PramK-9

As soon as War 2 ended, I found myself wanting to watch it again - not just to relive the big moments, but to catch all the little details I might have missed. The foreshadowing, the subtle character beats, the way certain lines take on new meaning after you know the ending - it's the kind of film that rewards paying attention. And of course, the action sequences are so well-crafted that they're just as thrilling the second time around. It's rare to find an action movie that's both exciting in the moment and worth revisiting, but War 2 is exactly that.

Dear Maa handles a sensitive adoption storyline with restraint, the disappearance is treated as a personal crisis, not just a plot device, Jaya Ahsan conveys Brinda's grief with a quiet strength that avoids overstatement, the screenplay reflects lived emotional truths rather than clichés, Chandan Roy Sanyal brings subtle weight to a supporting role that anchors the investigation, the visuals by Avik Mukherjee are understated, scenes in the police station and lyric-lit rooms feel somber, the layered story about the politics of care and letting go doesn't resolve neatly, which makes it feel more real.