vollseshia
ene 2025 se unió
Te damos la bienvenida a nuevo perfil
Nuestras actualizaciones aún están en desarrollo. Si bien la versión anterior de el perfil ya no está disponible, estamos trabajando activamente en mejoras, ¡y algunas de las funciones que faltan regresarán pronto! Mantente al tanto para su regreso. Mientras tanto, el análisis de calificaciones sigue disponible en nuestras aplicaciones para iOS y Android, en la página de perfil. Para ver la distribución de tus calificaciones por año y género, consulta nuestra nueva Guía de ayuda.
Distintivos2
Para saber cómo ganar distintivos, ve a página de ayuda de distintivos.
Calificaciones1
Clasificación de vollseshia
Reseñas1
Clasificación de vollseshia
It's so good that it shouldn't be watched, so don't watch it either. Bad roles, bad script, Hadise's interesting character, and Seda Bakan's performance, which I didn't like for the first time in a project. The TV series Esas Oglan received widespread criticism, particularly for its script, character development, and acting performances. First and foremost, the script's reliance on clichés and predictability leads to a dull viewing experience. The motivations and relationships of the main characters are handled in a shallow and superficial manner, making it difficult for the audience to connect with them.
Hadise's character, which is meant to be intriguing, is nothing more than a poorly written figure. There is almost no depth to her character, and this lack of complexity creates a natural inadequacy in her performance. Seda Bakan, on the other hand, delivers a much weaker performance than in her previous projects; it seems as if her talents are constrained by the script. Despite efforts to add dynamism, these characters fail to make an impact due to the weaknesses of the overall script.
In conclusion, Esas Oglan fails to offer anything new, either through its story or characters. This production only repeats a formula typical of Turkish television and ultimately fails to satisfy its audience.
Hadise's character, which is meant to be intriguing, is nothing more than a poorly written figure. There is almost no depth to her character, and this lack of complexity creates a natural inadequacy in her performance. Seda Bakan, on the other hand, delivers a much weaker performance than in her previous projects; it seems as if her talents are constrained by the script. Despite efforts to add dynamism, these characters fail to make an impact due to the weaknesses of the overall script.
In conclusion, Esas Oglan fails to offer anything new, either through its story or characters. This production only repeats a formula typical of Turkish television and ultimately fails to satisfy its audience.