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Imagen de perfil de saberimohsen

saberimohsen

oct 2019 se unió
I am Mohsen Saberi. 34 years old.

Where did it start?
I was too young to go to the cinema by myself. I had taken my older sister to get a permit for her presence. I definitely did not understand anything about the neighbor's red. But that big display screen in that volume of darkness, could I not be enchanted?
The protests and dirty hands born in the month of Mehr and Muwaii 3 were not suitable for a ten-twelve-year-old child, but, well, I was already open to cinema.
It was 81 or 82 that I discovered the festival. The halls were the usual cinema halls. The curtain is the same curtain. But the days of the festival were getting bigger. I forced myself between the crowd waiting behind the cinema doors and entered the hall with the wave of people. My step didn't even reach the shoulders of the elders, but I was in such a state that watching a movie with a famous person who was sitting in the front would make me a head higher than my peers.
I got to know the Hollywood cinema when I was tired of other festivals. I started and saw the movie "animal" as Nabokov said. There were times when I sat at the system for twelve or thirteen hours non-stop to finish, for example, a season of a series.

Why cinema?
Why? Because I like the story. Because whatever is expressed with the story, it involves me. It's not as if it's all a fantasy and everyone is an actor and the stories are unlikely to happen in the real world. I stand with them at moral dilemmas and struggle with myself about what I do in such places.

Still?
I don't have much time to go to the cinema, nor to watch movies at home. Of course, like those times, I am not involved in any film or filmmaking. However, I always try to include it in my life; An inseparable part of my programs.

where are you now?
I have been running the art academy for several years. I deal with young boys and girls whose love is to become writers, filmmakers, photographers, etc., and it is my pleasure to help them get closer to the dream of being an artist and understanding art. When I have time, I write short stories and sometimes notes and articles for magazines and newspapers. And of course, we watch two movies every week with the study group of AyeduCinema and discuss them.
Te damos la bienvenida a nuevo perfil
Nuestras actualizaciones aún están en desarrollo. Si bien la versión anterior de el perfil ya no está disponible, estamos trabajando activamente en mejoras, ¡y algunas de las funciones que faltan regresarán pronto! Mantente al tanto para su regreso. Mientras tanto, el análisis de calificaciones sigue disponible en nuestras aplicaciones para iOS y Android, en la página de perfil. Para ver la distribución de tus calificaciones por año y género, consulta nuestra nueva Guía de ayuda.

Distintivos2

Para saber cómo ganar distintivos, ve a página de ayuda de distintivos.
Explora los distintivos

Calificaciones185

Clasificación de saberimohsen
Flirting with Disaster
6.71
Flirting with Disaster
Gladiador
8.57
Gladiador
The Big Shave
7.04
The Big Shave
Cafarnaúm: la ciudad olvidada
8.48
Cafarnaúm: la ciudad olvidada
Joven y bella
6.75
Joven y bella
Entre ellas
5.63
Entre ellas
Mashina lyubvi
3.71
Mashina lyubvi
Fosil
5.41
Fosil
Now & Later
5.11
Now & Later
Love 3D
6.18
Love 3D
Shatranj-e baad
7.32
Shatranj-e baad
Unsu joeun nal
7.68
Unsu joeun nal
El juego del calamar
8.09
El juego del calamar
Kkanbu
9.210
Kkanbu
El espejo
7.91
El espejo
Ripley
8.18
Ripley
El impostor
7.49
El impostor
Hot Girls Wanted
6.18
Hot Girls Wanted
My Favourite Cake
7.45
My Favourite Cake
Wallace y Gromit: La venganza se sirve con plumas
7.53
Wallace y Gromit: La venganza se sirve con plumas
Tipos de Gentileza
6.55
Tipos de Gentileza
Emilia Pérez
5.46
Emilia Pérez
Moana 2
6.55
Moana 2
Cónclave
7.46
Cónclave
Guasón 2: Folie à Deux
5.25
Guasón 2: Folie à Deux

Reseñas1

Clasificación de saberimohsen
Twice Colonized

Twice Colonized

6.2
7
  • 25 feb 2024
  • A postcolonial documentary

    It is a post-colonial documentary about the natives of Northern Europe and Canada, how their language, culture and nationality were lost under the colonialism of industrial countries. This documentary, which centers on the life of Ajo Peter, an Eskew woman and Inuit rights activist, advances Ajo's efforts to create a permanent indigenous association in the European Union, while dealing with her personal and family problems - especially the sudden death of her child. The documentary has a unified and focused narrative and moves forward with the character's present and present; There is no news of interviews with Ajust's friends and companions, and no flashbacks to his past. We get all the information during Ajo's travels, struggles and encounters.

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