safirbiplob
may 2021 se unió
Te damos la bienvenida a nuevo perfil
Nuestras actualizaciones aún están en desarrollo. Si bien la versión anterior de el perfil ya no está disponible, estamos trabajando activamente en mejoras, ¡y algunas de las funciones que faltan regresarán pronto! Mantente al tanto para su regreso. Mientras tanto, el análisis de calificaciones sigue disponible en nuestras aplicaciones para iOS y Android, en la página de perfil. Para ver la distribución de tus calificaciones por año y género, consulta nuestra nueva Guía de ayuda.
Distintivos2
Para saber cómo ganar distintivos, ve a página de ayuda de distintivos.
Reseñas1
Clasificación de safirbiplob
Although Afrin's story is primarily a coming-of-age story, looking a little deeper one notices that the young girl is a symbol for millions of children and young people who live in this corner of the planet and in a field of dramatic inequalities with serious problems. Survival, sheer destitution and poverty on the streets of Dhaka but also on the banks of the Brahmaputra, which by silting up vast areas of land leads to displacement and a very intense wave of climate migration millions of people in the nearby unorganised urban centres. However, despite the objective dramatic difficulties, Angelos Rallis approaches Afrin with special affection and without melodramatise, giving through its history (a harsh bio-war story) the alternation of ugliness and beauty, the comic and the dramatic element - just as it happens in life in general. It is on this that Rallis presents a visually delightful film, with stunning photography (and it is admirable as most of what has been done in this documentary in terms of cinematography is entirely through his own hands), which highlights the majesty of nature (but also the destruction of climate change) in contrast to the concrete, noisy city of garbage and poverty (where his heroine finds refuge). Mighty Afrin is a truly admirable feat that comfortably beats out multi-million Hollywood productions.