buddingnugget-57822

The film does something that not a lot of films do; it isolates and creates a metaphor in the scenery. The personalities of the actors / actresses are flawless; i.e. Gaining character and momentum as the film moved in turn. Conceptually; It runs deep. You know or don't...the plot was in reverse as soon as it was set in motion. Rona was chasing. She was chasing a life that was hers. The lining of gray rain and clear raindrops only saddened the scene; cars and planes included. It was the largest blessing for the protagonist. Bleak, desolate visions and thoughts of " bird calls. " Excitement was there. Recalling the vivid techno moments, she embraced. She learned to cope and not cope with withdrawals, seemingly and with volition. The acting and portrayals was spot on. Every turn had a sequence. Regardless, the film is pinnacle at finding isolation and making the best; mockery and joke or serious and real.

With no mistake, Picturing catacombs and dripping relics of " saintliness " , the protagonist finds herself in the middle. Not deep and not entering, but exiting. The gore is at perhaps a minimal when " saintliness " is adorned. Or is it? The struggle is a hurt, seemingly. Literally. Visually, the film runs deep and quick. " Immaculate" could be considered a repression of Sainthood in reverse. In fact that is the ultimate parable beyond the " jugular ". The delicate costumes and lighting, shadows were lenient to the darker variety and essentially " time articles ". The style of the picture was intense with nice " sacrificial " overtones.