xreungvq
dic 2020 se unió
Te damos la bienvenida a nuevo perfil
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Distintivos2
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Reseñas9
Clasificación de xreungvq
We watch movies for engaging entertainment. We want to see our favorite stars perform. We'd like the screenplay to be engaging with twists and turns. This movie has all these elements and more. The background score is not as good as Jailer but better than any other duds we have seen recently. The acting ranges from above par to excellent. Story is simple but told in an engaging way. Some things are predictable but has enough surprises and goosebumps. Go and enjoy a good rajini film, don't expect an art film, this is mass masala.
From the moment the screen ignites with the blazing title Good Bad Ugly, you know you're in for a cinematic explosion that only Thala Ajith can deliver. This isn't just a movie-it's a tsunami of mass, a rollercoaster of masala, and a testament to why Ajith Kumar reigns supreme as Tamil cinema's undisputed king. Directed by the audacious Adhik Ravichandran, this film is a pulsating love letter to fans, a dazzling spectacle that blends action, comedy, and emotion into a concoction so potent it'll leave you cheering, laughing, and gasping in equal measure.
The "Good" in Good Bad Ugly is Ajith himself-his screen presence is a force of nature, a volcano of charisma erupting with every frame. From the opening sequence, where he strides in with that signature salt-and-pepper swagger, delivering punchlines that hit harder than a freight train, you're hooked. His intro scene-rumored to feature a bike stunt that defies gravity-sets the theater ablaze with whistles and roars. Ajith doesn't just play the fearless don; he embodies him, weaving a tale of a man torn between a peaceful life and a past that refuses to let go. The references to his iconic roles in Vaali, Dheena, and Billa are pure fan-service gold, each nod a spark that ignites nostalgia and euphoria.
The "Bad"? Oh, it's bad in the best way possible-a cavalcade of villains so deliciously over-the-top you can't help but root for their inevitable downfall at Ajith's hands. The plot twists like a coiled snake, striking with surprise cameos that'll have you leaping from your seat. Whispers of Vishal and SJ Suryah popping up in gleeful, chaotic glory only amplify the madness. The backend story of a kidnapped son might stumble slightly, but who cares when the screen is drenched in Ajith's unrelenting mass appeal? The action sequences-choreographed with Hollywood-level precision-see Thala flipping cars, smashing goons, and delivering double-barreled justice that's as stylish as it is savage.
And the "Ugly"? It's the sheer, unapologetic excess of it all-beautifully ugly in its ambition. The dialogues, dripping with Lollu Sabha-esque humor, land like firecrackers, blending quirky social media buzzwords with plot-driven zingers that'll have theaters echoing with laughter. GV Prakash Kumar's score is a beast unleashed, a background symphony that pumps adrenaline into every chase, every punch, every dramatic stare-down. Sure, some might say the VFX pushes boundaries a tad too far, but when Ajith's larger-than-life aura fills the screen, those minor hiccups dissolve into the grandeur of this technical marvel.
Adhik Ravichandran crafts a film that's a rollercoaster of emotions-rage against the villains, tears for the tender father-son moments, and unbridled joy at the mass masala feast. Trisha Krishnan shines as the heart of the story, her chemistry with Ajith a melody of grace amid the chaos. The supporting cast-Prabhu, Arjun Das, Yogi Babu-adds spice to this already sizzling dish, while the cinematography by Abinandhan Ramanujam paints every frame with vivid, jaw-dropping splendor.
Good Bad Ugly isn't just a movie; it's a celebration of Ajith's legacy, a tribute to Tamil cinema's love for larger-than-life heroes. It's the kind of film where logic takes a backseat, and pure, unfiltered entertainment reigns supreme. As the credits roll, you'll leave the theater buzzing, already craving a rewatch. This is Thala's ultimate mass masala triumph-a blockbuster that'll echo through 2025 and beyond!
The "Good" in Good Bad Ugly is Ajith himself-his screen presence is a force of nature, a volcano of charisma erupting with every frame. From the opening sequence, where he strides in with that signature salt-and-pepper swagger, delivering punchlines that hit harder than a freight train, you're hooked. His intro scene-rumored to feature a bike stunt that defies gravity-sets the theater ablaze with whistles and roars. Ajith doesn't just play the fearless don; he embodies him, weaving a tale of a man torn between a peaceful life and a past that refuses to let go. The references to his iconic roles in Vaali, Dheena, and Billa are pure fan-service gold, each nod a spark that ignites nostalgia and euphoria.
The "Bad"? Oh, it's bad in the best way possible-a cavalcade of villains so deliciously over-the-top you can't help but root for their inevitable downfall at Ajith's hands. The plot twists like a coiled snake, striking with surprise cameos that'll have you leaping from your seat. Whispers of Vishal and SJ Suryah popping up in gleeful, chaotic glory only amplify the madness. The backend story of a kidnapped son might stumble slightly, but who cares when the screen is drenched in Ajith's unrelenting mass appeal? The action sequences-choreographed with Hollywood-level precision-see Thala flipping cars, smashing goons, and delivering double-barreled justice that's as stylish as it is savage.
And the "Ugly"? It's the sheer, unapologetic excess of it all-beautifully ugly in its ambition. The dialogues, dripping with Lollu Sabha-esque humor, land like firecrackers, blending quirky social media buzzwords with plot-driven zingers that'll have theaters echoing with laughter. GV Prakash Kumar's score is a beast unleashed, a background symphony that pumps adrenaline into every chase, every punch, every dramatic stare-down. Sure, some might say the VFX pushes boundaries a tad too far, but when Ajith's larger-than-life aura fills the screen, those minor hiccups dissolve into the grandeur of this technical marvel.
Adhik Ravichandran crafts a film that's a rollercoaster of emotions-rage against the villains, tears for the tender father-son moments, and unbridled joy at the mass masala feast. Trisha Krishnan shines as the heart of the story, her chemistry with Ajith a melody of grace amid the chaos. The supporting cast-Prabhu, Arjun Das, Yogi Babu-adds spice to this already sizzling dish, while the cinematography by Abinandhan Ramanujam paints every frame with vivid, jaw-dropping splendor.
Good Bad Ugly isn't just a movie; it's a celebration of Ajith's legacy, a tribute to Tamil cinema's love for larger-than-life heroes. It's the kind of film where logic takes a backseat, and pure, unfiltered entertainment reigns supreme. As the credits roll, you'll leave the theater buzzing, already craving a rewatch. This is Thala's ultimate mass masala triumph-a blockbuster that'll echo through 2025 and beyond!
Stale and outdated template, no emotional connect or reason to kill, just long dialogues in different Indian languages does not justify anything. No solid storyline, very predictable and bland. Make up is atrocious. AR Rahman BGM gives goosebumps, Airport scene is passable, Siddharth gives a decent performance. Jagan and Samuthrakani are ok. SJ Suryah has limited screen space. Viewers will not connect to indian 2. This film will probably be considered one of Shankar's worst in spite of him trying hard. The film has no soul. Save your 3 hours and so something useful. Indian 3 teaser at the end was interesting but I have lost trust.