Opiniones de SnoopyStyle

Famous actor Tony Shalhoub is traveling the globe eating bread. It's a simple concept. Initially, it sounds too simple and somewhat silly. They expand on the concept a little. It's more than white Wonder Bread. It's basically anything bread-adjacent. The secret ingredient is the gentle joy of Tony Shalhoub. He's always excited, but he's not hitting you over the head. That's this show. It has Tony's gentle charms without being overly forceful about it. Quite frankly, I enjoy hanging out with the guy and get away from the harshness of today's world.

It's the late 80's New York City. There is the subculture of gay men, mostly black and Latino, doing posing catwalk competitions. One competition is voguing which would be immortalized by Madonna. This is a time and a place and a subculture forever documented in this film. The personal stories can be devastating. The characters are fascinating. The elements of the culture is enlightening.

Ten years ago, four soldiers in a crack commando unit were convicted and sent to a maximum military prison for a crime they didn't commit. They escape into the LA underground and work as soldiers of fortune. Colonel John 'Hannibal' Smith (George Peppard) is the leader and master of disguises. Captain H. M. 'Howling Mad' Murdock (Dwight Schultz) is the wacky pilot who is often stuck in an asylum. B. A. 'Bad Atitude' Baracus (Mr. T) is the mechanical genius with a deadly fear of flying. Lieutenant Templeton 'Faceman' Peck (Dirk Benedict) is the pretty one with the skill of gab. For the first season and a half, they are joined by reporter Amy Amanda Allen (Melinda Culea).

This is an action adventure of the week show. Like GI Joe, there is plenty of shooting and nobody ever seems to die from it. It's a bit of a cartooon show. First, I want to address the Melinda Culea issue. I remember her when I watched this back in the day. The show does need a girl, but she became a token girl. That is a problem. She doesn't need to be in on the action. She just needs to find jobs for the guys and sing their praises in her reporting. That's what her introduction suggests. She's a reporter, not a fighter. She didn't last two seasons and the show lasted only five. The show decides to up the action and increase the babes quotient. It's nostalgic to remember some of these ladies from the era. For its cultural influence, five seasons is not a long run. This strikes me as an iconic early 80's show. As we approach the late 80's, this would be seen as cheese and all the explosions probably cost a pretty penny. The decline in viewership could not be ignored. The iconic opening and theme song also cannot be ignored. This is 80's cheese icon and it introduced us to Mr. T.

It's 1857. A Danish explorer ship is stuck in the ice while searching for the North Pole. The crew finds Victor Frankenstein (Oscar Isaac) being hunted by The Monster (Jacob Elordi). Victor recounts his life story.

This Mary Shelley icon is a passion project for Guillermo del Toro. The production is amazing and everything looks great. Of course, this story has been done countless times. I'm not sure that he's adding anything new in the telling. It is all very familiar. I do find myself comparing this to Poor Things which is so very different and new. While I appreciate Guillermo's work, it's not exciting me with new insight in the material.