boiles

Best bigfoot movie ever. The screenplay is gripping, and the acting is definitely Oscar worthy - especially the older girl. The camera work is top notch - scenes of wind blowing the trees, closeup of bigfoot hair, and great footage of farm animals and machinery. The suspense is off the charts - forget the popcorn, it will have you on the edge of your seat. Also, the music is destined to be a series of number one hits. The bigfoot is the best part. It wouldn't be a surprise to find out that they captured a real bigfoot, domesticated it, and taught it how to act. Lance Henrickson, where are you?

First it was the Beth Dutton Banshee on Yellowstone. Now we have to endure yet another obnoxious, self-centered, vulgar, ball-busting (and relatively stupid this time) female character courtesy of Taylor Sheridan.

As if this repulsive character isn't enough, we are also blessed with her mini-me daughter who is equally shallow and stupid, and a good candidate for the Yellowstone ranch bunkhouse barrel-roller brigade.

This episode is mainly a ridiculous soap opera. These two bimbos plus the Mexican widow who's falling in love with Billy-Bob's son make this one a real snoozer. It just keeps going downhill.

A convoluted screenplay and lousy character development make this one big, confusing mess. Everybody wants a key that controls some sort of AI "entity", but good luck at keeping track of Russians, CIA, Arabs, mercenaries, mystery women, some guy in a white tux, etc, etc. The first half of the movie is a who's who WTF mess. Which super-chick are we watching now, and why is she there? Who's this new dude? How did we get to this new city, and why? The belief factor is also over the top - mere seconds to "hack into" a Russian spy satellite with a laptop? This one is also bloated with excessively long, drawn out chase scenes (vehicles and on foot), and long, ridiculous fight scenes that really push it - Tom cruise playing Whack-a-Mole on steroids. Exhausting. Don't know if I'll be up for part two.