ezmailuse

The ultra professional hitman takes practice shots minutes before an assassination by aiming at a wall above the target. The guards are standing right below the wall. They don't notice high powered bullets hitting the building or the debris landing at their feet?? The MI6 agent is expecting her contact to call her at any moment but leaves her phone on the kitchen table. The phone rings but the agent doesn't have it on her. So her daughter picks it up and sees the spy's code name read out on the phone. So stupid!!

Slick looking production values do not fix a bad script.

I recommend watching something else rather than wasting time on this show.

The first 10 minutes are very good. The de-aging of Harrison Ford is very well done, and this opening sequence is action-packed although reminiscent of other fights on top of a moving train. After that opening sequence, the movie becomes a tiresome loop of car chases and and "action" that have all been done by others and nothing new here. The story line is weak and the involvement of the CIA is poorly done and should have been left on the cutting room floor. This would have helped the run time, too, which feels way too long because it's just boring. How many times can we watch a car chase down stairs? Or a chase down a narrow road? Same thing over and over with no feeling of danger for the characters. The female lead's character Helena is not developed enough to care about. Her sidekick Teddy is better but still just used a device to hep Helena's character not seems like a complete boor.

In sum: a promising opening that made the viewer want to watch more but the movie quickly declined into a mediocre adventure.

The early statements in this fawning documentary that he was the only comic in the 70s breaking new ground and the most important comic is pathetic. Richard Pryor and George Carlin were comedic geniuses. For all his faults which came to light later, at that time Bill Cosby was huge and important in the comedy scene. And Gabe Kaplan. This documentary is boring and sadly lacks true context. Steve Martin's clownish act in the 70s and early 80s does not stand the test of time and he comes off as a novelty act in episode 1. They somehow make the very funny movie "The Jerk" into a bland footnote. Very disappointing documentary.