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The Jurassic World franchise has been on a tear for some time. After the disaster of Jurassic World: Dominion, many thought the franchise was doomed until a year ago, when news broke that a new Jurassic World film was in the works, one without the main cast and with a story separate from Chris Pratt's trilogy. Jurassic World: Rebirth is the seventh film in the long-running franchise that began with Steven Spielberg's 1993 masterpiece and has been rebooted many times. As part of these efforts, David Capp, the writer of the first two Jurassic Park films, has now been brought back for the sequel. While David Capp didn't deliver a stunning script, Jurassic World: Rebirth is a fun summer blockbuster with relentless action that's a lifeline for a franchise that's slowly dying out. In my review of Jurassic World: Rebirth, I'll focus on Gareth Edwards' action-packed direction, as well as Alexandre Desplat's score, which transcends David Capp's lackluster script.

The general form of The Lives of Others can be understood in terms of concepts such as the gaze and the game of glances. This term refers to the exchange of glances that occurs in cinema. In the early 1970s, first French, then English and American film theorists extended psychoanalysis to film in an attempt to explain the viewer-screen relationship, as well as the textual relationships within the film. They sought to explain how cinema operates on an unconscious level by appealing to Freud's ideas and Lacan's mirror stage theory. In effect, they believed that the process of cinema simulates the functions of the unconscious.

The viewer sits in a dark room, his desire is to look at the screen and enjoy what he sees visually. At the same time, the viewer is under the illusion that he can take control of that image.

It seems that no one seriously disputes the idea that Jason Statham's films can be classified as an independent subgenre. Usually, we see his characters as men who are retired from special forces (such as rangers, marines or other professional killers), with a disheveled and rough appearance and a charisma that radiates from their silence. But at the very beginning of the story, something happens that forces the hero to come out of retirement and use his professional skills again. The main attraction of such films is that before the final triumph of justice, several villains will die, and this will happen exactly every time.

Amidst the mass of repetitive films of varying quality, the news about the film "Working Man" from the creators of (The Beekeeper) has given some hope. First, that Sylvester Stallone has been involved in writing the script; Not only has Stallone been nominated for an Oscar in this field, but he has always been directly involved in the editing of his projects. In addition, Stallone also has a strong role in the script of the popular series "Tulsa King". Also, in 2013, a similar collaboration between him and Statham took place on the film "Homefront", which made it easier to predict the results of this new collaboration.