ClarieJ
may 2025 se unió
Te damos la bienvenida a nuevo perfil
Nuestras actualizaciones aún están en desarrollo. Si bien la versión anterior de el perfil ya no está disponible, estamos trabajando activamente en mejoras, ¡y algunas de las funciones que faltan regresarán pronto! Mantente al tanto para su regreso. Mientras tanto, el análisis de calificaciones sigue disponible en nuestras aplicaciones para iOS y Android, en la página de perfil. Para ver la distribución de tus calificaciones por año y género, consulta nuestra nueva Guía de ayuda.
Distintivos2
Para saber cómo ganar distintivos, ve a página de ayuda de distintivos.
Calificaciones2
Clasificación de ClarieJ
Reseñas2
Clasificación de ClarieJ
Rainey Qualley delivers a standout performance as Astor Grey, a rising indie singer whose talent is undeniable, but so is her vulnerability. Between gigs and commercial work, Astor is trying to make something real. Enter Brandyn Verge, a washed-up rockstar with a slick smile and something to prove. Ryan Hansen plays him with an unnerving blend of charm and volatility, he's not a villain in the cartoon sense, which is what makes him dangerous. The relationship that unfolds is seductive, erratic, and edged with dread.
What starts as a familiar story, a younger artist lured by an older mentor, becomes something far thornier. Foe isn't interested in easy labels. She's interested in power: who has it, how it's taken, and what it costs to reclaim. And when Astor finally finds her voice, both musically and metaphorically, it's not in a triumphant anthem, but something raw, defiant, and earned.
The supporting cast adds texture. Olivia Sui brings grounded energy to the best-friend role, while Julia Campbell is quietly commanding as Astor's mother, who's seen the game and knows the rules. Rebecca De Mornay is pitch-perfect as the tough as nails manager and ally , and blink-and-you'll-miss-it cameos from the likes of Billy Gibbons and Peyton Manning add sly levity.
Yes, you can spot echoes of A Star Is Born here, but Foe's film isn't a tragedy. It's a rebellion. Off the Record is about survival, self-definition, and how women are done waiting for permission to take the mic. In a post-MeToo world still wrestling with old power structures, this film doesn't just feel timely-it, feels necessary.
What starts as a familiar story, a younger artist lured by an older mentor, becomes something far thornier. Foe isn't interested in easy labels. She's interested in power: who has it, how it's taken, and what it costs to reclaim. And when Astor finally finds her voice, both musically and metaphorically, it's not in a triumphant anthem, but something raw, defiant, and earned.
The supporting cast adds texture. Olivia Sui brings grounded energy to the best-friend role, while Julia Campbell is quietly commanding as Astor's mother, who's seen the game and knows the rules. Rebecca De Mornay is pitch-perfect as the tough as nails manager and ally , and blink-and-you'll-miss-it cameos from the likes of Billy Gibbons and Peyton Manning add sly levity.
Yes, you can spot echoes of A Star Is Born here, but Foe's film isn't a tragedy. It's a rebellion. Off the Record is about survival, self-definition, and how women are done waiting for permission to take the mic. In a post-MeToo world still wrestling with old power structures, this film doesn't just feel timely-it, feels necessary.
Sinners is a haunting, slow-burn thriller that explores the dark corners of desire, guilt, and redemption. With its stark cinematography and a brooding score that creeps under your skin, the film creates an atmosphere that feels both intimate and oppressive. At its heart are flawed, deeply human characters-each carrying secrets, regrets, and wounds they can't quite outrun. The performances are raw and lived-in, with every glance and silence weighted with meaning. As the story unfolds, it asks uncomfortable questions: Can people truly change? Is forgiveness ever earned-or just taken? The final act doesn't offer easy answers, but it hits with emotional precision. Sinners is a bruising, beautifully crafted tale about the cost of confronting your past and the brutal grace of survival. It lingers long after the credits roll.