szdjpgyzk
oct 2021 se unió
Te damos la bienvenida a nuevo perfil
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Distintivos2
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Clasificación de szdjpgyzk
Without a doubt one of the most original comedies I've seen in years, the word here is "beautiful" - beautifully written, beautifully shot and beautifully made, "The Change" is partly a drama about the rediscovery of a neglected woman's sense of self-worth, and partly a genuinely hilarious comedy about rural weirdos engaging in bizarre behavior.
Casting is terrific: Christie is wonderful as heroine Linda, and surrounds herself with a best-in-class mix of the grotesque (Liza Tarbuck in fine form as as Siobhain, Monica Dolan and Susan Lynch both wonderful as Agnes & Carmel) and the beautiful (Tanya Moodie as Joy, Jerome Flynn as Pig Man).
Christie's excellent writing holds a difficult line between laugh-out-loud comedy and refined, thought-provoking storytelling. Episode 5 which is a great illustration of this: Linda is making festival decorations with Joy, Agnes and Carmel, and their conversation touches on love, motherhood, death, duty, sex and sexism. The dialogue flows so naturally you forget you're watching a comedy - until you laugh out loud because of the beautifully crafted jokes.
I almost don't want a second series because of how unique the first series is: but I definitely do want more of these wonderful characters and this excellent writing.
Also - the world really, really needs more Bridget Christie.
Casting is terrific: Christie is wonderful as heroine Linda, and surrounds herself with a best-in-class mix of the grotesque (Liza Tarbuck in fine form as as Siobhain, Monica Dolan and Susan Lynch both wonderful as Agnes & Carmel) and the beautiful (Tanya Moodie as Joy, Jerome Flynn as Pig Man).
Christie's excellent writing holds a difficult line between laugh-out-loud comedy and refined, thought-provoking storytelling. Episode 5 which is a great illustration of this: Linda is making festival decorations with Joy, Agnes and Carmel, and their conversation touches on love, motherhood, death, duty, sex and sexism. The dialogue flows so naturally you forget you're watching a comedy - until you laugh out loud because of the beautifully crafted jokes.
I almost don't want a second series because of how unique the first series is: but I definitely do want more of these wonderful characters and this excellent writing.
Also - the world really, really needs more Bridget Christie.
We've been here many times before. A group of scallywags dreaming of a better life get themselves into terrible trouble, deal with their mess, and leave the audience with the unsettling threat of a sequel.
As a franchise entry, I'd say this was a new low point. As a standalone movie, this is a car crash of terrible CG, unoriginal situations and telegraphed cliches - not quite MCU territory, but certainly a big step in that unfortunate direction.
Pros are few and far between. The scale of what we're shown is suitably epic, and cinematography, while a plagiaristic copy of more original-looking science fiction movies (see: Event Horizon, Fifth Element, Prometheus, Arrival, Dune... ...&etc) isn't half bad.
Cons far outnumber pros, and start with the plot. It's incredibly generic (token teens getting slashed up on a space station) EXCEPT when it's paying awkward fan service to better movies in the franchise (and it does this on multiple toe-curling occasions). There's just not enough diversity of action to justify an almost 2 hour runtime and the second half of the film just feels like filler.
Performances follow this trend: anodyne and bland stock horror teens get picked off one by one and it's difficult to get invested in any one character's arc. Although someone needs to receive a final written warning over the handling of the character of Rook. It looks like it was rendered on a PS2.
"Generic" is the recurring theme of "Alien: Romulus". We've all seen all of the elements of this movie, many many times before: it feels incredibly lazy. In late 2015, a software company called FromSoft released a video game add-on called "The Old Hunters", meaning the Romulus folks didn't even need to put any thought into their final baddie: they seem to have copied Orphan directly out of that game, and plonked him into a reshoot of the end of "Alien Resurrection. ".
"Romulus" will add nothing to your life. There are far superior examples of sci fi action thriller out there: a quick google will instantly bring you better options.
As a franchise entry, I'd say this was a new low point. As a standalone movie, this is a car crash of terrible CG, unoriginal situations and telegraphed cliches - not quite MCU territory, but certainly a big step in that unfortunate direction.
Pros are few and far between. The scale of what we're shown is suitably epic, and cinematography, while a plagiaristic copy of more original-looking science fiction movies (see: Event Horizon, Fifth Element, Prometheus, Arrival, Dune... ...&etc) isn't half bad.
Cons far outnumber pros, and start with the plot. It's incredibly generic (token teens getting slashed up on a space station) EXCEPT when it's paying awkward fan service to better movies in the franchise (and it does this on multiple toe-curling occasions). There's just not enough diversity of action to justify an almost 2 hour runtime and the second half of the film just feels like filler.
Performances follow this trend: anodyne and bland stock horror teens get picked off one by one and it's difficult to get invested in any one character's arc. Although someone needs to receive a final written warning over the handling of the character of Rook. It looks like it was rendered on a PS2.
"Generic" is the recurring theme of "Alien: Romulus". We've all seen all of the elements of this movie, many many times before: it feels incredibly lazy. In late 2015, a software company called FromSoft released a video game add-on called "The Old Hunters", meaning the Romulus folks didn't even need to put any thought into their final baddie: they seem to have copied Orphan directly out of that game, and plonked him into a reshoot of the end of "Alien Resurrection. ".
"Romulus" will add nothing to your life. There are far superior examples of sci fi action thriller out there: a quick google will instantly bring you better options.
The first fifteen minutes of Smile are the standout best of the movie. Nicely-paced slow burn, sympathetic lead character, and an extremely well-made, tense - and yes, genuinely frightening - encounter, prior to the opening credits.
Once the credits are over, we move quickly into shabby clichè and lazy writing. ALL the usual crap horror movie tropes make an appearance: Jump scares, hallucinations, alone-in-the-dark moments, clunky exposition... you have to wonder why you're bothering to sit through the story.
Plot: the World's Most Insipid Woman gets cursed, nobody believes her, her life goes off the rails (as depicted when she breaks wine glasses, guzzling Pinot Grigio) and crash bash bore, the end.
I gave up at the 50 minute mark where the World's Most Insipid Couple begin an argument about genetics and insanity. I haven't got enough time left to waste on something this mediocre.
Smile? I don't think so.
More like Wipe.
Once the credits are over, we move quickly into shabby clichè and lazy writing. ALL the usual crap horror movie tropes make an appearance: Jump scares, hallucinations, alone-in-the-dark moments, clunky exposition... you have to wonder why you're bothering to sit through the story.
Plot: the World's Most Insipid Woman gets cursed, nobody believes her, her life goes off the rails (as depicted when she breaks wine glasses, guzzling Pinot Grigio) and crash bash bore, the end.
I gave up at the 50 minute mark where the World's Most Insipid Couple begin an argument about genetics and insanity. I haven't got enough time left to waste on something this mediocre.
Smile? I don't think so.
More like Wipe.