Aman1SharmaJii
nov 2019 se unió
Te damos la bienvenida a nuevo perfil
Nuestras actualizaciones aún están en desarrollo. Si bien la versión anterior de el perfil ya no está disponible, estamos trabajando activamente en mejoras, ¡y algunas de las funciones que faltan regresarán pronto! Mantente al tanto para su regreso. Mientras tanto, el análisis de calificaciones sigue disponible en nuestras aplicaciones para iOS y Android, en la página de perfil. Para ver la distribución de tus calificaciones por año y género, consulta nuestra nueva Guía de ayuda.
Distintivos2
Para saber cómo ganar distintivos, ve a página de ayuda de distintivos.
Reseñas23
Clasificación de Aman1SharmaJii
Param Sandari" is proof that Bollywood is still stuck in lazy stereotypes and recycled formulas. The film tries to copy the Chennai Express vibe but fails in every possible way. The plot is illogical, the dialogues are cringeworthy, and the stereotypes about Punjabis and Malayalis are not just outdated but offensive.
Siddharth Malhotra plays yet another cardboard Punjabi hero, while Janhvi Kapoor struggles with a fake accent that's distracting from the first scene. Manjot Singh is the only actor who brings life to the film, but he alone cannot save it. Apart from the background score of the title track, there's nothing memorable here.
Verdict: Flat, stupid, and a total waste of time. Bollywood needs to move past these stereotypes.
Siddharth Malhotra plays yet another cardboard Punjabi hero, while Janhvi Kapoor struggles with a fake accent that's distracting from the first scene. Manjot Singh is the only actor who brings life to the film, but he alone cannot save it. Apart from the background score of the title track, there's nothing memorable here.
Verdict: Flat, stupid, and a total waste of time. Bollywood needs to move past these stereotypes.
Watch Tehran and you'll see John Abraham carving out his own space in patriotic thrillers. The film mixes espionage, loss, and duty with some really sharp captures of Tehran city-it feels real, not Bollywood-set. The story keeps you hooked, especially when the people around John's character start falling, and you sense the weight he carries. It's not perfect, but it has that punch which makes you leave the theatre thinking. John is clearly building his own category, and Tehran is a solid step in it.