SkyWalkerIV
jul 2021 se unió
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Distintivos2
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Reseñas5
Clasificación de SkyWalkerIV
If MTV were to make a return, they could add these 13 songs to their library.
Lip syncing and overproduction was the MTV style (verified by YouTube), so you will understand that "something beautiful" fits the bill.
Times have recently changed so there is no longer pressure to conform in order to be successful. She, and others now find it safe to live a normal lifestyle.
I hope it works out for her.
Lip syncing and overproduction was the MTV style (verified by YouTube), so you will understand that "something beautiful" fits the bill.
Times have recently changed so there is no longer pressure to conform in order to be successful. She, and others now find it safe to live a normal lifestyle.
I hope it works out for her.
This movie is Amazon Prime trash.
I can understand Ferrell taking this role. He hasn't evolved with the times, still stuck in the world when "Talladega Nights" and "Anchorman" set the standard. But the standard has changed, and this movie does not fit it. Ferrell has lost his way, therefore being relegated to "irrelevant" status, but I cannot, for the life of me, understand why Witherspoon would debase herself with this comedy drivel.
I also have a big problem with the gratuitous, vulgar language. I can tolerate the occasional F bomb, but all the F bombs dropped here were entirely unnecessary. As a matter of fact, no F bombs were needed. Maybe the target audience was GenXers, who use f**k as often as like, "like".
This could have been a fun, family comedy, but apparently, Ferrell and Witherspoon wanted raunchy, vulgar, and mildly funny. They succeeded.
Cast members Geraldine Viswanathan and Keyla Monterroso Mejia certainly didn't do anything to make this movie funnier. Those two have filthy mouths in every project they are in. I'm sure they're having a great time making these movies, but they are danger of being seen as a "One trick pony", and on their way to irrelevancy in a few years because, in all likelihood, people important to their career will find it difficult to accept themas serious actors.
I can understand Ferrell taking this role. He hasn't evolved with the times, still stuck in the world when "Talladega Nights" and "Anchorman" set the standard. But the standard has changed, and this movie does not fit it. Ferrell has lost his way, therefore being relegated to "irrelevant" status, but I cannot, for the life of me, understand why Witherspoon would debase herself with this comedy drivel.
I also have a big problem with the gratuitous, vulgar language. I can tolerate the occasional F bomb, but all the F bombs dropped here were entirely unnecessary. As a matter of fact, no F bombs were needed. Maybe the target audience was GenXers, who use f**k as often as like, "like".
This could have been a fun, family comedy, but apparently, Ferrell and Witherspoon wanted raunchy, vulgar, and mildly funny. They succeeded.
Cast members Geraldine Viswanathan and Keyla Monterroso Mejia certainly didn't do anything to make this movie funnier. Those two have filthy mouths in every project they are in. I'm sure they're having a great time making these movies, but they are danger of being seen as a "One trick pony", and on their way to irrelevancy in a few years because, in all likelihood, people important to their career will find it difficult to accept themas serious actors.
Please don't pay to see this movie. Wait until it is available for free, which probably won't be long time comin'.
The one, single POV holds your interest for about ten minutes before you find yourself yearning for a different angle, a zoom shot, &/or a close-up or two.
I found some interest in the scene within a scene and time-jumping approach, but it becomes tiresome rather quickly. Dipping into four five generations at different points in time, as time progressed, was dizzying.
The most unnerving aspect was the de-aging of Tom Hanks and Robin Wright. This required a suspension of disbelief that went on far too long, for it to be believable.
I honestly believe this will be a Tom Hanks flop.
The one, single POV holds your interest for about ten minutes before you find yourself yearning for a different angle, a zoom shot, &/or a close-up or two.
I found some interest in the scene within a scene and time-jumping approach, but it becomes tiresome rather quickly. Dipping into four five generations at different points in time, as time progressed, was dizzying.
The most unnerving aspect was the de-aging of Tom Hanks and Robin Wright. This required a suspension of disbelief that went on far too long, for it to be believable.
I honestly believe this will be a Tom Hanks flop.