination. The decision to use a cast of incredible character actors instead of big-name stars is the show's greatest strength. Amit Sial as the SIT Chief is the quiet, steady anchor in a storm of chaos, and the entire ensemble feels like real people doing an impossible job, not actors playing a part.

The pacing is deliberate, and that's the point. It's a "howdunnit," not a "whodunnit," and the tension comes from the sheer difficulty of the task-chasing down leads across cities with nothing but files, landline phones, and pure instinct. It forces you to appreciate the monumental effort of the investigators. The series avoids easy answers and cinematic shortcuts, presenting the facts and the process with a raw authenticity that is often chilling. It demands your patience, but the payoff is a deep, unsettling understanding of one of India's darkest chapters.

This is not a show you binge-watch casually; it's a show you absorb. It's a history lesson wrapped in a top-tier thriller, and it's one of the most intelligent and important Indian series to come out in years. Highly recommended for anyone who appreciates quality filmmaking and a story told with integrity.

I watched 'The Hunt: The Rajiv Gandhi Assassination Case' with my parents over 2 days. Here are my thoughts:

Pros: This series is undoubtedly good, especially since it's based on a novel. I didn't experience a single dull moment, and the actors, including Amit Sial and Sahil Vaid, delivered outstanding performances. The location and casting were very realistic, and Nagesh Kukunoor's direction was top-notch.

Cons: One major issue I faced while watching with my parents was the language barrier. Although I set the language to Hindi, about 50% of the dialogue was in Tamil, 30% in Hindi, and 20% in English. The subtitles were only available in English, which made it difficult for my parents to follow the conversation since they don't know Tamil or English. Despite their interest in the series, they missed out on about 70% of the dialogue. I didn't understand one thing here when you are giving language option of Hindi why you are speaking in Tamil and in English when there was option of Tamil language already.

Additionally, it would have been great if the series had provided more details about what happened to each member captured in the series.

Overall, it's puzzling why the series didn't stick to the chosen language. Despite this, the series is worth watching, especially for its historical significance.

As a teenager in 1991, I followed the Rajiv Gandhi assassination using newspaper cuttings - so I was already invested (read this review with that bias)

The Hunt is the television equivalent of a promising student who aces the midterm but bombs the final. It's a series that knows exactly what it wants to be, until it doesn't.

The Good News First: E 1 & 6 are genuinely excellent television. Kukunoor's direction in these episodes shows what happens when authentic procedural storytelling meets cinematic craftsmanship. Amit Sial's performance as Kaarthikeyan is consistently strong throughout, anchoring even the weaker episodes with his committed portrayal.

The Pacing Problem: Here's where things get messy. The Hunt suffers from classic limited series syndrome... too much story for too few episodes, yet somehow still managing to feel padded. Ep 1 hooks you brilliantly, Ep 2 stumbles slightly, Ep 3 recovers nicely, Ep 4 hits cruise control, Ep 5 finds its groove again, Ep 6 delivers a masterclass, and Episode 7... well, let's just say it exists.

This isn't random: it's a series that never quite figured out its rhythm. The investigation's natural pace doesn't align with television's need for consistent dramatic beats, creating a frustrating stop-start momentum that undermines the overall experience.

What Works: The authenticity feels genuine without being dry. The supporting cast, particularly in Tamil Nadu sequences, creates believable chemistry. Production values remain solid throughout, and the historical respectfulness never feels like a burden.

What Doesn't: The dialogue switching between languages remains jarring across all episodes. More critically, the series peaks too early... Ep 6's excellence makes the finale feel even more disappointing by comparison.

The Verdict: The Hunt is good television that could have been great. It's worth watching for Sial's performance and those standout episodes, but it's also a masterclass in how uneven pacing can derail otherwise solid storytelling.

Bottom Line: A series that proves authenticity and good intentions aren't enough without consistent execution. The Hunt gets more right than wrong, but those wrongs sting more because you can see how great it COULD HAVE been.

The producers need to really work on emotions, both on screen and the audience in their future series. How can you understand when 50% of the dialogues were in Tamil and I could not even switch on subtitles. Disappointed.

Also I felt the energy was quite weak in the scenes. I could not go beyond 2 episodes due to language barrier. The characters were good and perhaps it would have been better as it progressed but I could not go that far.

Hopefully the producers learn from this and ensure to make the series in just one language going forward. You have lost both audiences with this experiment.

The Hunt is a gripping and well-crafted crime thriller that brings the intense 90-day manhunt for Rajiv Gandhi's assassins to life. The storytelling is engaging, with strong performances, especially by Amit Sial as D. R. Kaarthikeyan, and a commendable focus on historical accuracy. The series keeps you hooked with its procedural depth and emotional weight.

However, the language experience was a letdown. Despite selecting the Hindi version, over 70% of the dialogue is in Tamil, with only English subtitles available and no Hindi subtitle option. This made it challenging for Hindi-speaking viewers to fully immerse themselves without constantly reading subtitles. I urge Sony LIV to add Hindi subtitles or clearly indicate the heavy Tamil dialogue in the Hindi version to set better expectations. Overall, it's a must-watch for true crime fans, but the language barrier could be improved for a wider audience.