Moronimotta
may 2022 se unió
Te damos la bienvenida a nuevo perfil
Nuestras actualizaciones aún están en desarrollo. Si bien la versión anterior de el perfil ya no está disponible, estamos trabajando activamente en mejoras, ¡y algunas de las funciones que faltan regresarán pronto! Mantente al tanto para su regreso. Mientras tanto, el análisis de calificaciones sigue disponible en nuestras aplicaciones para iOS y Android, en la página de perfil. Para ver la distribución de tus calificaciones por año y género, consulta nuestra nueva Guía de ayuda.
Distintivos2
Para saber cómo ganar distintivos, ve a página de ayuda de distintivos.
Reseñas7
Clasificación de Moronimotta
Yep, this season is showing itself as a big disappointment.
For this episode in particular, I'm mostly reviewing as an isolated production. It truly is the best episode of this season but misplaced in the storyline, in a way that will make future events less subtle and more predictable.
The culmination of events is well structured and presented in a very natural flow as we see these characters developing, despite the lack of physical change, in their behavior and mindset. The perks of a TV series is the collection of best moments from filler game chapters and turn into something emotional, worth watching. The museum scene is a great example of this best moments in sequence in a balanced pace.
Joel and Ellie's relationship in this episode is well crafted and results in a great expansion from what the game briefly tells you in optional dialogues.
Nevertheless I still have to look as a pre finale. Unfortunately is a pace breaker, just like the Left Behind episode in season 1. The whole season was full of bad premature exposure and considering what's ahead, this episode will diminish next season.
I honestly believes that changes are good if they serve the purpose of the story and a 1:1 adaptation is not always good. But I'd important pointing out that the sequence of scenes in the game is important, specially when they are shown.
The best analogy for this story is a great magic trick. The story is written to misleading you to believe in the twisted sense of righteousness from a character and shock you when the rabbit comes out of the hat.
For this episode in particular, I'm mostly reviewing as an isolated production. It truly is the best episode of this season but misplaced in the storyline, in a way that will make future events less subtle and more predictable.
The culmination of events is well structured and presented in a very natural flow as we see these characters developing, despite the lack of physical change, in their behavior and mindset. The perks of a TV series is the collection of best moments from filler game chapters and turn into something emotional, worth watching. The museum scene is a great example of this best moments in sequence in a balanced pace.
Joel and Ellie's relationship in this episode is well crafted and results in a great expansion from what the game briefly tells you in optional dialogues.
Nevertheless I still have to look as a pre finale. Unfortunately is a pace breaker, just like the Left Behind episode in season 1. The whole season was full of bad premature exposure and considering what's ahead, this episode will diminish next season.
I honestly believes that changes are good if they serve the purpose of the story and a 1:1 adaptation is not always good. But I'd important pointing out that the sequence of scenes in the game is important, specially when they are shown.
The best analogy for this story is a great magic trick. The story is written to misleading you to believe in the twisted sense of righteousness from a character and shock you when the rabbit comes out of the hat.
It was no surprise that the series would be done with more respect than the previous productions. The trailers, announcements and news confirmed even more how much passion was put into this project.
The first episode was a decent start, full of energy, life, with great acting, amazing cinematography and soundtrack.
The actors are mostly great. Walker Scobell nails Percy Jackson's charm. The chemistry between Percy, Grover, and Sally was the highlight of the episode are surely other interactions will be up to the same level.
The episode structure gives the feeling of tearing the pages out of the book and bringing them to the screen, from the pace to the episode titles.
Speaking of pacing, you will hardly be bored, the feeling of a new adventure and magic is present at all times, eliminating "boring and long explanation" moments. Despite making the episode dynamic, it affects the development of the characters and the time for ideas introduced to mature, becoming very fast, resulting in apathy and confusion (even having read the books, I try to watch the series as someone who is being introduced to the story for the first time).
I know that people been saying this since the first book came out but, the first episode gave me the same vibe as Harry Potter and the Philosopher's Stone, with similar scenes such as the Minotaur's fight and the Troll's fight in the bathroom or the call to adventure in a distant cabin in the middle of the storm. It's not a negative point, just an observation.
Perhaps something that many will not agree with, but the film managed to better balance the beginning of the story with the new information that needed to be introduced, making the pace more concentrated and linear.
Overall, decent start for a series that will be a great deal in a few years.
The first episode was a decent start, full of energy, life, with great acting, amazing cinematography and soundtrack.
The actors are mostly great. Walker Scobell nails Percy Jackson's charm. The chemistry between Percy, Grover, and Sally was the highlight of the episode are surely other interactions will be up to the same level.
The episode structure gives the feeling of tearing the pages out of the book and bringing them to the screen, from the pace to the episode titles.
Speaking of pacing, you will hardly be bored, the feeling of a new adventure and magic is present at all times, eliminating "boring and long explanation" moments. Despite making the episode dynamic, it affects the development of the characters and the time for ideas introduced to mature, becoming very fast, resulting in apathy and confusion (even having read the books, I try to watch the series as someone who is being introduced to the story for the first time).
I know that people been saying this since the first book came out but, the first episode gave me the same vibe as Harry Potter and the Philosopher's Stone, with similar scenes such as the Minotaur's fight and the Troll's fight in the bathroom or the call to adventure in a distant cabin in the middle of the storm. It's not a negative point, just an observation.
Perhaps something that many will not agree with, but the film managed to better balance the beginning of the story with the new information that needed to be introduced, making the pace more concentrated and linear.
Overall, decent start for a series that will be a great deal in a few years.
At a staggering budget of $100,000 USD, Spider-Man Lotus enters the indie fan film arena with anticipation riding high. However, despite its financial prowess, the film struggles to translate its substantial investment into a polished and coherent cinematic experience.
Cinematography, takes an unexpected tumble here. Struggling with inconsistent color choices, shaky camera work, and odd moments where characters lose focus, the film fails to capitalize for visually captivating shots.
The editing further compounds the film's challenges, as it's plagued by puzzling continuity errors. For example: MJ knowing where Harry is after months without seeing him or even knowing about Harry's drug problem, since went missing right after his father died. Or Green Goblin knowing the place where Uncle Ben's Killer was arrested. Even Goblin's motivation left to be desired too.
Knowing that this is a indie movie, the GCI is expected to be weak. The diference between the work of the initial artists and their successors is evident, casting a shadow over the overall visual consistency of the production.
The soundtrack, while initially promising with its impressive score, falls short in execution. The music's placement disrupts rather than enhances the flow, and an unfortunate tendency to overuse the music detracts from the film's quieter moments. Given the substantial budget, the film could have better leveraged its soundtrack to create a more immersive experience.
The cast's performances exhibit a wide range of skill, with some shining and others faltering. Surprisingly, the "uncredited kid from true blood," Warden Wayne, delivers a performance lacking emotional depth and conviction. In contrast, standout portrayals by Moriah Brooklyn, Maxwell Fox-Andrews, Mariah Fox and Jack Wooton breathe authenticity into their characters, holding the best scenes in the movie (scenes where Spider-Man is not in!).
The pacing emerges as another obstacle, with prolonged dramatic segments and recurring scenes that detract from the narrative's flow. The film's attempt to juggle multiple storylines results in rushed resolutions, leaving some arcs feeling underdeveloped. The Harry and MJ subplot stands out as one of the film's more cohesive elements. If the movie had condensed its runtime to about an hour and centered on Peter Parker's process of coming to terms with Gwen Stacy's death, ultimately connecting with "The Kid Who Collects Spider-Man", the story would have found a more fitting and engaging balance.
In conclusion, my expectations for this film were elevated, particularly considering the manner in which it was being approached with a distinct sense of professionalism, reminiscent of mainstream productions. However, it regrettably falls short in delivering a straightforward narrative centered on overcoming challenges during trying circumstances.
Cinematography, takes an unexpected tumble here. Struggling with inconsistent color choices, shaky camera work, and odd moments where characters lose focus, the film fails to capitalize for visually captivating shots.
The editing further compounds the film's challenges, as it's plagued by puzzling continuity errors. For example: MJ knowing where Harry is after months without seeing him or even knowing about Harry's drug problem, since went missing right after his father died. Or Green Goblin knowing the place where Uncle Ben's Killer was arrested. Even Goblin's motivation left to be desired too.
Knowing that this is a indie movie, the GCI is expected to be weak. The diference between the work of the initial artists and their successors is evident, casting a shadow over the overall visual consistency of the production.
The soundtrack, while initially promising with its impressive score, falls short in execution. The music's placement disrupts rather than enhances the flow, and an unfortunate tendency to overuse the music detracts from the film's quieter moments. Given the substantial budget, the film could have better leveraged its soundtrack to create a more immersive experience.
The cast's performances exhibit a wide range of skill, with some shining and others faltering. Surprisingly, the "uncredited kid from true blood," Warden Wayne, delivers a performance lacking emotional depth and conviction. In contrast, standout portrayals by Moriah Brooklyn, Maxwell Fox-Andrews, Mariah Fox and Jack Wooton breathe authenticity into their characters, holding the best scenes in the movie (scenes where Spider-Man is not in!).
The pacing emerges as another obstacle, with prolonged dramatic segments and recurring scenes that detract from the narrative's flow. The film's attempt to juggle multiple storylines results in rushed resolutions, leaving some arcs feeling underdeveloped. The Harry and MJ subplot stands out as one of the film's more cohesive elements. If the movie had condensed its runtime to about an hour and centered on Peter Parker's process of coming to terms with Gwen Stacy's death, ultimately connecting with "The Kid Who Collects Spider-Man", the story would have found a more fitting and engaging balance.
In conclusion, my expectations for this film were elevated, particularly considering the manner in which it was being approached with a distinct sense of professionalism, reminiscent of mainstream productions. However, it regrettably falls short in delivering a straightforward narrative centered on overcoming challenges during trying circumstances.