thyssenbot
jul 2022 se unió
Te damos la bienvenida a nuevo perfil
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Clasificación de thyssenbot
Reseñas7
Clasificación de thyssenbot
Take a bow Jessica Lee Gagné! Everything about this episode - the plot, the pace, the sets and most importantly, cinematography is 10/10.
I have never seen better 50 minutes of television - and rarely 50 continuous minutes of any motion picture.
It has the dead wife montage. But it blooms in a way that we feel like the honeybee flying around in anticipation.
It opens up the Severance lore more than any other episode (barring S1 finale). But it makes it even more eerie.
We see more of the sterile Lumon but with georgious aesthetics. It is menacing with a friendly facade. Its clinical precision is handled by steely grip. It takes you to a prison of hope - that you volunteered into but cannot escape.
This episode should be (and I hope, will be) studied in art schools for ages.
I have never seen better 50 minutes of television - and rarely 50 continuous minutes of any motion picture.
It has the dead wife montage. But it blooms in a way that we feel like the honeybee flying around in anticipation.
It opens up the Severance lore more than any other episode (barring S1 finale). But it makes it even more eerie.
We see more of the sterile Lumon but with georgious aesthetics. It is menacing with a friendly facade. Its clinical precision is handled by steely grip. It takes you to a prison of hope - that you volunteered into but cannot escape.
This episode should be (and I hope, will be) studied in art schools for ages.
The director seems to be in the love with still shots. Half the movie is shot with fixed camera. It is jarring and breaks the flow. And no - this is not "atmospheric". We have seen late winter/early spring overcast suburban America in zillion horror movies.
His love for slow, boring camera work continues throughout the movie. Every sigh is allowed to complete, every expression is allowed to change.
The only time this doesn't happen is at the climax. Here, the exposition happens comically fast. Relevant characters litarally narrate the mystery.
The ending is not great either. It could have been clever, cliched or both. But it is neither.
It is hard to create a good horror movie that offers something afresh. This movie proves it once again.
His love for slow, boring camera work continues throughout the movie. Every sigh is allowed to complete, every expression is allowed to change.
The only time this doesn't happen is at the climax. Here, the exposition happens comically fast. Relevant characters litarally narrate the mystery.
The ending is not great either. It could have been clever, cliched or both. But it is neither.
It is hard to create a good horror movie that offers something afresh. This movie proves it once again.