TheSmithySmith

Joker: Folie à Deux is perhaps the most textbook example to date of a film being less than the sum of its parts; it dances with very compelling ideas and themes, it bolsters incredible performances by an all-star cast, it is just as hauntingly beautiful in its cinematography as the first film, and the basic story premise is a compelling iteration upon the prior film at first glance. But alas, the ultimate assembly of this sequel in the form of the film we end up watching could not be any more disappointing and misguided. This movie is such a plodding, dull, unengaging, and boring viewing experience that lacks even the most basic fundamentals of cinematic pulse.

I am in awe that a film of this scale with so much talent behind it could be squandered so severely. Part of me begins to wander if a superior edit of this film could exist, but it is useless to dwell on such what-ifs when the director himself affirms that this version of the film is his complete vision. An oddly large number of viewers do applaud this film based solely on the merit of what it attempts instead of what it actually achieves; to that, I say, if films were weighed based on their intent instead of their execution, then Tommy Wiseau's The Room would be an objective masterpiece instead of an ironic one.

More character-centric and masterfully-crafted than its predecessor, Guardians 2 is an improvement in every conceivable way. The action is not just more stylishly colorful and memorable, but also far more satisfying and contextually meaningful. The writing is much more intimate on every level this time around, and everything is weaved together in a way that's more interested in character development and interaction than most other films of its caliber these days. Every player nails their comedy and drama excellently, the soundtrack is expectedly brilliant, and the final product is definitely in the upper echelon of MCU films. Also, Kurt Russell kicks ass.

An immensely relevant, commendably intelligent military thriller regarding the despicable cartels in Mexico and the evil necessary to fight evil. It's not some kick-ass summer action flick - it's a grim, respectful, realistic depiction of what's happening at the USA/Mexico border and the innocent lives caught in the crossfire on both sides. Taylor Sheridan establishes himself here as an incredibly brilliant screenwriter, and his talent combined with Dennis Villeneuve's masterful filmmaking makes for one of the best, most mesmerizing films in this genre. The performances are outstanding, and the eye for unforgettable visuals is all-encompassing. Just don't bother with the sequel.