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I can see the Netflix boardroom conversation now: "Hey, remember how well last year's series One Day did? People loved that cute guy from The White Lotus-Leo Woodall. Let's grab another cute guy from The White Lotus-Will Sharpe this time-pair him with a quirky but relatable girl, drop them in London, throw in some hipster melancholy and emotional turbulence, and voilà! We've got our next streaming hit."

That's more or less what Too Much feels like.

The ingredients are all there: an acclaimed indie darling (Lena Dunham), a cool urban setting, plenty of yearning, offbeat dialogue, and a cast that looks great in soft lighting. But while One Day built genuine emotional weight over time, Too Much often feels like it's trying to reverse-engineer the same success rather than create something fresh.

Will Sharpe does his best with what he's given-he has a quiet magnetism that keeps things watchable-but the writing never quite gives his character the space or depth he deserves. The same goes for the lead female role, which vacillates between charming and frustrating without ever landing with much emotional impact.

There are nice moments. A few scenes have a rawness that feels honest, and the London backdrop is used well. But overall, it's a show that feels like it was made by checking boxes. It's not terrible-but it's trying too hard to be something we've already seen.

Invisible Boys is a breathtaking adaptation of Holden Sheppard's novel of the same name. It's not just one of the bravest LGBTQ+ series to come out of Australian TV-it's one of the best.

Told over 10 half-hour episodes, the series follows four closeted boys coming of age in the rough, coastal mining town of Geraldton, Western Australia. Each episode peels back the layers of their lives, revealing the raw reality of growing up gay in a place where masculinity is rigid, and acceptance feels out of reach.

Joe Klocek delivers a beautifully understated performance as Matt, a farm boy so deeply in denial he's hiding his sexuality even from himself. Joseph Zada, a relative newcomer, steals the show as Charlie, the rowdy goth with a defiant edge but a vulnerable core. Ayden Calafiore, known from Australia's Got Talent, shines as Zeke, the sharp-witted, no-nonsense nerd who refuses to be anyone's victim. Pia Miranda is a standout as his mother-playing a homophobic, sharp-tongued force of nature whose refusal to accept her son's truth is as heartbreaking as it is infuriating. Rounding out the group is Zach Blampied, whose portrayal of Hammer-the footy jock with a tender First Nations storyline-adds another layer of depth to this powerful ensemble.

The soundtrack is a pitch-perfect blend of Australian icons like Nick Cave, The Presets, and Kylie Minogue, adding emotional weight to every scene.

While the series is aimed at young adults, this is definitely not one to watch with the family-there are some graphic sex scenes that leave little to the imagination. But that rawness is part of what makes Invisible Boys so compelling.

Though viewers from all walks of life will find something to connect with, it's gay men who will likely see their younger selves reflected in one-or all-of the four boys. Parents and friends of LGBTQ+ people will also recognize familiar struggles in the supporting cast.

Like the novel, the story is driven by the boys' alternating narrations, weaving their individual journeys into a shared experience. Their paths collide in ways both tender and devastating, building toward a gripping final stretch-the last three episodes, in particular, hit like a gut punch and will stay with you long after the credits roll.

Invisible Boys is more than just a coming-of-age story-it's a fearless, unforgettable triumph.