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Lokah Chapter One: Chandra feels like a strong step towards showing how the Malayalam film industry can make its mark in the PAN-Indian space-without losing its own unique style of storytelling. While Mollywood has given us gems before, this film feels different. It isn't just another good movie; it's the foundation of a cinematic universe.

The film stands out as a brilliant fusion of Indian rural folklore with international myths, giving us a refreshing take on the superhero genre. The characters are written with depth, each having their own arc and purpose, setting a solid template for how superhero films can truly work for the Indian audience.

One of the highlights is the way it handles star cameos. They aren't throwaway appearances but meaningful roles that add to the narrative. The movie also avoids the common trap of dragging its ending or forcing cliffhangers. Instead, it delivers a satisfying conclusion while teasing its future through cleverly placed post-credit scenes.

Overall, Lokah Chapter One: Chandra is an engaging, entertaining superhero film packed with surprises, heart, and vision. A must-watch for anyone who loves well-crafted cinema.

Anirudh Ravichandran's initial impression of "Kingdom," stating that the first 40 minutes looked great, holds true; however, had he seen the entire film, his statement might have been different. The movie felt disjointed, as if two different screenwriters worked on the first and second halves. The opening act effectively established a proper spy thriller atmosphere, building tension and intrigue. Unfortunately, the latter half abruptly shifted into a generic "saviour temple" narrative without a cohesive blend, losing the focus and tension that made the initial spy phase so engaging.

The film missed several crucial opportunities to elevate its narrative. Firstly, the villain and their motivations remained underdeveloped, leaving it unclear whether their actions stemmed from regional discrimination or simply a problematic psyche. This lack of depth prevented the audience from building any genuine hatred or understanding towards them. Secondly, the emotional stakes felt low, particularly before the pivotal revolt scene, which needed more emotional groundwork. Furthermore, the relationship between the hero and heroine, as well as the bond between the hero and his brother's Family, lacked sufficient development, diminishing their impact on the story.

Finally, the movie's approach to setting up a sequel felt heavy-handed. Instead of a background voice explicitly detailing future events, a more visual display would have been preferable, allowing the audience to interpret and discuss possibilities. This approach would leave room for reviewers to analyze and break down potential plotlines, fostering a more engaging post-viewing experience. Additionally, certain scenes felt abruptly cut, and the "AI shots" in the second half were noticeably strange, further detracting from the overall cinematic flow.

Viduthalai Part 2, with the setup it inherited from Part 1, immediately gives the impression that it's building towards something great. Like in the director's previous works, it could have delivered with an intense fight sequence, a hard-hitting message, or something new in its direction. It attempts all of these, but none of them truly fulfill the potential of the setup, leaving you waiting for that one unforgettable scene that will remain with you after the credits roll. Unfortunately, once the movie ends, there's little to remember or discuss, except for the strong performances of actors like Vijay Sethupathi and the music of maestro Ilayaraja in certain scenes. Overall, Vetrimaaran, as a director, does what he does best, but in the end, it doesn't have the magic that his other films possess.