carissacjacobucci

Last Night in Soho is billed as a horror film, but don't go into it expecting traditional scares or jump-out-of-your-seat moments. That said, it's still a stylish, atmospheric ride that kept me entertained from beginning to end.

Anya Taylor-Joy delivers a standout performance-captivating and electric every moment she's on screen. Thomasin McKenzie, while not terrible, didn't quite measure up. Her acting felt uneven at times, and there were moments that pulled me out of the story. A different casting choice might have elevated the film even further.

Despite a few cheesy parts and questions about the mother that I wish had been more deeply explored, the storyline is intriguing and original. I especially loved the twist at the end-it genuinely surprised me.

As someone who went to college for fashion and adores the 1960s, the aesthetics were a dream. The wardrobe, set design, and soundtrack were all beautifully curated and added major points for me. The music choices were especially on point and added to the film's nostalgic vibe.

Overall, Last Night in Soho is a visually stunning and engaging film with a creative plot. Just don't expect pure horror-it's more of a subtle psychological thriller with stylish flair. Definitely worth a watch!

I really wanted to like Not Fade Away, but it completely missed the mark for me. It starts out with the promise of a plot-coming-of-age, music, ambition-but quickly dissolves into a confusing and directionless mess. There's no real resolution, no clear message, and no emotional payoff.

It felt like I spent two hours watching a 20-year-old boy stumble through a bratty, extended puberty crisis. The characters were underdeveloped, the dialogue often felt forced, and the story jumped around without purpose. Even the music, which I expected to be a highlight, was underwhelming.

By the end, I was left scratching my head, wondering what the point of it all was. I wouldn't recommend this film-it's a frustrating watch with no satisfying conclusion.