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Jackson Tiller absolutely shines as Eric in 30 Days Swapping Lives with a Mafia Boss. I love him in rom-com roles because I think you get little glimpses of his true mischievous side, and this one is no exception. His chemistry with Jasmine Aivaliotis (Cristina) is fantastic-sharp, witty, and full of that slow-burn tension that keeps you hooked.

The story has everything: danger, secrets, high society drama, and some laugh-out-loud moments when you least expect them. Watching Jackson balance the swagger of a mob boss with the charm of a man completely out of his depth is pure entertainment. Jasmine is equally brilliant, nailing the mix of elegance and grit.

It's a wild ride from start to finish, and I'd happily watch these two swap lives (and insults) all over again.

MatriMoney proves that opposites not only attract-they spark.

Jackson Tiller and JC Ann deliver irresistible chemistry in this sharp, chaotic comedy of mismatched vows and unexpected feelings. With Jackson's natural charm and razor-sharp comedic timing, and JC Ann's scene-stealing finesse, the duo creates something fresh, funny, and surprisingly heartfelt. Whether bickering or bonding, they light up every frame.

This has got heart, humour, and just the right dose of mayhem.

The Diamond Rose is a bold, stylish, and emotionally charged addition to the vertical film world - and in many ways, it raises the bar completely. Set within a high-end nightclub that doubles as a strip club, the story follows Jenny Simmons, a ballet teacher drawn into a world of temptation and danger as she fights to save her family. What begins as survival quickly becomes transformation.

Jasmine Aivaliotis is captivating as Jenny, balancing vulnerability and strength with real depth. Jackson Tiller delivers a standout performance as Owen - moody, magnetic, and layered with pain. So much of his performance is expressed through his eyes, and the emotional weight he carries lingers long after the screen fades.

The supporting cast is equally strong: Michelle Costello brings warmth and wit as Scarlett, Jack Noble is quietly compelling as Ritchie, Laura Diaz commands every scene as Carmella, and Jareb Dauplaise adds depth as Arnold. The chemistry between characters feels lived-in and authentic.

The production value is exceptional for the format - from the moody lighting and music to the tight, intimate direction that works beautifully in vertical. Credit to producers Scott Brown and Stacy Howard for creating something that feels fresh, cinematic, and emotionally resonant.

Whether you're here for the romance, the thrill, or the transformation, The Diamond Rose is well worth your time. It's proof that vertical storytelling can be just as rich, stylish, and complex as any traditional format - and I can't wait to see what this team creates next.