girovagabundo
feb 2025 se unió
Te damos la bienvenida a nuevo perfil
Nuestras actualizaciones aún están en desarrollo. Si bien la versión anterior de el perfil ya no está disponible, estamos trabajando activamente en mejoras, ¡y algunas de las funciones que faltan regresarán pronto! Mantente al tanto para su regreso. Mientras tanto, el análisis de calificaciones sigue disponible en nuestras aplicaciones para iOS y Android, en la página de perfil. Para ver la distribución de tus calificaciones por año y género, consulta nuestra nueva Guía de ayuda.
Distintivos2
Para saber cómo ganar distintivos, ve a página de ayuda de distintivos.
Reseñas1
Clasificación de girovagabundo
Gripping coming-of-age story in a Neo-Western set of lawlessness that manages to enthrall the viewer by playing with both the visible and hidden dangers that the main character Carola and her father Pacífico face. Carola is perceptively portrayed by the upcoming Chilean actress Katalina Sánchez who manages to beautifully convey the complex emotions and profound resilience that make up Carola's experience.
It's a story and a setting rarely seen on screen and a character who gives it a unique and interesting twist by challenging existing perspectives.
Rather than just by violent imagery, the tension is built up by developing and focusing on the social dynamics shaped by the different characters, their beliefs and superstitions and the patriarchal structures and rough physical environment they live in.
The storytelling is enhanced by a balanced use of sound and silence that further pulls the viewer into the plot and the rising dangers.
Ultimately, my favourite part about production is the outstanding camera work that skilfully plays with the encompassing darkness of the mines and desert nights and meticulously uses headlamps, torches and car headlights to create contrasts and put the spotlight on the storyline. Special compliments to the director of photography Sergio Armstrong.
Not least the stunning imagery of the Atacama desert makes the movie worth watching, as it manages to capture both the threatening environment and the inexplicable sense of otherworldly magic that is so particular to this place.
It's a story and a setting rarely seen on screen and a character who gives it a unique and interesting twist by challenging existing perspectives.
Rather than just by violent imagery, the tension is built up by developing and focusing on the social dynamics shaped by the different characters, their beliefs and superstitions and the patriarchal structures and rough physical environment they live in.
The storytelling is enhanced by a balanced use of sound and silence that further pulls the viewer into the plot and the rising dangers.
Ultimately, my favourite part about production is the outstanding camera work that skilfully plays with the encompassing darkness of the mines and desert nights and meticulously uses headlamps, torches and car headlights to create contrasts and put the spotlight on the storyline. Special compliments to the director of photography Sergio Armstrong.
Not least the stunning imagery of the Atacama desert makes the movie worth watching, as it manages to capture both the threatening environment and the inexplicable sense of otherworldly magic that is so particular to this place.