Opiniones de CihanVercan

Every other year, there are less and less American distributors or competitors to leading movie industry organization events like BAFTA, Cannes, Venice, Berlin, Locarno, Busan and Rotterdam to list the tops. Show me a sample movie and its honorable director that rottens down the American moviegoers' humane interaction with cinema art: The name is Mukunda Michael Dewil.

Stay away from Dewil for good, like you stayed away from Michael Bay for goodness in the recent past.

Isn't there a better way promote Artificial Stupidity? Us, humans we became too lazy and too care-free that we wanted repetitive and cumulative computer logic to control our lives. Because Canada no longer supports USA in the Arts industry. No more James Cameron and his humane hopeful futuristic opinions, no more humane humour from Jim Carrey and no more Ryan Reynolds story-growth heroism.

This is an out-of-the-blue surprise bag kind of never guessable what happens next movie. It follows certain Eastern Film Story Restructuring/Directing trends of the 2000-2010 era. Events told in chronological A to Z order, but lived in EMOTIONAL ORDER* in I'm a Cyborg But That's OK.

Story Restructuring involves hero v nemesis gathering pioneered by Basic Instinct(1992) and Matrix(1999) on silverscreen, and The Baby Blue Movie(1972-TV) on TV, as well as Chrono Trigger(1995-RGP gaming Nintendo) on Console Gaming. The romantic hero v nemesis structure in I'm a Cyborg But That's OK is identical with HOUSE OF FOOLS** by Andrei Konchalovsky.

...recalled and altered with lies. Suppose you have a memory which you involved but forgotten how. In order to make this memory of yours last, you have to recall it and alter it with a lie.

If you can't lie to yourself, then you can't lie to anybody else either. And that anybody becomes your nemesis by helping you fake your past memory, just how it was in Matrix between Neo and Trinity.

-------------- * Emotional Order in sci-fi genre is built up finding out what is the least important and what is the most important Feeling. In Wachowski Brothers' Matrix-1999 this order went from the most important to the least, for Neo swallowing the Red or Blue pill was more important than returning to reality in the end. This way the storyteller(Neo's mind) does not tell the events occurrences in chronological order.

** House Of Fools(2002)by Andrei Konchalovsky is one-level higher emotional and one-level higher mind-blurring than I'm a Cyborg But That's OK. Both of the films are structurized from the Female Heroine's Point Of View of events what has happened in the past and what will happen in the future. Also in both of the films the female heroines do not live in the present because of their worries about future and confusions about past. So what do both Konchalovsky and Park Chan-wook and Wachowski brothers do?

They save both of the asylum girls and Neo, by sending an unreal or non-logical or non-existent nemesises into the heroines' love stories.

Watchers Guide to Understand Anora. No spoils:

* Anora is a paid hooker and arguably the highest paid hooker ever to hit Silverscreen above her role descendants from Taxi Driver(Jodie Foster), Pretty Woman(Julia Roberts), Leaving Las Vegas(Elisabeth Shue) etc.

* Anora is nothing less in pride and ego, although what she does for a living is not an honourable thing to do, compared to her role descendants starred in True Romance(Patricia Arquette), Natural Born Killers(Juliette Lewis), Freeway(Reese Witherspoon) and Monster(Charlize Theron). Anora is 5th in this order by the loveliness and relatability to those starlets during their heyday.

* Ask yourself every scene and every beat WHAT WOULD I DO IF I WERE ANORA AT THIS SITUATION... Patricia Arquette did it best in True Romance. But consider 32 years passed since Tarantino shot the True Romance.

After 32 years, what romance turned into from true and genuine:

False and fake in taste. This is where her painful screams are rising from after getting beaten by her playboy boyfriend's father's bodyguards.

Anora is not a romantic movie but an erotic movie. So was Animal Instincts. But Shannon Whirry did not showcase any pride or ego to relate with her audience. Anora did.

That's why, from a production quality perspective, Anora is more than her erotic talent. This starlet also showcased a dramatic relatability and receives an humanistic caring just like Reese Witherspoon in Freeway and Charlize Theron in Monster.

What married couples know 'bout the unknowingness of the single couples is this:

• When you are single and in love, the repetition of special day memories give negative impact to your romance

+ But when you married and in love, you must repeat and repeat and repeat and repeat again, and again again and again, the past special day memories which continuously give constructive build-up to your romance

Stereotypically speaking character arcs, whether kids show or adult show, do not do the same things in a show, unless its the 1970s and we are watching The Love Boat, which I could never complete a full episode from beginning to end, reading its script or watching it from the producers' library.

Chipmunks Valentine Special has taught me many facts about the "plot vs relationship" issue on any modern day 2025 romance titles.

Comedy and Romance by themselves, are not basic film/story genres.

Comedy, to me, as a videographer, is a sprinkle. Comedy cannot construct a movie of its own, accordingly it is not a genre. But it is the best spice which any type of film/story might need.

Romance, to Janice and Ross, and learnt from them, to me, is a TITLE.

When a storyteller pitches me a romance story. I don't think of its mood, genre, or style. The only thing a romance storyteller must pitch, is the TITLE. Romance itself is the title.

So, Alvin has a dark-side in this episode. Like Anakin Skywalker archetype. Or the DON DIEGO DE LA VEGA archetype.

"Anakin Skywalker vs Don Diego De La Vega" makes a story for Alvin and Brittany.

Anakin, who causes the death of his beloved ones, his mother, his wife and finally himself. He loved himself more than all, but he causes the death of his-self due to his Narcissism.

Don Diego De La Vega, a developed Batman or Hulk, a Bruce Wayne or Bruce Banner, in a stretched character arc build-up way, must choose between his sweetheart lover girl or his local political family future.

Dark side of a good-hearted hero who commits evil deeds unwillingly, as simple as it gets, display a POND REFLECTION SCENE - the actual historical moment when. Greek prince Narcissus fall in love with his evil reflection on the river water, right before the water was washed up - gives the motivation to Alvin to get back to Brittany by quitting being the top romancer of the world.

Any romance title made to be released in 2025 or beyond, which does not have any of these merits Janice and Ross initiated and I counted above, will lose big time, in blockbustering the gross revenues.

I want to see a dark-side in every Alvin romancer (whether the female or male counterpart) why do you think audiences opt for teen Anakin and Padme's puppyhood times, when picking the top 10 romance couples of all time? This is the answer above.

I want to see a wild-rose in every Brittany counterpart (whether the male or the female counterpart) why do you think growing up girls and boys still today in 2025 love to find an ELLE WOODS or Hepburn's SABRINA? A&B type of couples are the most dynamic of all. A romance couple sharing a love box full of Tri. Nitro. Toluen, as if Road Runner falls in love with her Coyote...

A waterfall effect is an elegy. A mistake or guilt which has never been anthropomorphized or accepted, always leads to hurt someone who is the weakest and innocent.

In other words, a pain leads to bigger pains, when the guilty is not punished for inflicting the pain on others.

Haevnen(In A Better World) brings forward a number of Societal Crisis moments with Q's, in a heroic adventure story, where a doctor must help his family and children to stay safe from the pain infliction:

*1/ Does it actually a stop a crime, only when the criminals are caught but the victims are not atoned?

**2/ After how many evil attacks, can finally a victim turn to become a criminal?

***3/ Will that ever be a non-criminal cooperation among two victims?

****4/ What makes the evil utterly quit from hurting innocents?

*****5/ If evildoers cannot stop letting all hurt ones join them, what would justice do for the yet-to-be-hurt?

Very well-crafted, slow burning psychological teen crime/drama suggests in this story, a good family father may lead to a good example.

A father unites the whole family through love, care and resolutions.

Great and heart-felt acting in views for two problematic family lives: One in the verge of divorce, and one yearning the unity. Two kids from these two toxic families join in a dangerous friendship, where only benefit one can give the other is a revenge from the society.

Two kids aimed to take revenge from the society they are growing to be part of. This is a very strong promise with stakes set at the highest. But from the audience seat, I cared about the well-being of both kids.

There will be a time coming, where finally the societal revenge from kids purposes will have been stopped and their wounded hearts been cured.

Atif Yilmaz directing inspires a feature screenwriter Yildirim Turker within a theatrical stage-to-audience realization. Gece, Melek ve Bizim Çocuklar was a highly skilled artistically epic moving pictures and moving camera. Continuous action/tension/suspense and ever-growing heroine characterization.

Right from the introduction scene, just like the theatrical show business rules, story introduces its own audience an heroine of their own factual reflections. Who are this audiences?

The Istanbul citizens of hope, dreams, goodness, and childish innocence losing their all in the rotten dark alleys of the reality.

Reality is that which, when you stop believing in it, does never disappear. Where does the reality of Istanbul metropolitan life appear at?

At the faces of the most innocent, most poor, most hopeless... Just like the last crusade from Ingmar Bergman's Seventh Seal, the kid who obeys his thief father from Bicycle Thieves or Breathless heroine Jean Seberg of Jean Luc Godard's cinematic theories of:

* Forced loneliness and self-destruction due to someone else's selfish nature and stubborn mistakes.

Minute mark 8m and 40sec, when at the discotheque Happy Nation from Ace Of Base starts to play, and Serap opts out for dancing alone under the disco ball to this song, that's when we are all drawn into the realization of our real-day life to face individual truth of metropolitan loneliness.

La Caja 507 is a slow-burning crime-drama whose story leans its back against the NO-HERO structure. A predecessor to Paul Haggis's CRASH(2004). There are absolutely no central characters nor heroes to follow. Of course, this is not unique to Spanish cinema at all. But, in general there is no attachment to Spain in La Caja 507. Sympathy grows only when innocents get hurt, which is when general Spanish family audience would catch the drift. When Dafne dies at the forest fire in the beginning, director and screenwriter Enrique Urbizu lets his audience know what Dafne's father investigates throughout the entire movie: Dafne gets killed for her father's bank robbery to become whitewashed by fingerprints.

Strong hook and spontaneous acting builds an unbearably awe-inspiring tension. I keep asking to myself, what kind of a "modern" parenthood that is to endanger their children's future due to corrupted business relations with gangs or mafia.

No heroes equal to no celebrities. Urbizu wants us to be part of the unstoppable descending of the criminal tension from business layer down to emotional layer. A clear decision awaits Dafne's father to be made, which turns the rest of the story downhill in suspense. If you have enough patience and detail-oriented thinking view, the boring sub-plots may give you more clear understanding of the resolution. This resolution phase encompasses Dafne's father "letting everything go".

La Caja 507 is a memorabilia collective film. DVD and blu-ray both in English and Spanish had directorial interviews. I have always had it, in my brick-and-mortar cinema archives and library of selection movies. Classifiable under western european Family movies genre.

By 2024, program gained world-wide TV audiences distribution on cable, while at its birthplace of both the chocolate brand and the show in North America format remained same altering many show business faces periodically.

Issue of 2023 was the rating gaining challenge for rating E, as an improvement from PG11+, as far as I can gather info from Ontario, Canada. Because I run a boutique video production firm myself herein, I have to pursue the industrial trends of top-notch commercials.

Since Hershey's Canada had been chosen as the top best employer regarding the employee satisfactions nation-wide, therefore to me catching up its commercial releases and reproductions are a beneficial task.

Last year independent from the Reality Show and TLC running schedules, Hershey's Chocolates had also aired a new Mother Day's commercial. Lately since 2022, afro-american heroes and heroines host every release in any platform Hershey's are showdowning at.

Taking place inside Hershey's Chocolate World, fantasy and reality combine, in the wee hours after late night. Competing to create the best chocolate candy, confectioners must eliminate barriers of thrill rides while racing against time. I just added an objective plotline myself, before posting this review.

If you want to see First Season's episodes of Chocolate Meltdown, catch them on YouTube Kids.

First Season requires PG11+ rating, due to teen-slasher and masked Jason kind of serial killer dark comedy phenomena, guide your 11 year-old or further under-age child during watching.

Why my rating is so low?

I am a story-teller. I give gold to stories and originals. I vote down copycat and spoofy material everywhere. But this does not mean, Chocolate Meltdown lacks any fun or entertainment.

Entertaining quality is 10 stars. Your kids will love it.

Ask a middle-age psychologist what was '90s like? She'd say they still dwell within me.

Ask Bruce Willis today, why everyone hated The Color Of The Night, but you loved yourself as a psychologist attempting to save a suicidal teen from killing herself, he'd say they still dwell within me.

Ask a middle-age Michael Jackson breakdance fan what was '90s like? He'd say they still dwell within me.

Asked Elodie Bouchez what was '90s like? She said ''LE PLUS BEL AGE" (it was the most beautiful age) to live, to love, to have sex, to suicide

What would Zalman King say?

What would Serge Gainsbourg say?

Exactly 'tis the same:

One can't understand the age of '90s the period from 1989 'til 2000 looking onto it from the year 1988, nor from the year 2002, further to the past and to the future makes the understanding even harder and unostentatious.

For a screenwriter, thriving to make producers option his script of a movie retelling the '90s, Le Plus Bel Age with its socio-drama style, adds a layer an idea.

Great opening with a mystery in this film, unique fast-paced photography, and eroticism action is in the style of Zalman King... Meaning very very very rare, A gem, A coming of age teenage socio-drama movie for the top cinephile's collection.

STORY- Same story structure formula used with the hilarious Boat Builders.

Beginning: Join 3 opposite characters in same adventure.

Progress: Let them build a moving sensitive action-packed construction.

Ending: Destroy the construction as a sum of all 3 heroes' faults.

SETTINGS - My favorite. Proscenium Arch.

HEROES - Mickey Mouse on the stage facing his fans and audience applausing him for his mind and hand tricks.

Goofy on the backstage working as a light technician reference to Nikola Tesla.

Donald Duck as a nasty prank-maker who confronts Mickey's tricks by his own brutal force pranks.

MOTIVE - Donald does not enjoy Mickey's magician tricks. So he jumps off to the stage mockering and making a fool out of Mickey. But Mickey has enough magician tools to cause Donald bigger troubles than he can ever imagine. Goofy in the meantime does not interfere with the duo, yet he cannot run the show focusing the light and effects on more than one host. By the final prank Donald does it to Mickey, Goofy totally fails to maintain the backstage and the entire theatre falls apart nail to nail.

It is Sunday morning; church time, knowing what the pastor will be preaching about if I have been gone to one in town; I turned my bedroom into a church room with a TV playing only TCM.

When Robert Mitchum types "Farewell Ann - I am going to San Fransisco" to a hotel guest notepad: from his penthouse flat on a hotel room seeing ocean from the window view Jane Greer(Ann) walks in.

As if knowing what Mitchum's detective archetype wrote on the guest notepad; Ann aimed forcing him not to leave in that iconic romantic scene which I have never forgotten.

Old Turner Classics captivate my heart in Sunday breakfast times...

Out of the Past is a very slow-paced mystery movie full of intrigues and brave back door entrances; plenty of scenes of which were motivations to my childhood TV favorites of late '80s Moonlighting and such.

Lovely and unique romance/comedy dialouges have made every fan laugh in good script to screen transitioning ways from the director; which was primarily Michael Curtiz pioneership style of filming.

It is airing on TCM right now; and this is how just one movie makes one channel favorite of mine next to ABC-Spark these days.

None of you had any idea why they called it a "Spaghetti Western" when they charged 75 cents for a movie ticket and Sharon Tate did not have the cash to see herself playing in public.

Once Upon a Time in West/America/Hollywood was the longest spanning franchise in history. It spans over a course of 80 years and covers the Western History of 175 years.

Q registered a truly heroic past time paradise agenda taking Flame Throwers into 1969. I just wished I saw more of Cliff Booth doing a stunt double in a real movie set or Rick stayed in front of the camera a bit longer... And I also would have preferred keeping the Police/Ambulance/Emergency/Fire rescuers away from the Action (when the ranchers strike back)

Heroes are made. They are not born heroes. They do not dress heroes. And since they are made; a hero has to prove himself over and over again. That's the code for Spaghetti Westerns. This is why Bruce Lee "for the first time in cinema" loses a final round of fight.

Historical Celebrity Appeal of the '60s were all worthwhile. Playboy mansion scene needed more R-rating content. Roman Polanski needed to be a badass; he could have been played better.

Another history was made when heroes get humble and prove themselves why they were heroes.

One of the least distributed Clarence Nash & Pinto Colvig cartoons. Many years ago I was in a discussion where I later came to my senses that I was wrong: I used to think Goofy had never done Tarzan and besides I had never recalled a cage holding businessman Donald Duck.

This Donald Duck short has little to no conversation. Although in the jungle when the Adventurist Donald, frankly, finds a trophy to bring back home alive; he first attempts to speak up to the Tarzan Goofy... But to no use. Goofy, more than any other Goofy episode ever, is totally in his own world/own view.

With lots of Coyote & Road Runner type of cat rat race, Goofy manages to trap Coyote Donald Duck in with a cave lion.

If you omit goofs like Tarzan operating a motorboat quite well, and exaggeration on law of physics limits in cartoons; then it is an unique/creative/fun watch.

Animation is laziness. Voice acting is talent.

Good animations are lazy talents; who sound energetic and vital so they take forward the A-type top-notch feature format productions.

Laziness with talent is the most precious gift.

Because you may risk losing your talent by unnecessary hard work.

This is not a case for Albert Einstein.

But it is exactly what the secret behind the success of George W. Calver and Florence Nightingale.

Only walking miles away from the hospital both Rachel McAdams and Ryan Gosling were born the same day and on the same floor; I volunteered for many years to help Alzheimer and Dementia patients and to help my own ego if I can deliver a plant-based organic antidote-type of cure out of Rattlesnake poison which works the same way Dementia spots grow in infected lob(brain). My sole outcome to this day is only fictional due to the enormous amount of talent and idea slavery in the Medicine field.

But the same oppression of rules and system slavery was also in Science-based animations for years long for teleplay writers. This episode, that's why is unique and a rulebreaker as it index-fingers the methodology Florence Nightingale aimed to apply in 1830 (the darkest era of human biological death research and grave robbers in history of science) in U. K.

Canadian landscaped Clarence Nash solo voice-over Donald Duck 7 minuter, with noteworthy/unique/memoria scenes.

1* Love Letter from Daisy.

Gloria Blondell must have penned this; it has that lover female tone in the handwriting. How lovely it's viewed on the letter sheet, and how lovely Donald Duck reads it.

I had always wondered how did Dennis Hopper in David Lynch's Blue Velvet(1987) come up with those strong punchlines. Dumb Bell of the Yukon is a reminder to Dennis Hopper too in a sense.

2* Bugs Bunny kissing prank done by D. D. Donald Duck does that kissing the Nemesis in the lips prank twice in this 7 minuter. For reasons beyond why Bugs Bunny does so; D. D. now also has a foolish but more genuine motivation.

3* Political Stymies in the post-WorldWar-II era cartoons This is definitely why Dumb Bell of the Yukon is the lowest rated Donald Duck cartoon ever. It's 'cos audiences in the post-modern era cannot view anything that goes against their beliefs.

But to me, you cannot judge Art & Entertainment with Politics.

I don't support Fur Trade and neither I am against it; but even if I was against the Fur Trade strictly in a foolish mind I would still watch and rewatch this cartoon unbiased.

In World War II era, racism against Japanese citizens was a normal idea. Same with the Fur Trade; it was normal to hunt down bears for their furs during this era. The Global politics did not develop humane justification by banning and stymieing all these and alikes. This is not suitable for Freedom Of Will and Human Rights in any case. At least one thing the TV networks and studios could have done:

Just keep the critiques and censorships not affected by Globalism politics. You see since 1940s ; the World did not become a better place for humans to live subsequently.

Remember the infamous Clint Eastwood quote from The Good, The Bad and The Ugly(1966)?

"There are two kinds of people in the world, my fella: Those with a rope around the neck, and the people who have the job of doing the cutting"

This is taken from Edward R. Burrows talk show in 1959 TV. Although no one recalls how the original quote was prompted on live TV, by today; we have a clue from Person To Bunny(1960):

During the late Spaghetti Western Action flick era, director Sergio Leone noted that there are 3 genuinely Humane faces in Hollywood from Burrows' vision of critique:

3. Overexcited know-all hand clappers (The Ugly) - Daffy Duck

2. Hidden banquet sitters and cash flow counters (The Bad) Producer-Interviewer on his couch

1. Actors who can't hold their mouth and pay the price overcharged (The Good) Bugs Bunny=Clint Eastwood

Timelessly speaking if you are ever in Hollywood and if you have a face number 4, then YOU ARE FAKE, you will not last long.

All these 3 faces are real life and all come ever brand new with the true-hearted mistakes they always do and keep doing; like Bugs Bunny can't hold his mouth and talk down about his audience so Elmer Fudd takes it personally and comes to throw stones to his face, illiterally. That's how everything ever is: illiteral.

Burrows both in real life and in this animation leaves a legacy equal everlasting lesson for all of us to take on how to stay genuine (if you were ever genuine at least once) in this industry.

Science Fiction gets best both in reading(1*), filming(2*) or just watching(3*) when there is MAGIC TONIC vs. ANTIDOTE story structure in the concept. The original premise for Dr. Jekyll and Mr. Hyde was merely an introvert scientist inventing a formula to prove his genius worth to be someone in life but he could not handle the Double Life of masking a calm doctor over a killer monster.

1* In Novels or Gamebooks(cyoa etc.) No amount of hero introduction is ever enough to withstand the necessity of a monster tonic so a casual medical doctor can become a better doctor than he was before. This means, story needs more visuals and actions than dialogues and backstory.

2* Sci-Fi submerges with Action through chase and suspenseful tension sequences of life-and-death battle when filming directly to video, or for TV which actually 1956 version of Zorro did just that in a perfectioned version Double Life Leading stories. Only the 1956 version of Zorro(TV). What worked was a simple trick: "The hero has a weak point which must be kept as a secret; if it is ever revealed then he needs to stop his Double Life" which indeed was the pioneer fuel behind all the Superhero genre today in 2022.

Friz Freleng may be just a simple animation director to all of you; but he was the pioneer of the Superhero/Nemesis genre for Marvel even before there was Marvel in 1956.

3* Antidote concept.... This is also used as an ANTI-NEMESIS storyline. So what is an Anti-Nemesis? We have to come back to Zorro once again. Zorro indeed was the only Superhero who lead TRIPLE LIFE - the nameless poor farmer only his family knows of during holidays; the town chief Don Diego De La Vega(based on real biography) during daytime; and the Zorro during night-time. In this antidote concept; the hero can give up every passion in his life when in danger to go back to being a poor nameless farmer again; in this case everyone would know Zorro dies when Don Diego De La Vega gets killed although through the antidote HE STILL LIVES (which gives a room for a franchise comeback). This antidote must always be a tangible matter:

• A tonic
• A pill or a syringable formula
• A transformator device like the Frankenstein's operation table

Otherwise the story will not be used of by Dr. Jekyll and Mr. Hyde structure.

In Hyde And Go Tweet; Friz Freleng accomplishes it. But for the past 62 years ever since I always wondered why noone else could repeat it.

Hasenpfeffer seriously known as a Middle Age Saxon dish. Not so plausible to predict whether it contains a medium size rabbit or not. Yosemite Sam is the only folk who calls Bugs Bunny a "rabbit" when indeed he is a hare and not a rabbit.

Mel Blanc was heard all over the world TVs due to his talent after Clarence Nash of course for making trio-casted characters with his own organic voice. In German, Italian, Russian and Turkish versions there were 3 different voice actors who gave voices to characters in this Bugs Bunny episode. As a non-european or solely English language viewer; I recommend you to check foreign voice translations of Shishkabugs(1962).

In Turkey 🇹🇷 both the 1960s and 1990s voice translations to Shishkabugs mentioned the snorty King's favorite dish "Dubur Ici Dolmasi" instead of Hasenpfeffer. Also the latest Fandom Voice Translation by "Kufurbaz Haydo" 2010 made a cross-reference to the fall of Ottoman Empire which got even funnier to belly-laughs. In real-time Middle Age Ottoman Empire 1600s there were luxury and western-bound throne room failures just like it was mentioned in this episode as well.

An Istanbul(Delta Film) + Paris(La Vie Est Belle) + Atina(Dourios Ippos) joint co-venture European film production supervised by director Atif Yilmaz's Turkish crew. This means a lot for the understanding of the cinema language and artsy style of Nihavend Mucize.

Atif Yilmaz portrays ever-interchanging face of modern City Life in Istanbul in '90s (which was no different than it was of Paris's) from a perspective of a deceased Singer and a homemaking mother.

Story revolves around a lonesome TV producer whose late mother comes to visit him after a psychological trauma he has in his daily life. In this aspect, this idea was about to create a trend larger than French Surrealism of '90s.

One year later Gani Mujde and Ihsan Aydin who did not actually play a writing part in this film created "Ruhsar" with the very same promise: A late housewife comes back to life in order to support her husband emotionally getting back standing straight on his feet.

With one major typecasting difference: Mihrace Yekenkulug, who played a sidekick office secretary in Nihavend Mucize; was to play Ruhsar's husband's cutebug sister. The only actress who both played in Nihavend Mucize and Ruhsar.

For most viewers from Fan Bases in the norms of 2020s' people remember Nihavend Mucize as Beyaz's most remarkable high screen credit accompanied by the legendary cinema queen Turkan Soray(who is still fresh, eye candy and as charming as ever).

Eye Candy is another reason why and how audiences will always remember Lale Mansur + Turkan Soray + Mihrace Yekenkulug.... Who were both charming, sexy, inspiring and genuine in their female appeals.

But the youngest one (born 1977) Mihrace Yekenkulug deserved as high screen credit as the other 2 of the trio.

Do not miss these top 3 genuine Turkish feminine icons although they may be old by now; Atif Yilmaz and his cinematographers knew how to shine them. Incomparable with no Italian, French or Greek top stars: No Sophia Loren, no Juliette Binoche, no Sophie Marceau nor Monica Bellucci. Turkish feminine icons are Incomparable; sometimes in some scenes Turkish feminine really deserve more. Seriously. No exaggeration.

One cannot argument the fact that Alfonso Cuaron today, by the 2nd decade of the twenty hundreds is the sole Spielbergen moviemaker.

First thing first; the failure in compass of cinematography: If the film is set in B&W monochrome ; then you cannot go fantastic with hilarious camera movements. Actors in Roma are playing a stage game which director is not involved in supervising it.

Cubic Art is not a game. You do not follow the best examples in film history like Federico Fellini and Steven Spielberg to go artsy; otherwise then it turns out shallow and ungenuine.

Black&White cinema 🎥 is not a MINIMALIST movement. Making a low budget film cannot get you the IMPRESSIONIST and CUBIC Art quality you failed to achieve.

Art films must be global/universal: SCHiNDLER'S LiST had an universal theme and message concerning all humans; not only Polish Jews.

Yet, Roma is done in Low Expectations. Political revolts of 1970s are established unbiased. A housemaid's life p.o.v. Cannot be engineered and edited in this fancy artistic style and it has gotta be in Color.

How is the Narrative structure built? Why does American Industrial Cinema require narrative formula? What is Cinema other than a picture-told story?

You knew all wrong; because you have never been in Vaudeville in your life by the norms of 2021. In 7 minutes A Knight For A Day, the classic underdog replacing hero format; the eyes of tournament spectators and the minds of arena runners genuinely reflected by Billy Bletcher, who narrated this silent dialogue-free short animation.

Silence, by all means, is not merely the situation of quiteness. It is actually when no voice can be heard other than the voice of the mind. Cross-referencing Jules Massenet's Don Quixote Opera of February,19th.1910 in Monte Carlo.

Pinto Colvig, as Goofy, adapts his voice talent into this Impressionist art movement; characterizing both Cedric the servant, his master The Duelist, his opponent The Knight, his spectators and his imprisoned Princess.

A total piece of art with motives from Cervantes' Literature of Medieval Spain; which in 10 years of passage was going to be revised and repeated by two Buggs Bunny shorts by Warner Bros.

The Real Ghostbusters 4th season appeared a few times both in Russia and in Turkey, once in 1992; twice in 1994, and perhaps also in 1995(for the last time).

Star-1 in 1992 and later-on with its modernized name Star-Tv in Turkey(headquartered in Istanbul) aired 4th season in 1992 in Saturday morning 9:00-9:25 a.m. Timing. When on Sundays Laff'a Lympics from1978 were on air during this timing.

The reason why I mention this inspection is the Fan Base Orientations manipulation of USA and British networks:

Cartoon network and WB Kids in late '80s only marketed Franchised Movie Reminders of cartoon episodes to the 2nd World which also includes Japan.

"The Halloween Door" episode of the 4th season is most likely the 1st episode one can ever recall from RGB who is watching from the East; since it's been aired multiple times convincing the viewer think it is promoting something else beyond itself.

My dearest opinion is that the original Dan Aykroyd(from Ottawa,Canada) Ghostbusters is a black-and-white busting of ghosts with little to no challenge among the ghosts attack. RGB as the invention of the Color Codes in Television Production, Time Codes, Slate, Color Bars and Tone brought forward The Real Ghostbusters with top quality and engineering in Sound Editings and Antagonist/Nemesis developments not only in Horror Animation but also the entire Horror/Suspense genre of the whole entertainment industry(movies+tv+atari/console games+music video clips esp. Michael Jackson's "Thriller")

It is not a coincidence and absolutely not a Halloween-tradition that Michael Jackson filmed the Thriller video music clip on this very date of October,29th,1989, SUNDAY and produced/distributed it on first Friday of November,1989 that week.

A thinking-eye viewer will also find several similarities and cross-references between Michael Jackson's Thriller and The Halloween Door.

Another production note is that Dan Aykroyd was in contribution in writing this episode and Michael Jackson contacted Dan directly after firing his Italian egoist talent manager Frank DiLeo early February,1989.

Which one is Dale, which one is Chip?

In Test Pilot Donald, a masterfully designed short film structure; Dale and Chip have distinct and not-so-opposite character growth.

Make this short your 1st Chip'n'Dale episode to start watching their other adventures; so you will never confuse who is who.

The premise is in two Acts:

Act-1: Donald remote controls a AN-74 Ferrari inspired jet drone which hits and bogs down on a tree two chipmunks have a home in.

Inciding Incident: Dale jumps on the drone and aims to ride it, while Chip warns him indicating a big white duck (Donald) controls the drone.

Thesis- Dale must take the control of the drone from Donald, by riding it from its pilot seat.

Act-2: Dale takes on the challenge and Chip will need to run for his rescue when Donald captures Dale in a water bottle.

Synthesis- To prove he can handle this trouble on his own, Dale succeeds on messing up with Donald and manages to entrap him tied down to a houseroof while the drone was lapsing around it continuously.

The first Academy award nominated antagonist chipmunks in animation history(1947) have been given distinct character growths; uniquely uncompleting each others' opposite motives. Chip only risks his safety for his shelter or in case he needs food; while Dale is the Daledevil always jumps for any adventures and challenges by heart without making any plans.

After this episode, ever since 1951, in the new Chip'n'Dale adventures Chip always draws up a plan and whispers to Dale's ear ; which will indeed hamper Dale's adventurist initiations. (Accordingly making all the new Chip'n'Dale cartoons predictable with boring endings)

The mastered Duo rule for any unique Comedy Duos: + Do not oppose your dual partner just because he has an opposite character ++ The duo do not have to attempt all challenges together; while they are both still actively involved in the action +++ Out of the duo, decide which one will be on the foreground ; and which one for the background ++++ When the duo do not need to complete each other; their character growths are given free space and the story structure evolves into an unpredictable dynamic (the master rule for all duo-comedy franchises)

In this dark thriller, an innocent hero seeks reasons to the suicide of a TV starlet, whom he was in a romantic relationship with. All heard and known from the news is that the starlet was rumored to be seen in a late-dinner date with a member of a municipal council. Some politician that you don't want to mess up with. The tone of the thriller is set in such a mood that we don't have time to care about what does this guy do for a living, if he is not a detective?

He is not a detective, so this turns toward a sweet sour revenge. A revenge like Quentin Tarantino or Bryan Singer knew how to craft it in the '90s. The romantic kid decides to find whoever is guilty from the suicide of his girlfriend. How far he can go with that fantasy?

It is a nice challenging set-up with self-denial exams introducing new allies and new foes meanwhile. Yet, there is this major hindrance to catch up what is happening, why is happening and how is happening:

1- Characters do not look for other options 2- Characters do not have strong motivation or a good reason to be in this story 3- Characters do not have reasonable and mutual growth 4- And finally, what you see is what you guess and get: Story does not establish the film, the film becomes something else other than the promise.

Unless this is your first South-Korean action-thriller that you are watching, you will be okay with brutal fighting scenes, meaningless pain inflicting sequences, imbecile acting melodrama moments, cheap laziness in directing antagonist interactions(bad guys just stay there awaiting to be destroyed), and my favorite cheapness: Only as smart as a high-school manga. Well, guess what, the opening scene takes place when the heroes are in high school.

What you cannot find in any other action-thriller, but only in this film:

1- Trying to discover a secret via the fastest and the hardest way: Trace Manga! Track the suspects and beat them to death until they speak out who did it! "I am asking you s.o.b! Tell me who did it! Or I f.cking break your arm!". Crack! He breaks one arm. Oh no! He was innocent!

2- THE DARK TURN: Nobody knows who did it. But the more the hero seeks answers for, the more he learns that... It is a hidden top secret network, where its individuals are equal to each other; everything that is done, every news that is written, is known in the first place by no one. But the rumored secrets prompted the crime in this same first place, too. The more the hero struggles to find answers, he finds himself being part of it, and he turns his back to review his present life; that he was doing the same what it was done to him to other innocents like him.

3- The information is travelling faster than the speed of the light: Since every character engaging in the story is an employee of the news and media franchises, they cannot see the end of their actions, but we can. The use of internet in this film was nicely constructed with all the necessary reason and result synergies.

4- "Forget it Jake, it's Chinatown". This small-brain film will remind you and help you understand better the big-brain classics of all time. "Louis I think this is the beginning of a beautiful friendship"

5- The town is not called Chinatown or Casablanca, but the realm of the unseen corporate institutional power is much larger: "Media"