Keepin-it-Kind

"The Double" (2024), currently streaming on Netflix, is a Chinese historical drama about a path of double revenge. Xue Fang Fei, the daughter of a county magistrate, takes on the identity of her savior, Jiang Li, who suffered a painful death. Both lost everything to politics, one was buried alive by her husband and the other was abandoned. Shortly after Li's death, Fang Fei's mission becomes personal - aimed at double revenge for herself and Li. But over the course of 40-episodes, the series evolves into a much more selfless battle as Fang Fei slowly, and unwittingly, uncovers greater injustices through the silencing of communities, some by economic means and some through war. She then becomes the vehicle by which to challenge the political system, which she can now do because she's assumed the identity of a high-ranking official's daughter, and provide for them a better life. Besides being complex, the show is also brilliant in its storytelling and visually stunning, from its cinematography, to set design, to vibrant costumes and accessories. One of the coolest - and most unique aspects - of the series is its homage to ancient Chinese opera, integrated throughout the series as Fang Fei and her polished foil (and soon-to-be love interest) Duke Su Xiao Heng, reverse roles from participants to spectators.

'Farha' (2021) is a visually stunning, historically accurate film set in 1948 that depicts a relatively small-scale tragedy that Palestinians refer to as the Nakba (Arabic for "catastrophe"). The film doesn't detail the politics behind the arrival of the Israel Defense Forces. It primarily unfolds in a storage room, offering glimpses of life through a crack in the wall. Sound is used effectively to give color, further cementing the trauma of the experience in an emotional roller coaster. The storytelling techniques do not fail to describe the world beyond the walls: strafed by bullets, torn apart by cries of distress, and marred by an airless, oppressive quality.