djvscbwt
oct 2024 se unió
Te damos la bienvenida a nuevo perfil
Nuestras actualizaciones aún están en desarrollo. Si bien la versión anterior de el perfil ya no está disponible, estamos trabajando activamente en mejoras, ¡y algunas de las funciones que faltan regresarán pronto! Mantente al tanto para su regreso. Mientras tanto, el análisis de calificaciones sigue disponible en nuestras aplicaciones para iOS y Android, en la página de perfil. Para ver la distribución de tus calificaciones por año y género, consulta nuestra nueva Guía de ayuda.
Distintivos2
Para saber cómo ganar distintivos, ve a página de ayuda de distintivos.
Calificaciones1
Clasificación de djvscbwt
Reseñas1
Clasificación de djvscbwt
Authentic is the perfect adjective to describe this movie. The topics that it covers are authentic and the descriptions of the places and people are so real you almost feel transported to the film.
There is no presumption of wanting to tell a story that cannot be, but there is the desire to convey a message or perhaps more than one: that we are made of tradition, of fears, of the need for stability and rediscovery, but above all of affection.
Colors and sounds perfectly accompany a film with autumnal vibes in which no detail is left to chance. The delicacy in the story of Gabriele Fabbro, director of the film, shines through the representation of a fascinated gaze that almost leads to stepping aside in front of nature.
Uniqueness, something that today's cinema really needed.
There is no presumption of wanting to tell a story that cannot be, but there is the desire to convey a message or perhaps more than one: that we are made of tradition, of fears, of the need for stability and rediscovery, but above all of affection.
Colors and sounds perfectly accompany a film with autumnal vibes in which no detail is left to chance. The delicacy in the story of Gabriele Fabbro, director of the film, shines through the representation of a fascinated gaze that almost leads to stepping aside in front of nature.
Uniqueness, something that today's cinema really needed.