captainfiresparrow
nov 2021 se unió
Te damos la bienvenida a nuevo perfil
Nuestras actualizaciones aún están en desarrollo. Si bien la versión anterior de el perfil ya no está disponible, estamos trabajando activamente en mejoras, ¡y algunas de las funciones que faltan regresarán pronto! Mantente al tanto para su regreso. Mientras tanto, el análisis de calificaciones sigue disponible en nuestras aplicaciones para iOS y Android, en la página de perfil. Para ver la distribución de tus calificaciones por año y género, consulta nuestra nueva Guía de ayuda.
Distintivos2
Para saber cómo ganar distintivos, ve a página de ayuda de distintivos.
Reseñas1
Clasificación de captainfiresparrow
Making jokes and laughing about issues that women face is one extreme, portraying them to be bizarre and freakish is at the other end of the spectrum. Star focuses' the latter.
The movie gets off to a cracking start, with the story introducing us to the main character of Roy (played by Joju George) and his family. They seem to be living a comfortable life and have all the luxuries that one could hope for. Roy's wife Ardra (Sheelu Abraham) is shown to be moody, overly possessive about her husband and very distant from her own children. She smile's to her self, talk's to herself and stand's on the roof of the house for hours on end looking up at the sky. She is meant to freak you out and the director is not subtle about that all. The first half of the movie certainly gives out a "Manichitrathazhu" vibe.
The second half of the movie is a snooze fest, with Ardra continuing to unnerve everyone with her antics. There are plenty of inconsequential scenes and deliberate attempts from the storyteller to divert the audience's attention from the very much underwhelming reveal at the end.
You will find yourself scratching your head over pointless sub-plots in the movie like Ardra, a Hindu marrying Roy, a Christian. It seemed the director did not want you to forget this since it was mentioned multiple times in the movie. Even though the movie seems to focus on an issue that women go through in their later years, you end up sympathising with the male character Roy. I'm sure it would not be easy for a man to see his wife being so distant with their children, talking to her-self in front of their children and just freaking them out in general.
P. S.: Prithviraj fans, you will be disappointed.
The movie gets off to a cracking start, with the story introducing us to the main character of Roy (played by Joju George) and his family. They seem to be living a comfortable life and have all the luxuries that one could hope for. Roy's wife Ardra (Sheelu Abraham) is shown to be moody, overly possessive about her husband and very distant from her own children. She smile's to her self, talk's to herself and stand's on the roof of the house for hours on end looking up at the sky. She is meant to freak you out and the director is not subtle about that all. The first half of the movie certainly gives out a "Manichitrathazhu" vibe.
The second half of the movie is a snooze fest, with Ardra continuing to unnerve everyone with her antics. There are plenty of inconsequential scenes and deliberate attempts from the storyteller to divert the audience's attention from the very much underwhelming reveal at the end.
You will find yourself scratching your head over pointless sub-plots in the movie like Ardra, a Hindu marrying Roy, a Christian. It seemed the director did not want you to forget this since it was mentioned multiple times in the movie. Even though the movie seems to focus on an issue that women go through in their later years, you end up sympathising with the male character Roy. I'm sure it would not be easy for a man to see his wife being so distant with their children, talking to her-self in front of their children and just freaking them out in general.
P. S.: Prithviraj fans, you will be disappointed.