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LOVE HORROR CULT FILMS. So scary! I would deff suggest seeing Diabolic in the cinema, I went with my sister and we were screaming so much omg! In the beginning it's kinda quiet so I thought it was gonna just be like a creepy drama, but then by the end, there are a lot of jump scares. No spoilers but the ending was brutal. Giving slay queen killer vibes 🔥🔥🔥

Set in the desolate American Southwest, the film follows an anthropologist (Ali Larter) who finds herself fighting for survival after witnessing a brutal crime. From the first scene, the tone is clear-raw, eerie, and steeped in the kind of moral decay you'd expect from a world where violence feels almost natural. The cinematography and sound design pull you in, giving this indie production a surprisingly cinematic feel.

Ali Larter carries the story with both grit and vulnerability, and Ralph Ineson brings a chilling, philosophical menace to his role as the gang leader. Their dynamic gives the film its weight, elevating it beyond a typical crime thriller. The pacing can be uneven at times, but the sense of dread never fully lets up. There's a haunting realism in how the story unfolds, messy, human, and unpredictable.

While the plot meanders a little in the second half and borrows some stylistic cues from No Country for Old Men, The Last Victim still stands on its own as a moody exploration of violence and morality in the modern frontier.

It's not a perfect film, but it's one that lingers with you long after the credits roll, raw, atmospheric, and more thoughtful than most thrillers in its lane.

These shorts feel deeply personal, as if Fujimoto poured fragments of his own identity into each story. In Shikaku, a young woman's emptiness echoes the universal fear of being unseen, while Mermaid Rhapsody explores the beauty and madness of love with eerie tenderness. Fujimoto shows that emotion doesn't need spectacle to feel profound - sometimes one quiet moment can reveal an entire world.